Beginner
Beginner
Intermediate
Beginner
- Develop a better sense of subdivisions.
- Understand how to play "over the bar line."
- Learn to target chord tones in a 12-bar blues.
Playing in the pocket is the most important thing in music. Just think about how we talk about great music: It's "grooving" or "swinging" or "rocking." Nobody ever says, "I really enjoyed their use of inverted suspended triads," or "their application of large-interval pentatonic sequences was fascinating." So, whether you're playing live or recording, time is everyone's responsibility, and you must develop your ability to play in the pocket.
So, what is bad time? It's when people rush and speed up the tempo or drag and slow the tempo down in an unmusical way. If your quarter-note pulse is uneven, you can't lock in with what the band is doing because the time keeps moving. If somebody's fills are all wonky and don't land right, that usually means they are not subdividing and are just stuffing notes into the measure haphazardly. These players don't realize what is happening. Don't be one of these players. To develop your own pocket, you will need two things: your guitar and a metronome. A better groove, and a better ability to subdivide the beat, will lead to better phrasing and more control of what you want to play.
The first three examples are designed to eliminate your reliance on the first beat of the measure. Practicing with the metronome on all four beats of the measure is a very common way to practice scales and chord progressions. Remember that in most styles of music, the snare drum is on beats 2 and 4 of the measure. Practice with your metronome as if it's a snare, where the click is on 2 and 4. (A note about tempo markings: Usually the tempo is listed at a quarter-note level, but with the metronome on beats 2 and 4, it's marked as a half-note. So, if the half-note tempo is listed as 120 bpm, the quarter-note tempo would be twice that, or 240 bpm.)
Ex. 1 is a G7 arpeggio played in 3rd position, with half-note tempos of 100, 125, and 150 bpm. The recording of this example has a count off with the clicks on 2 and 4. If these tempos are initially too fast, start with a slower tempo where you can play the example cleanly, putting each note directly in between the clicks of the metronome. You can even start with just a single note at a comfortable tempo, getting used to what it sounds and feels like to put a note directly in between the metronome clicks.
Ex. 1
Ex. 2 is the A minor pentatonic scale (A–C–D–E–G) in 5th position, played first in half-notes and then again in whole-notes. This example is designed to help you switch gears between different rhythms.
Ex. 2
Ex. 3 is the C major scale (C–D–E–F–G–A–B) in 7th position played in half-notes and whole-notes, but at faster tempo. If you practice different types of scales and arpeggios in this way, you'll discover spots where you may rush or drag the notes.
Ex. 3
Ex. 4
The last three phrasing exercises are intended to eliminate your need to play on the first beat of the measure. Played over a 12-bar blues in A, each example uses a different rhythm or phrasing structure where you will need to count a lot of empty space to play these rhythms correctly. Ex. 5 is deceptively simple, where you play only on beats two, three, and four of each measure. It takes more concentration than you would think, so be careful that you don't fall back into playing your usual stuff.
Ex. 5
Ex. 6 will develop your ability to play over the bar line, which is simply not starting or ending your phrases directly on beat 1. There's a lot of space to count, starting each small phrase on the "and" of beat 3, and finishing on the "and" of beat 1 in the next measure.
Ex. 6
Ex. 7 aims to expand your phrasing, creating longer lines by playing a two-bar phrase almost entirely in eighth-notes. The challenge to this exercise is beginning on the "and" of one in the first measure and ending on the "and" of four in the second measure. In each of these examples, practice each rhythm by itself on a single pitch with a metronome, focusing on counting the spaces and playing that specific rhythm. Then, try adding different chord tones or scales when that rhythm becomes internalized.
Ex. 7
After working on these examples, play over a track and focus on one concept at a time to see if you really have it under your fingers and in your ears. Always remember to keep things simple to begin with. There's plenty of time to make things complicated later on. Cheers!
This collection of apps can help you with learning tunes, mapping out the fretboard, navigating a tricky lick, or even inhumane metronome practice.
More than ever before, guitarists are on the go. Finding time to sneak in a bit of practice is tougher than ever. Below are a handful of apps that will not only open your musical mind, but make more mundane tasks a bit easier.
SØLO
Cleverly designed by fusion guitarists Tom Quayle and David Beebee, this app helps you visualize how to navigate chord and scale tones all over the neck. It comes loaded with tons of progressions and challenges you to snake through by hitting the correct notes.
$14.99
IREAL PRO
This modern, tablet-friendly version of the famed "illegal" Real Book that sprouted up in the '70s is a treasure trove of changes to thousands of jazz, pop, rock, and country tunes. The app also allows you to choose style, tempo, key, and more to create customized play-alongs.
$14.99
1CHART
You don't have to be a session cat in Nashville to get the most out of this sleek app that aims to make your charts clean and easy to read. Using simple Nashville-style notation, you can create charts with either numbers or chord symbols, rhythmic figures, and much more.
$15.99
1chartapp.com
GUITAR NOTE ATLAS
Imagine this app is your handy travel guide to nearly every possible scale, chord, and arpeggio around. It features a bass mode, left-handed mode, and the ability to view both a single position and the entire fretboard at the same time.
$4.99
guitarnoteatlas.com
AMAZING SLOW DOWNER
If you're trying to get inside the licks of Vai, Satriani, Yngwie, or EVH, there will likely come a time when the notes are simply going by too fast. This app can tap into your streaming service and create customized loops, adjust the tempo, or even raise and lower the pitch of a tune.
$14.99
FENDER PLAY
The focus of Fender's instructional app is to get your favorite songs under your fingers quickly, while teaching the fundamentals of good technique. The extensive song library covers everyone from the Beatles to Billie Eilish, in addition to courses on bass and ukulele.
$44.99/year
GIBSON APP
Inside this all-in-one app is a deep collection of instructional materials, song tutorials, a tuner, and a progressive learning path that uses augmented reality to help you better recognize what you're doing right and wrong.
$14.99/month
ULTIMATE GUITAR TABS
This app serves as an extension of the largest collection of user-sourced guitar tab on the internet. Nearly every style of guitar is represented here, and the app also includes backing tracks, transposable chord charts, and much more.
$5.99/month
ultimateguitar.com
GUITAR PRO
One of the more popular guitar notation programs is available in a mobile version that will let you view pro-looking tab on the go. There are 19 available sounds, support for 4- to 8-stringed instruments, a mySongBook portal to learn your favorite songs, a metronome, and extensive looping controls.
$6.99
guitar-pro.com
HUMANOME
Only the mind of Wayne Krantz could come up with this twisted take on a metronome. It's designed to not only improve your internal clock, but help you adapt quickly to sudden changes in tempo. If you're feeling adventurous, then make sure to check out inhumanome mode.
waynekrantz.com