RatingsPros:Unique distortion/modulation effects. Cons: Tricky to use. Tones may get tiring. Poor documentation. Street: $190 Nunomo Grain shop.nunomo.com | Tones:  Ease of Use:  Build/Design:  Value: |
The tone knob works much like the passive controls in a guitar or an old blackface Fender amp. All the way up, you get straight, unadulterated overdrive signal. Rolling it back cuts high-end content. But to the Limbo’s credit, it never sounds muddy. And it was particularly helpful for taming the top end of a Telecaster’s bridge pickup without sacrificing cut and definition.
Ratings
Pros:
Huge array of overdrive tones. Easy-to-dial-in response and feel.
Cons:
No battery option.
Tones:
Ease of Use:
Build/Design:
Value:
Street:
$140
Nunomo Limbo Overdrive
shop.nunomo.com
The Limbo also works wonderfully when stacked with other dirt devices. The Nunomo became a singing sustain machine with a push from my Voodoo Lab Sparkle Drive Mod pedal. Running it in front of my 5-watt, class-A Blackheart BH5H amp and a preamp pedal set at the edge of breakup added more harmonic content and weight to single notes and chords.
Variable Voltage Means More Feel
Additional keys to Limbo’s dynamic sound and feel are two knobs labeled positive and negative, which control the pedal’s clipping voltages and whether the clipping is symmetrical or asymmetrical. While the physics behind symmetrical clipping can be tricky to explain (and deserves its own story), the sonic effects of various settings are much more obvious. Clipping becomes sharper when you turn the dials counterclockwise, and softer when you turn the dials clockwise. I also found that with the knobs pulled all the way back, the pedal sounds much more open and airy—like a high-headroom amplifier. Every picking nuance becomes more pronounced, and highs have more sparkle and clarity. Rolling the positive and negative knobs all the way up results in a more rounded, warm, and compressed quality, better suited for thick lead tones. They’re a rewarding and intuitive way to dial in the perfect response for your playing style and can shift the character of your amp in sometimes subtle, but still very tangible, ways.
The Verdict
Many of us already have great overdrive pedals that we’re very fond of, but leave us wanting just for a little more compression, top-end clarity, or a bit more headroom. The Limbo rarely, if ever, left me longing for more of those attributes. And while the pedal’s low-gain transparency means metal heads and other aggressive tone fiends may be underwhelmed, it’s hard to imagine any other players who wouldn’t be intrigued by Limbo’s wide-open overdrive-shaping potential.