pedal design

In the pedal-building community—as in Alcatraz—sharing is caring.

When I have a conversation about business with someone outside of the music industry, I often find it leads to a discussion of competitors or competition. These terms tend to place a comedic smile upon my face. Both of those words are almost always used by the person not in the music industry. As natural as the concept of competition is, the response I give is often received as unnatural. This could solely be because folks are not used to hearing how our industry actually operates internally.

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State of the stump: Our columnist built this dub-inspired oscillator inside the shell of an old walkie-talkie bearing Radio Shack's Realistic brand name.

How a walkie-talkie, a tiny city of circuits, and Shrinky Dinks became a mind-blowing dub box.

My phone has become a repository of gut shots and glamour shots of my pedal builds. Once a year or so, when it gets full, I dump the photos onto a hard drive for safe keeping. Every time I do, it turns into an all-day trip down memory lane. I go back—all the way back—to when I first started building pedals, and I look at my progression from then until now. I find it so rewarding to have a visual journal of all the work, love, and intention that I put into them. It's a representation of my learning journey and a reminder of how many friends I have made along the way.

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