silverface

These before and after photos show the rough condition that our columnist's '65 Super Reverb arrived in, and the worn-but-dignified look of his restoration. Of course, a shiny red ES-335 with a Bigsby pretties things up, too.

Our columnist shares a love story about his longtime passion for the 1965 heavyweight that’s his No. 1.

Let me tell you the story of my first vintage Fender amp, which I call “No. 1"—the 1965 Super Reverb that I consider the greatest guitar amp I've ever heard and played.

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DIY Vibrato Shorting Plug for Blackface / Silverface Amps

If you own a vintage Fender amp with reverb and vibrato, you've probably had those moments where you think the vibrato has stopped working, only to realize that you forgot to plug in the footswitch. Luckily, there is an easy way to eliminate the need for a footswitch.

If you own a vintage Fender® amp with reverb and vibrato, you've probably had those moments where you think the vibrato has stopped working only to realize that you forgot to plug in the footswitch. Luckily there is an easy way to eliminate the need for a footswitch. A shorting plug or “dummy" plug can be used instead and these are really easy to make.
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Some silverface Twin Reverbs feature a master volume control with a push/pull switch for extra gain.

Why don’t master-volume Twin Reverbs get any respect?

Hello Jeff,

I just got a '70s silverface Fender Twin Reverb that needs a little TLC. Surfing the various forums, I've learned that this master-volume edition of the Twin is one of the most (unfairly, to me) maligned designs. The only indication of power is the "300 watts" label on the back.

I've wanted a silverface Twin or Pro Reverb since I was a teen. To me they are loud, clean, blank slates to color with different guitars and pedals. I'd appreciate any thoughts you might have on this amp.

Thanks, John Gilbert

Matt Alcott

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