Step inside Premier Guitar’s magical, miraculous time machine and revisit the gear that stood head and shoulders above the rest as Premier Gear Award winners in 2018.
Koll Super Cub
Saul Koll’s latest creation is an upscale tribute to down-market American guitars of the 1960s, but unlike its ’60s inspirations, the Super Cub is an exceedingly high-performance instrument. Equipped with custom Curtis Novak silver-foil pickups, the guitar offers surprisingly versatile tones ranging from authoritative cleans to brash chunk. Light and ridiculously fun to play, the Super Cub will appeal to guitarists who like svelte instruments and appreciate fine hand-workmanship.
$3,600 street
kollguitars.com
From Bulgaria with love, this tiny wonder puts convincing Bender, Muff, and Fuzzrite tones in a single, pedalboard-liberating package.
Clip 1: Bridge and neck pickups, with volume at 9 o’clock, tone at 10 o’clock, and fuzz fully clockwise (thin).
Clip 2: Bridge pickup, with volume at max, tone at minimum, and fuzz fully clockwise (thin).
RatingsPros:Fantastic range of vintage fuzz flavors—enough to shame many larger, more expensive stomps—via a remarkably simple control array. Excellent deal. Cons: Plastic pot shafts might worry some. Street: $149 SviSound RetroZoid Germanium Fuzz svisound.com | Tones: Ease of Use: Build/Design: Value: |
Looking like a cross between a shrunken hi-fi component and the remote control for James Bond’s private jet, SviSound’s RetroZoid Germanium Fuzz continues Bulgarian builder Mark Svirkov’s trend of packing killer vintage sounds into hefty, space-efficient metal enclosures.
Though it doesn’t serve up gnarly gated sounds, the ’Zoid’s range of flavors is otherwise pretty astonishing. Volume achieves unity gain around 8 or 9 o’clock, and the impressively varied tone control goes from warm and thick to nastily trebly—enough to make a Tele’s bridge pickup uncharacteristically corpulent or turn any fat ’bucker into an eardrum-piercing demon. Fuzz works interactively with volume to determine the amount of nasty, while on its own it governs the character of the effect—and the range of smoothness to gnarliness is a lot more nuanced than the “fat” and “thin” knob labels imply.
The net result? RetroZoid can conjure not just the electrocution-through-your-fillings sounds of an old Fuzzrite—something even one-trick clones often don’t nail—but also Tone Bender- and Muff-style sounds so dynamically sensitive and meaty that this stomp could do double- or even triple-pedal duty and free up serious board space.
Test gear: Squier Vintage Modified Tele with Curtis Novak Tel-V and JM-V pickups, Squier/Warmoth baritone “Jazzblaster” with Curtis Novak Jazzmaster Widerange pickups, Jaguar HC50, Goodsell Valpreaux 21, MXR Reverb.
Another year, another dazzling parade of pedals, guitars, amps, modelers, and accessories that made our noggins spin.
Fractal Audio Systems AX8
Fractal Audio System’s rackmount Axe-Fx units awakened many players to the possibilities of digitally modeled amps, cabinets, and effects. The AX8 puts Fractal’s realistic modeling technology into the pedalboard format and provides plenty of juice for most applications. The ruggedly built unit sounds stellar, and if you invest the effort to get acquainted with this open-ended device, you’re likely to be inspired.
$1,299 street
fractalaudio.com
This year’s Premier Gear Award winners are, as usual, an eclectic set—full of old-school vintage homage, leading-edge digital developments, and imaginative meetings of those worlds. Dig in and dig it as we revisit the gear that fired the enthusiasm and wonder of our editors and contributors in 2017.