This yearās Premier Gear Award winners are, as usual, an eclectic setāfull of old-school vintage homage, leading-edge digital developments, and imaginative meetings of those worlds. Dig in and dig it as we revisit the gear that fired the enthusiasm and wonder of our editors and contributors in 2017.
![The Jesus Lizard Rig Rundown [2025]](https://www.premierguitar.com/media-library/youtube.jpg?id=56479987&width=1245&height=700&quality=85&coordinates=0%2C0%2C0%2C0)
When the Jesus Lizard released their seventh studio record, Rack, last September, it ended a 26-year hiatus between recordings, and lovers of raucous, steely rock music around the world rejoiced. As guitarist Duane Denison told PGās Nick Millevoi in our feature story, the key to the albumās vitalityāand reviving the bandās brutal soundāwas simple: āPractice loud.ā
Ahead of a hotly anticipated U.K. tour celebrating the record, the band gathered at SIRās rehearsal space in Nashville to do exactly that. PGās Chris Kies stopped by to see what Denison and bassist David Wm. Sims were stuffing into their suitcases for the trip across the pond.
Brought to you by DāAddario.Higher Powers
The last time Denison invited us to his Nashville home for a Rig Rundown, he was using Electrical Guitar Company models. This time around, heās smitten with this Powers Electric Type A. Most of the guitarās features are proprietary, including the bridge, pickups, and the vibrato system. The trussed hollowbody is made from urban ash with a solid maple top, and comes with a compound radius Honduran rosewood fretboard.
Denison digs the definition and articulation in the attack of the discrete FF42 single-coil pickups, which bridge the gap between a humbuckerās hot output and a traditional single-coilās brightness. He goes through four different tunings in the current Lizard set: E standard, drop D (for āHide & Seekā), drop G (on āThumbscrewsā), and a strange tuning with flat E and D strings for āThumper.ā Coated Stringjoy Orbiters (.105ā0.50) handle the changes, as well as the Stringjoy Jumbo Jazz picks Denison uses.
Sweet Victory
Denison has switched from Blackstar amps to this 2-channel Victory VS100 Super Sheriff. Heās always preferred British amps: āAmerican guitars and English amps make the world go round,ā he says. Denison also uses a Marshall JCM900, which he appreciates for its simplicity compared to the JVM series, and its versatility compared to the JCM800.
Helix Help
Denison sets up this Line 6 Helix as a pedalboard, with tweaked versions of his favorite analog delay pedals programmed in. Among his go-to effects are reverb, slapback delay, tremolo, chorus, wah, longer delay, and what he calls a āwildcare effect,ā which comes into play for āWhat If?ā
The Best $250 Ever Spent
Sims bought this Memphis brand Jazz-style bass in 1981 for $250, and itās still his No. 1. He strings it with Rotosound RS66LDs, which he needs to change every three or four shows; once he senses the attack softening, he slaps new ones on.
Boomtown Brightness
Sims blasts his bass through this Gallien-Krueger 800RB, set for a classic midrange scoop with plenty of bite and bottom end. He prefers Ampeg 8x10 cabinets, or 2x15 speaker cabs.
Triple Combo
No fancy floor unit for Sims. Heās got a Boss ODB-3, an MXR Bass Chorus Deluxe, and an MXR Phase 90, all of which are used sparingly throughout the set.
The Jesus Lizard's Rig
