Another year, another dazzling parade of pedals, guitars, amps, modelers, and accessories that made our noggins spin.
Fractal Audio Systems AX8
Fractal Audio System’s rackmount Axe-Fx units awakened many players to the possibilities of digitally modeled amps, cabinets, and effects. The AX8 puts Fractal’s realistic modeling technology into the pedalboard format and provides plenty of juice for most applications. The ruggedly built unit sounds stellar, and if you invest the effort to get acquainted with this open-ended device, you’re likely to be inspired.
$1,299 street
fractalaudio.com
This year’s Premier Gear Award winners are, as usual, an eclectic set—full of old-school vintage homage, leading-edge digital developments, and imaginative meetings of those worlds. Dig in and dig it as we revisit the gear that fired the enthusiasm and wonder of our editors and contributors in 2017.
Versatile controls mean a multitude of sounds in this cool Italian OD.
As one of few Italian manufacturers making headway in the American effects market, Gurus has already generated buzz for tube-driven pedals like the 1959 Double Decker overdrive, the Echosex 2 Ltd. Echorec-style delay, and the Optivalve compressor. The Sexydrive MkII pedal isn’t tube driven, but it works beautifully with your tube amp to induce sweeter and earlier breakup for everything from textured crunch rhythms to singing lead tones.
The newest version of the Sexydrive is a medium-gain overdrive that cites no single inspiration, but delivers appealingly musical and richly saturated tone with a lot more versatility than the average OD. It also uses an interesting buffer system rather than going the popular true-bypass route, using three extremely transparent buffers—one on the input and two on the output—to keep your signal intact and help deliver it on through other pedals and long cable runs to your amp.
Six Pack
Keys to the Sexydrive MkII’s versatility can be found in the EQ section and band controls. In place of a standard single tone control, this pedal has a full three-knob EQ stage with bass, middle, and treble, while a balance control enables any desired ratio of dry-to-dirty signal.
This latter knob is worth paying attention to: It provides seemingly endless shades of gain from the Sexydrive MkII, plus the ability to keep your signal crisp and articulate. And some of the sounds have the dimension and definition artists achieve by using two-amp rigs in the studio.
Ratings
Pros:
A cleverly designed and confidently constructed overdrive pedal with rich, lush tones and excellent versatility courtesy of a useful balance knob.
Cons:
None.
Tones:
Ease of Use:
Build/Design:
Value:
Street:
$249
Gurus Sexydrive MkII
gurusamps.com
It’s a technique that a few other makers have used effectively for several years. Truetone’s Route 66 v3, Voodoo Lab’s Sparkle Drive, and Way Huge’s Pork Loin come to mind. It’s a design move that can make a standard overdrive exceptional, and it does so here.
The Sexydrive MkII’s form factor is pretty cool, too. The original-design enclosure is quite different from any of the standard “project box” pedals out there. The custom-folded sheet-metal enclosure is topped with a Plexiglas face that lends a three-dimensional look to the legends etched below, and in addition to the on/off light there are LEDs for peak (which lights up at higher drive levels) and fuel (a weak-battery indicator). Access to the 9V battery compartment is through a plate at the bottom edge of the box, or you can use any standard center-negative adaptor to supply 9V—12V (but no more!), which is doubled internally by the Sexydrive MkII’s “twin dynamic” power circuit to provide extra dynamic range. Finally, there’s a clean level trim pot accessed through a small hole in the base plate which lets you adjust the amount of dry signal sent to the balance pot on top.
Drivin’ Home
I tested the Sexydrive MkII using a tweed Fender Deluxe combo, a JTM45-style head with a 2x12 cab, a Stratocaster, and a Les Paul. If you’re looking for an easy tonal reference point, you can definitely hear elements of a modified Tube Screamer, except that it has a much more balanced voicing (there’s no mid-hump, unless you dial it in that way via the middle control). You’ll also hear more clarity, and perhaps even a sweeter and livelier harmonic structure, too. In short, it’s an extremely likeable and eminently usable overdrive, and very easy to get to grips with.
After just a short bit of monkeying around with it in the studio, I found it quickly rivaling a couple of my current favorite ODs and I stuck it on my board for a rehearsal with an original indie-rock band the next night. The MkII absolutely excelled, easily achieving a very tactile and musical medium-gain lead tone that—thanks in part to the balance control—never once got lost amid the loud (and occasionally over-enthusiastic) four-piece mix.
The Verdict
Versatile, sonically pleasing, easy to dial in, and adept at helping your precious guitar parts stand out in the mix, the Sexydrive stands apart. It’s not cheap for an overdrive, but it is smartly conceived, well put together, and well worth investigating if you’re in the market for new dirt-box sounds and a more flexible pedal design.
An updated version of their flagship pedal with a few added improvments.
Faenza, Italy (July 24, 2017) -- With the Echosex 2°, which will stay in production, Gurus wanted to recreate that kind of magic of the “old Italian Echo” units, but with more versatility, reproducing one of the most used and useful setting, the single head, and give the possibility to set the delay time as in a modern pedal, to bring that magic sound and extend its musical applications. Musicians like Steve Lukather who uses it for all of his soloing parts.
But now, Gurus wanted to raise the bar, and fixed two important goals for this new project:
- Create a real alternative to buying an old, expensive, unreliable and very rare original unit.
- Create a device that really keeps the musicality and creativity of the old Binson Echorec 2°
The result is the new Echosex 2° T7E model:
- No mechanical parts in movement: absolute reliability in any condition, with no maintenance needed.
- Improved Audio Quality: The insane frequency response of 7hz to 161000z @1db and the DI totally WET out, make it a modern piece of gear, able to be connected to today highest professional studio grade equipment.
- With the “Motor Speed Adj” feature, you have the possibility to increase the overall delay time, reaching the 740ms, keeping the multi-heads combinations in sync, so to make it suitable for a larger number of musical application that it’s predecessor.
Features and benefits:
- All features and controls of the Old Binson Echorec 2° T7E model
- 12AU7B and a Pure Class A Preamp Cascode J-FET ensure the highest audio quality possible
- Multi-Heads with 12 position switch + 3 way selector for echo, rep, swell mode
- LED displays for Input level and for Heads combinations working
- D.I. 100% WET Out for connection to mixing consoles or parallel amp’s Fx loop
- True bypass or Spillover mode selectable
- Suitable for any kind of instruments or signals
Enclosed in the same dimensions of their famous 1959 Double-decker pedal, (8”x5”x2”) suitable for an easy fit in a pedalboard, the new Echosex 2° T7E is not only a reissue of the “Old Italian Echo," but an improve-ment of it. Our thinking was about what the well known issues of the old units were, and the different needs of the musicians of today. This project take us more than a year, making a lot of work of measuring, tests and comparison to more than 20 real vintage units, and the user’s manual looks like a book, cause we wan-ted to share all of our experience of almost 30 years in repairing, servicing and restoring old Binson units.
The new Echosex 2° T7E will be released to world’s distributors from September at a street price of 599€, and one of the Pros involved in the fine tuning and testing process is Sir. Alan Parsons himself.
For more information:
Gurus Amps