vintage fender amps

Our columnist is back to balance the force with a look at the top qualities of old-school Fullerton noise-makers.

Last year, I wrote a column listing the top 10 annoying things about vintage Fender amps. Now, I seek to rebalance the equation, and will share my list of reasons to love them.

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The author’s Collings D2H rests on his favorite Fender amp combination for acoustic guitar: a Bandmaster Reverb atop a 1x12 extension cab with an Eminence Maverick inside. The amp has a custom-made baffle board with two 8" speakers, so can go it alone for smaller gigs.

Interested in plugging a flattop into your favorite silver- or black-panel beauty? Here’s what you need to know.

Have you ever tried to plug your acoustic guitar into a classic-style Fender amp? There are some hurdles to overcome, and this month I’ll provide some advice on how to get past them. But first, some background.

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The Victorilux comes in the 3x10 configuration discussed by our columnist, plus 2x12 and 1x15 combos.

Our columnist is a Fender die-hard but finds thrills in an inspired modern alternative: the Victoria Victorilux.

I am extremely loyal to vintage Fender amps. I love their clean and transparent tones, and how their simplicity makes for amplifiers that are not only collectable but serviceable. I do play other guitars and amps besides Fenders, although I have to admit that I always measure them against the brand and often try dialing them to a sound as close as possible to Fender tone. But this month I want to share a story about a Fender-inspired amp that I love: the Victoria Victorilux.

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