Our columnistās Greco 912, now out of his hands, but fondly remembered.
A flea-market find gave our Wizard of Odd years of squealing, garage-rock bliss in his university days.
Recently, I was touring college campuses with my daughter because sheās about to take the next step in her journey. Looking back, Iāve been writing this column for close to 10 years! When I started, my kids were both small, and now theyāre all in high school, with my oldest about to move out. Iām pretty sure sheās going to choose the same university that I attended, which is really funny because sheās so much like me that the decision would be totally on point.
The campus looks way nicer than it did back in the ā90s, but there are similarities, like bars, shops, and record stores. Man, our visit took me back to when I was there, which was the last time I was active in bands. Many crash-and-burn groups came and went, and it was then that I started to collect cheap guitars, mainly because it was all I could afford at the time, and there were a lot of guitars to find.
In that era, I was using an old Harmony H420 amp (made by Valco), a Univox Super Fuzz, and whatever guitar I was digging at the time. I was so proud to pull out oddball guitars during shows and just have this totally trashy sound. Squealing and squeaking and noisy as heck, my style was reminiscent of Davie Allan, Ron Asheton, and Chuck Berry. Of course, I was way worse than all of them, but I did have a frenetic energy and I covered up my lack of skill with feedback. During the ā90s, there was a great punk revival, and I loved bands like the Mummies, Teengenerate, the Makers, the New Bomb Turks, and a bunch of others. Bands were embracing lo-fi, and I was planted firmly in that vein. Plus, the guitars I liked to use already sounded lo-fi.
āThis was about the trashiest-sounding guitar, but in a good way!ā
For a short spell I was using this Greco guitar and, man, this was about the trashiest-sounding guitar, but in a good way! See, Fujigen pickups (like the ones here) have this echoey voice that I describe as an āempty beer canā sound. My Super Fuzz would just destroy these pickups, and I wish I had some recordings from that era, because it was a real scene! I believe this Greco was a flea-market find but it was much later that I found out it was called a Greco Model 912. This was actually a copy of a German-made Framus guitar, but with a lot more glitz and a crazier headstock. Four pickup selector switches, volume/tone knobs, and a rhythm/lead switch rounded out the electronics. Again, these pickups are instant spaghetti-Western movie tone. Airy and bright, the bridge area is like instant, gnarly surf music. Tom Morello of Rage Against the Machine has a similar guitar and John Barrett of Bass Drum of Death was also fond of these pickups. Interestingly enough, these particular Grecos were made in small numbers, ranging between 500 to 600 in total (including all pickup combinations).
The Greco brand was initially owned by the U.S.-based Goya Corporation, but in the late 1960s, Fujigen bought the brand name (for $1,000) and produced a few truly gonzo guitars, including this Model 912. Originally called the GE-4, the four-pickup version sold for $99.50 in 1967. My particular 912 was sold at Sid Kleiner Guitar Studios in Califon, New Jersey (which I learned thanks to the attached store sticker on the headstock).
Aside from the chrome coolness and the four pickups, this model featured a cute little flip-up bridge mute that was all the rage at the time. The body also had some tasteful German carvings around the edges, and as I write this, I am missing this guitar tremendously! But not even close to the way Iām going to miss my girl in a few months. At least I know that she can shop at the same record stores!
Two horns? It must be a Bison!
Our columnist links a few memories together to lead us to another obscure guitar modelāone he remembers from his childhood and came to acquire as an adult.
Do you have any āclick and stickā movies that you love? Like when you are channel surfing and see a movie that youāve watched a lot, and then just watch it again? Lately, for me, itās been the 2015 movie The Revenant. Itās a truly brutal tale of survival set in 1820s frontier America. My gosh, that movie just draws me in every time. Thereās one scene where the main character goes flying off a cliff while riding a horse! He just sort of falls/rolls through a pine tree and lands in the snow ā¦ and he still survives! Itās crazy!
It makes me think about an old childhood friend who lived up the street from me. Jerry and his parents lived in an old house on their grandparentsā large plot of land. On one part of the land there was an old orchard filled with all types of fruit trees and pines, and I remember how we would climb to the top of the pines and just roll ourselves down the side, Revenant style! If you fell the right way, the branches would kind of gently let you down to the next, but if you hit it wrong and got in between the branches, youād be wrecked. Itās like we enjoyed getting hurt, and, of course, when youāre young, you can snap right back. Ah, the days when pain really didnāt hurt. Now I wake up with injuries, for real.
āThe action was way high and the fret ends were sharp. It was basically a painful affair.ā
So why am I talking about my click-and-stick movie and stupid childhood escapades? Well, letās get back to memories of my old friend Jerry. First, the house he lived in was so old that it had real wooden siding, but it hadnāt been painted in forever so the exterior took on a worn, faded, haunted house vibe. Second, his carpet was so tattered that it was being held together with duct tape. Lastly, I remember his dad had a cool, old electric guitar in the living room. His dad would let me play it sometimes, and I remember that it actually hurt to play! The action was way high and the fret ends were sharp. It was basically a painful affair. Not falling-out-of-a-tree painful, but as bad as it comes with guitars. It had the label āConrad,ā and young Frank didnāt realize that heād be looking for that guitar again one day. I mean, it did have four pickups and lots of knobs and switches!
Made at the old Japanese Matsumoko factory in the ā60s, this Conrad Bison 1233 has four pickups and a 27" scale.
Years later, I would discover that his was a Conrad Bison guitar. The model came in a few different configurations, but the four-pickup design was designated as the 1233. Primarily featuring a lovely sunburst, these Bisons were made at the amazing old Matsumoku factory in Japan and were imported by the David Wexler Company that was based in Chicago. Matsumoku always had a good supply of aged wood, and many of the guitars made there are resonant and built well. The Bisons first appeared around 1966 and had a rather good run into the early ā70s.
Simple volume/tone knobs are paired with preset solo/rhythm switches that power alnico magnets. Thereās an on/off switch for each pickup, and the sound really covers all the bases. Thumpy lows and crisp highs are all there. And, the pickups handle fuzz and distortion with ease. The Bisons also came in one- and two-pickup configurations with a normal scale, but the four-pickup ones have a longer, 27" scale, which is common for Matsumoku-made electrics.
So there it is: pain, survival, American frontier, Bison, haunted houses. It all sticks together like a duct-taped carpet. Click and stick, baby!
Made for record-store display, this Nivico Balladeer features a hand-painted āBalladeerā label on the headstock.
This guitar, with its hand-painted label, was built to be hung on display at a record store. While it has a bit more to be desired, its pickups are surprisingly forceful.
Last weekend, our family was visiting local college campuses for my daughter, and I have to tell you all that I am truly entering a strange new chapter of my life. I can vividly remember my wife and I taking birthing classes and feeling my daughterās little feet kicking from inside the womb. And now, here I am on the precipice of my girl possibly leaving homeāwow. It occurred to me while I was pondering life that Iām going to miss her so much! Sheās like the female version of me and we have a blast together.
While we were touring campuses, we had to check out the record store scene of each town. In fact, that became the litmus test for how cool each college seemed. We did visit my alma mater, which has a legendary record store thatās been around since the early ā90s. Even though the store has changed locations a few times, it remains an epic source for vinyl, CDs, and all sorts of various ephemera. Itās easy to drop $100 there, and since I canāt say no to my girl, we ended up with some cool treasures. She found some Ty Segall stuff and I copped a rare Wu-Tang record! Love the Wu!
As I was paying for our things, I noticed a few guitars hanging behind the counter. In the true tradition of a good record store, there were an assortment of guitar strings, drumsticks, and picks. I started to remember the early connection of guitars and record stores from way back in the day. Brands like Decca and RCA were hallmarks of the time, as is this monthās guitar.
This Nivico Balladeer is a rare example of a guitar styled specifically for display. Made in 1965, this model was the little brother to the RCA Victor SG-18, which I wrote about a while back. Normally, this model was called an RCA SG-12, commonly featuring the words āMusic Messengerā written across the front of the body. My example doesnāt have those words, but it does have a hand-painted āBalladeerā label that is super rare. I think Iāve seen two or three of these in my years of searching.
āI think Iāve seen two or three of these in my years of searching.ā
These hand-painted examples were meant for record-store display, and I guess the āBalladeerā term was probably chosen through some album or artist connection. This guitar has āNIVICOā stamped on the vibrato plate, a word thatās a mashup of the first letters of the name āNippon Victor Company.ā Nivico was also a brand name used for electronics equipment sold back then.
The wooden parts of this guitar were made at the legendary Matsumoku factory, and RCA Victor harnessed its wizardry to produce the electronics. Folks, these pickups are just incredible and sound like nothing else Iāve ever heard. They are loud, clear, and powerful. This guitar was intended to be high-end and the company used very good quality parts. The huge chrome pickguard could certainly glare out an audience, although this would be a tough guitar to play live since the bridge isnāt adjustable and the tremolo puts this guitar into tuning nightmares. But wow, do they sound good. Kind of a shame really, but then again, when a guitar fights with you, it can make you into a better player by sheer willpower. Not quite the willpower it takes to see your daughter off to college, but close!
So yes, past and future dads out there: Be sure to steel yourself for the impending departure of your kids. Spoil them with love and records and whatever else you enjoy doing together, and remember to choose colleges based on record stores!