The Nashville-based troubadours are paring country music down to its blues and bluegrass roots on Living In A Song—a deeply personal album rife with ace musicianship and earthy introspection.
In 1997, the songwriter and his band played a 20-night residency at the historic San Francisco venue, offering fiery concerts that celebrated and defined great American rock ’n’ roll. Now, a four-CD set and Heartbreakers guitarist Mike Campbell tell the story.
The post-punk 6-string hero takes a deep dive into sonic surrealism with his new album, a loop-driven collection of riveting soundscapes called Eight Dream Interpretations for Solo Electric Guitar Ensemble.
Fueled by youthful bravado and an explosive retro-futuristic sound, this young punk-rock power trio blasts the lid off your expectations with their debut, Versions of Modern Performance.
Segall’s new album “Hello, Hi” sounds just like Southern California. A heady mix of sun-drenched folk and exuberant psych-rock, it materialized at his home-based Harmonizer Studio—a brimming lab where vintage and custom outboard gear, 2" tape, a classic top-end microphone, and plenty of coffee helped fuel his giddy return to the acoustic guitar.
Expanding their sound into a raucously shoegazey and groove-driven new seam, guitar slingers Conor Curley and Carlos O’Connell take us inside the whirlwind of their latest album, Skinty Fia.
With a gripping new album and a new direction in their music, the band continues to raise the stakes for what it means to be one of America’s most feverishly creative—and unreservedly beloved—heavy-rock guitar duos.
After relocating to Atlanta, retooling his sound, and rebuilding his band, Hauch releases Alluvial's second album, Sarcoma, pushing progressive death metal into new realms of technical ecstasy, while celebrating everything that's dark, extreme, and unremittingly heavy about the genre.
