Going Wireless in a Stomp Footprint
Venturing into the tone chamber this month, our friends at X2 Digital Wireless have submitted the new XDS95 stompboxstyle wireless system for review. As we get wired for sound, or perhaps more accurately, unwired for sound, you may remember the breakthrough technology of digital wireless in the early ‘90s with the original X-Wire. The original X-Wire systems were the choice of many top touring players – today these units are still highly sought after, but are in rare supply since the company ceased production in the late ‘90s. These units are not only collectable, but cost prohibitive to most working players.
The new X2 systems are based on the same idea as the renowned X-Wire, but use new technology which make them easier to manufacture. Here is what we discovered in our review process.
Setup and Features
A breeze would be an understatement. The XDS95 is designed to provide users with maximum performance and an ease of minimum operating complications. Because the receiver is styled as a stompbox, there are no racks to deal with, menus to scroll through or antennas to lose or break. The receiver can mounted on your amp or mixer or can be conveniently placed in your existing pedalboard. Power up by matching the transmitter channel to the receiver belt pack channel, and you are literally ready to go in no more time than it takes to run a cord from your guitar to an amp. This is wireless the way it should be.
The XDS95 offers up extremely usable features without an overkill of options you will probably never use. The system has no knobs, no menus and no hassles. By starting with 24-bit digital converters – capable of yielding up to 117db of dynamic range and frequency response all the way down to 10 Hz – this system ensures the bandwidth necessary to reproduce the sound fidelity you expect. The XDS95 features five user-selectable operating frequencies that utilize X2’s auto DigiScan, which scans for RF interference, then automatically switches to the next clear frequency when it’s encountered. This is accomplished through the stompbox receiver’s internal microprocessor that selects the best data stream from the unit’s internally mounted antennas, eliminating dropouts.
In addition to five user-selectable frequencies, both the transmitters feature a five segment LED, displaying the channel you are operating in, as well as doubling as a battery life indicator LED. When your 9V batteries begin to run low, the LED will flash to indicate replacement is necessary. The five segment LED also indicates link status and audio level. Both transmitter and receiver feature two oval push pots for power and channel select.
Unwired For Sound
At the end of the day, especially when it comes to wireless systems, this is truly where the rubber hits the road. My initial testing environment was at a live acoustic show in an upscale restaurant-bar in my hometown. I concluded this would be a tough testing environment, as this particular venue sports ample amounts of interference- causing neon lighting.
Sound check went off without a hitch, with an easy setup and flawless testing. I inserted the XDS95 stompbox as the last element in my pedalboard, opposite a Boss TU2 pedal tuner, an L.R. Baggs Para Acoustic D.I., a Visual Sound H20 Liquid Chorus and Echo, an MXR Phase 90 and an MXR DynaComp.
After firing up the system and feeding the X2’s output to the input of the mixer, I received a strong input signal from the XDS95. Signal gain can often be really inconsistent with wireless systems – here, not only was the signal strong but it was clean, without the tone-altering attributes of other analog style wireless systems. Some analog systems tend to squash or heavily compress your tone with an associated pumping or breathing noise. I encountered no perceivable tone coloration with the X2 system, and even did an A/B comparison with a cord and noticed very little difference in signal and tone integrity.
In venturing out from the stage to check the unit’s signal range, the XDS95 ensures a strong signal up to the 80-100 foot range. I did not experience any dropouts in this signal range – I did experience a couple of “blind spot” dropouts, but only when exceeding the 100-foot signal range. I also tested an Audio-Technica wireless headset system as well as another handheld wireless system on stage to look for any crosstalk interference. I am happy to report I experienced none.
Later on in my rehearsal studio I ran the X2 directly into a Marshall JCM 800 50 watt head with a stock Marshall 4x12 cab to test the system in a higher gain application. The system performed quite well in this situation as well – again, I experienced no audible tone coloration or compression, signal strength was strong, harmonic responsiveness was strong, there was no noticeable loss of punch and the signal-tonoise ratio was acceptable.
The Final Mojo
The X2 XDS95 wireless system will certainly challenge you to listen to wireless technology with open ears. Digital wireless technology operates at the frequency clear 900 MHz UHF range, ensuring clear operating conditions and no DTV licensing concerns. A digital signal path provides better clarity since you are transmitting only digital data and not analog audio RF; interference does not become an audio problem. Even if another device is operating at the same frequency, you will not hear that signal in your amp.
Digital wireless transmissions also tend to eliminate static often associated with analog transmissions and are clear of the additional distortion that many analog systems can create – a clearer signal path creates clearer signals and uncolored tone. That’s a good thing!
All things said, the XDS95 digital wireless system is a real winner. The ease of operation is a no brainer, but mostly it is about keeping your tone pristine. With full 24-bit linear AD/DA converters, the X2 XDS95 is clean, quiet and reliable. On the downside, the transmitter is encased in heavy-duty resin plastic housing; metal housing would be a nice upgrade for long-term durability purposes, but you’ll just have to be careful for now.
Rating... | ||
Tone... | ||
Craftsmanship... | ||
Features... | ||
Value... | ||
Overall... |
X2 Digital Wireless
MSRP $499
4630 Beloit Drive Suite 20
Sacramento, CA 95838
x2digitalwireless.com
Our expert has stated his case, now we want to hear yours. Log on to premierguitar. com, click on “Forum” and share your comments and ratings.
From his first listen, Brendon Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great.
Slayer guitarists Kerry King and Jeff Hanneman formed the original searing 6-string front line of the most brutal band in the land. Together, they created an aggressive mood of malcontent with high-velocity thrash riffs and screeching solos that’ll slice your speaker cones. The only way to create a band more brutal than Slayer would be to animate them, and that’s exactly what Metalocalypse (and Home Movies) creator Brendon Small did.
From his first listen, Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great. Together, we dissect King and Hanneman’s guitar styles and list their angriest, most brutal songs, as well as those that create a mood of general horribleness.
This episode is sponsored by EMG Pickups.
Use code EMG100 for 15% off at checkout!
Learn more: emgpickups.com
Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.
Snark releases its most compact model ever: the Crazy Little Thing rechargeable clip-on headstock tuner.
Offering precise tuning accuracy and a super bright display screen, the Crazy Little Thing is approximately the size of your guitar pick – easy to use, unobtrusive and utterly dependable.
Housed in a sturdy shell, the Crazy Little Thing can be rotated for easy viewing from any angle, and its amazingly bright display makes it perfect for the sunniest outdoor stages or the darkest indoor studios. You can clip it to the front of your headstock or on the back of your headstock for extra-discreet usage – and you can easily adjust the display to accommodate your preference.
As the newest addition to Snark’s innovative line of headstock tuners, the Crazy Little Thing is rechargeable (no batteries!) and comes with a USB-C cable/adapter for easy charging. Its display screen includes a battery gauge, so you can easily tell when it’s time to recharge.
The Crazy Little Thing’s highly responsive tuning sensor works great with a broad range of instruments, including electric and acoustic guitar, bass, ukulele, mandolin and more. It also offers adjustable pitch calibration: its default reference pitch is A440, but also offers pitch calibration at 432Hz and 442 Hz.
Snark’s Crazy Little Thing rechargeable headstock tuner carries a street price of $21.99. For more information visit snarktuners.com.
Trey Anastasio unveils plans for a special solo acoustic run starting in March, 2025.
The tour gets underway March 8, 2025 at Springfield, MA’s Symphony Hall and then visits US theatres and concert halls through early April. Real-time presales begin Wednesday, December 4 exclusively via treytickets.shop.ticketstoday.com. All remaining tickets will go on sale to the general public on Friday, December 6 – please check venues for on-sale times. For complete details, please see trey.com/tour.
TREY ANASTASIO - SOLO ACOUSTIC TOUR 2025
MARCH
8 – Springfield, MA – Symphony Hall
9 – Boston, MA – Wang Theatre at Boch Center
11 – Wilkes-Barre, PA – The F.M. Kirby Center
12 - Rochester, NY - Kodak Hall at Eastman Theatre
14 – Columbus, OH – Mershon Auditorium
15 – Milwaukee, WI – Riverside Theater
16 – Nashville, IN – Brown County Music Center
18 – Chicago, IL – Orchestra Hall
19 – Kansas City, MO – Uptown Theatre
21 – New Orleans, LA – Saenger Theatre
22 – Birmingham, AL – Alabama Theatre
23 – Nashville, TN – Ryman Auditorium
26 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
28 – Clearwater, FL – Ruth Eckerd Hall
29 – Savannah, GA – Johnny Mercer Theatre
30 – Charleston, SC – Gaillard Auditorium
APRIL
1 – Knoxville, TN – Tennessee Theatre
2 – Greenville, SC - Peace Concert Hall
4 – Washington, DC – Warner Theatre
5 - Red Bank, NJ - Count Basie Center for the Arts
More info: TREY.COM.