Rig Rundowns, Gear Reviews, Lessons, Giveaways & More

Combining 11 of Brian Wampler's all-time favorite delays, the Metaverse is fully programmable and has an expression input that you can assign to any of the parameters.

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My years-long search for the “right” Bigsby-outfitted box finally paid off. Now how do I make this sumbitch work in my band?

Considering the amount of time I’ve spent (here and elsewhere) talking about and lusting after Gretsch hollowbody guitars, it’s taken me a remarkably long time to end up with a big Bigsby-outfitted box I truly love. High-end Gretsches are pricey enough that, for a long time, I just couldn’t swing it. Years ago I had an Electromatic for a while, and it looked and played lovely, but didn’t have the open, blooming acoustic resonance I hoped for. A while later, I reviewed the stellar Players Edition Broadkaster semi-hollow, and it was so great in so many ways that I set my sights on it, eventually got one, and adore it to this day. Yet the full-hollowbody lust remained.

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John Bohlinger and Thom Bresh backstage filming a Premier Guitar Rig Rundown in 2020.

Here’s a story about the most interesting man in the world.

“The guitar is my first love, my partner in life. We grew up together and we’ll most likely die together.” —Thom Bresh

One of the best benefits of being a musician is that musicians know musicians, and musicians are the most interesting people you’ll ever meet. Albert Einstein, Charles Dickens, Georgia O’Keeffe, the Marx Brothers, Clint Eastwood, Jeff Bridges, Juliette Lewis, Jack Black, and Zooey Deschanel are or were musicians, albeit not full-time.

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“If you get caught up too much in divine intervention, you’ll wander around forever waiting for some melody that no one’s ever heard before.”

Photo by Riaz Gomez

Johnny Marr’s latest LP spans influences from New Order to the Staple Singers while staying rooted in his clockwork timing and copious talents as arranger and melodicist.

When the great Ronnie Spector of the Ronettes passed away earlier this year, I thought a lot about Johnny Marr. Marr was moved deeply by the girl groups of the ’60s—their positivity, energy, and the convergence of ecstasy and melancholy in the music. He was even fired up by the audaciousness of their style: The impressive beehive hairdo worn by Spector’s bandmate Estelle Bennett famously inspired the jet-black pile Marr wore at the height of Smiths fame.

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