PG's Chris Burgess is On Location in Frankfurt, Germany, for Musikmesse '09 where he visits the BSM Treble Boosters booth and talks with Bernd Meiser of BSM. In this video segment, we get to see and hear two new pedals from BSM; the RPA Major and the J-Fuzz. The RPA Major RPA "Major" model is the answer to many customer calls, demanding the hard, aggressive Ritchie Blackmore stage sound of the 70?s, without the need to get their amp heavily modified. The RPA Major offers a lot more gain compared to the stock RPA model with tons of crunch and a higher level of aggression. For the RPA Major, BSM had the idea to not only rebuild Blackmore's AIWA preamp stage during the "Burn" tour, but to also integrate the important high-pass function with the original cutoff frequency. The J-Fuzz is a silicon-powered Fuzz-booster and packs a gritty punch for any signal chain.



PG's Chris Burgess is On Location in Frankfurt, Germany, for Musikmesse '09 where he visits the BSM Treble Boosters booth and talks with Bernd Meiser of BSM. In this video segment, we get to see and hear two new pedals from BSM; the RPA Major and the J-Fuzz. The RPA Major RPA "Major" model is the answer to many customer calls, demanding the hard, aggressive Ritchie Blackmore stage sound of the 70?s, without the need to get their amp heavily modified. The RPA Major offers a lot more gain compared to the stock RPA model with tons of crunch and a higher level of aggression. For the RPA Major, BSM had the idea to not only rebuild Blackmore's AIWA preamp stage during the "Burn" tour, but to also integrate the important high-pass function with the original cutoff frequency.

The J-Fuzz is a silicon-powered Fuzz-booster and packs a gritty punch for any signal chain.

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We’re almost finished with the aging process on our project guitar. Let’s work on the fretboard, nut, and truss rod cover, and prepare the headstock for the last hurrah.

Hello and welcome back to Mod Garage. This month we’ll continue with our relic’ing project, taking a closer look at the front side of the neck and treating the fretboard and the headstock. We’ll work on the front side of the headstock in the next part, but first we must prepare it.

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Ariel Posen on The Beatles' "Because" | Hooked

The Fab Four's complex chord choices and unique voicings struck an eye-opening note with this slide master.

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