The Fret-King JD will be the very first Black Label model, and also the first of a string of models to be released throughout 2011, designed in conjunction with internationally renowned players of distinction.

Anaheim, CA (January 11, 2011) -- John Hornby Skewes & Co. Ltd., worldwide trade distributors of Fret-King products, is proud to announce the release of the new Fret-King Black Label Series JD guitar, designed in conjunction with Jerry Donahue.

A real guitarist’s guitarist, Donahue has been on the scene for 40 years. Renowned for his masterful and original approach to string bending (Danny Gatton referred to him as “the string bending king of the planet”), Donahue has released a number of solo albums, is a charter member of guitar group The Hellecasters, and has a list of album and band credits across the spectrum of modern popular music as long as the proverbial arm.

This new guitar, created with close cooperation between Jerry and designer Trev Wilkinson, uses Jerry’s custom pickup designs, wiring, and switching, with a beautifully comfortable vintage neck profile and unique, but very recognizable, body shape, all constructed with materials usually associated with boutique guitars, and a build quality the equal of anyone’s custom shop! The Fret-King JD will be the very first Black Label model, and also the first of a string of models to be released throughout 2011, designed in conjunction with internationally renowned players of distinction.

Donahue has always been known for his single coil sounds, and this special new guitar stays true to form. Coming in a classic single cutaway shape, the body is alder with an ash veneer top, and is complemented with black binding. A 22-fret maple neck and fingerboard add slinkiness to the feel of the guitar, and the contrasting black pickguard brings a classy touch to proceedings.

The Black Label JD guitar really comes into its own in the sound department. Powered by two specially designed, custom-wired Wilkinson single coil pickups, the five-way selector switch allows a multitude of tones, gleaning the best of the classic tones associated with three of the most iconic, benchmark guitar designs into one instrument. Here's how Fret King describes the positions:
Position ONE: This neck pickup yields the rich, sparkling tone of the traditional three-pickup guitar. The result: that unmistakable single-coil sound that echoes the soaring, majestic blues tones of the '60s and '70s.

Position TWO: The neck pickup (now with a special cap engaged), affords this position a special tonal quality you would ordinarily expect to hear from a full-body jazz guitar! Engage an overdrive and you capture that classic late '60s "Woman Tone".

Position THREE: The neck and bridge pickups are in a customized parallel wiring, producing an enhanced, more contemporary version of the customary middle position timbre on the classic two-pickup guitar.

Position FOUR: By combining both pickups with a capacitor and resistor in a controlled degree of reversed phase, this position offers the popular "in-between quack tone" found in this position on three-pickup guitars.

Position FIVE: This is an updated stock-style bridge pickup with symmetrically staggered pole pieces for great string balance and a special wind for increased sustain. It captures that amazing gutsy lead sound found on the very best of those traditional two-pickup guitars!
Body: Alder. Ash veneer top.
Binding: Black, plastic.
Neck: Maple, 22 Medium Jumbo frets. Bolt-on.
Fingerboard: Maple.
Pickups & Controls: Two specially-wired Wilkinson single coils. Five-way selector switch. Brass volume and tone pots.
Pickguard/Hardware: Black 3-ply pickguard. Wilkinson bridge and tuners.

For more information:
Fret King

Kemper Profiler Stage, Nueral DSP Quad Cortex & Line 6 HX Stomp (clockwise from top)

A deep dive into faux amps, futuristic setups, and how to use modern technology’s powers for good.

The jump between analog and digital gear has never been more manageable. It no longer takes a rack full of outboard gear with a six-figure price tag to help realize not only the tone you have in your head, but the expansive workflows that started to pop up in the early ’80s. We’re now about a decade into the modern era of digital modelers and profilers and it seems like the technology has finally come into its own. “This is really the first time in a while where you can have bar bands playing the exactsame gear as stadium acts,” says Cooper Carter, a Fractal Audio Systems production consultant who has done sound design and rig building for Neal Schon, James Valentine, John Petrucci, and others.

Read More Show less

Master builder Dennis Galuszka recreates the legendary "Chicago" guitarist's legacy with a collectible, limited run guitar.

Read More Show less