A look into the history of Orange Amps, Orange Records, and Orange Studios and the landmark products along the way.

OMEC Amplifiers and Cabinets
"In 1977, OMEC introduced an entire line of 150-watt transistor instrument and public address amplifiers. The line of budget amplifiers included (left) a 150-watt instrument amp with 5-band graphic EQ and built-in Reverb, Phase, and Boost effects and 2x12"" cabinet ; (middle) a 150-watt instrument amp with 5-band graphic EQ and 1x15"" Bass Reflex Horn cabinet; and (right) a 150-watt, 4-channel PA amp with 5-band graphic EQ and 2x12"" PA cabinets. The solid-state amps bridged the gap between affordable offerings and Orange's higher-end valve amps."

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Fender’s American Vintage II Series

For these new recreations, Fender focuses on the little things that make original golden-era Fenders objects of obsession.

If there’s one thing players love more than new guitars, it’s old guitars—the unique feel, the design idiosyncrasies, the quirks in finish that all came from the pre-CNC era of instrument manufacturing. These characteristics become the stuff of legend, passed on through the years via rumors and anecdotes in shops, forums, and community networks.

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The Tour Collection is defined by a minimalistic, vintage-inspired aesthetic, top-of-the-line components, and a simplified electronics configuration featuring new, custom pickups by Supro.

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The Cream Amp is a handmade low-gain overdrive pedal based on the Electra Distortion circuit.

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The Red Sea was born out of the vision to provide complex signal routing options available to the live/performing musician, that up until now, are only found in a studio mixing environment.

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