The new company from the founder of Budda Amplification will launch with the Studio 2
Bober calls EAST Amplification the ānatural progressionā of his amp designs that began with Budda. āIām very proud of what I did at Budda over 14 years,ā Bober says, adding that heās happy that Budda is out there, but heās also excited to move on to something new.
Bober says that customers can expect a high level of support with EAST Amplification, saying, āIāve always been one to interact with [my] customersā¦ I really plan on keeping that in place.ā
The companyās name comes from his East coast location along with a touch of Eastern philosophy.
Studio 2
EAST Amplificationās debut amp is the Studio 2, a full-featured 2-watt head with a matching 1x12 extension cabinet. The Studio 2 features controls for Gain, Volume, Treble, Middle, Bass, Presence and Master Volume. Bober says that the ampās features give it a versatile tone that can go from clean to near-metal, hitting Pete Townshend and Larry Carlton-style sounds in between.
The amp has a 5U4 rectifier, three 12AX7s and two 12AT7s in a push/pull configuration, making it āsound huge at 2 watts.ā The amps are hand built to order.
The Studio 2 also features an internal load with variable line out.Ā ThisĀ allowsĀ the ampĀ to be run sans speaker and connected via the line out directly to the effects loop return or front end of a higher powered amp,Ā enabling theĀ amp to reproduce its signature tone at increased volume levels.
The head retails around $1350, the cab around $425.
Club 18
EAST Ampsā second offering will the be 18-watt Club 18 head with accompanying 1x10 cabinet. Bober calls the Club 18 a two-mode amp, with rhythm and solo modes. The amp is designed to maintain the same tone in the rhythm and solo modes, so players just get more of their desired tone when kicking it into solo mode.
The controls on the Club 18 are Gain, Volume, Treble, Middle, Bass and two Master Volumes. The Gain and second Master Volume are only active during solo mode. With the gain turned all the way down, the tone is the same from Rhythm to Solo mode. Users can then adjust the Gain control and Master Volume in Solo mode without changing the gain settings for the Rhythm mode.
Bober estimates that he will begin taking Club 18 orders in two weeks. Pricing is to be determined.
EAST Amplification is selling direct, and will soon be available through destroyallguitars.com. Bober says there is currently about a four week lead time on amp orders.
For more information:
EAST Amplification Facebook
eastamplification.com (coming soon)
Learn how Adrian Belew's BEAT Tour came together to include Tony Levin, Danny Carey, and Steve Vaiāplus King Crimson, Bowie, Zappa, Talking Heads, and more.
The BEAT Tour, featuring a superband of Adrian Belew, Tony Levin, Steve Vai, and Toolās Danny Carey, begins on September 12 in San Jose, California, and continues into December, playing repertoire from King Crimsonās highly influential ā80s albums Discipline, Beat, and Three of a Perfect Pear. PGās editorial director Ted Drozdowski sat down with Adrian in his home studio to talk about how these four great players came together, Adrianās decades in Crimson, and Robert Fripp, Bowie, Zappa, Talking Heads, and more. Also, stay tuned for our exclusive Rig Rundown, coming soon!
Our columnistās musings on honey bring him back to a forgotten little guitar company in Japanese history that didnāt last very long, but produced some interesting models.
One of the guys I work with is such an interesting fella. Dylan has an opinion on literally every topic, and I take amusement by asking him all sorts of probing questions.
For instance, he only wears t-shirts made from a certain blend (Iāll wear anything), and he likes smoke-infused whiskey (I drink mine straight), and he can go into great detail about an array of things like infusers, griddles, recording software, artificial intelligence, and the list just goes on and on. It seems like I, on the other hand, only have a certain amount of brain bandwidth and I donāt really ponder things of the material world, unless itās guitar-related.
Recently, he was telling me about the rise of hot honey! Heās always telling me about recipes and how he uses it, but I have to say, anything thatās hot always turns me off. I used to love heat and spice and I could really eat anything. Yours truly even won a chicken-wing-eating contest (101 wings, baby!) with scorching hot sauce. I can even remember working at a restaurant back in the day, and the cooks were always challenging me with hot-sauce concoctions. Even the Jamaican dudes there couldnāt believe how I could inhale heat without a tear. Alas, all the years of trashing my body eventually caught up with me, and now if I eat anything thatās spicy, my belly and bowels just give up the ghost.
So, all this talk with Dylan about hot sauces and hot honey got me thinking about the old guitar brand, Honey. Looking back, I canāt believe Iāve never written about the little company before, but it was just a blip in guitar historyāalbeit a cool blip.
The story goes that in 1965 the Japanese guitar company Kawai had purchased the Teisco company. Teisco had its headquarters in Tokyo and made mostly electronics there. The wood production was done at a plant called Teisco Gen Gakki, which was located near Matsumoto City. Within a year or so, Kawai brought all-wood production to its own plant and Teisco Gen Gakki went idle.
Some former Teisco employees, who had mostly lost their jobs in this production shift, decided to make a go of their own at the guitar business. From this time, we see the brands Firstman, Idol, and Honey. The Honey Company made all sorts of products, including amps and guitars, and the company only sold in the Japanese market. Honey had a few wild designs, but mostly the guitars were copies of Rickenbacker, Gibson, and Hƶfner. But then there were these crazy one-off models, like this Honey Happening guitar from 1968. Iāve never seen another one and the only photos I can find online are all of this same guitar! One of my good Japanese friends gifted this to me.
The Happening takes its name from common terminology of the time, like, āItās whatās happening,ā meaning āhipā or ācool,ā but this one is one of the coolest, with that elongated upper bout contrasting a super-short lower one. It has a Bigsby copy resting on the beveled-out section at the butt, which is another detail thatās rarely seen. If you check out the pickguard, thereās a cute little bumblebee there with āhappeningā written across in an old typeface. The headstock design is also noteworthy, featuring an extra-large truss-rod cover with two little diamond-shaped accents.
This solidbody is powered by two sizzling pickups that are Mosrite copies. It has a stinging soundāsorryāand sets up well with the adjustable bridge. Electronics round out with simple volume/tone knobs and a 3-way pickup selector switch. The only part I personally dislike on this guitar is the tuners, which can be finicky. But the guitar itself is surprisingly well-balanced and is a joy to play.
The Honey Company started business in early 1967 but was bankrupt in March of 1969. All Honey guitars and amps are extremely hard to find today, and if you have a good example, consider yourself one of the lucky ones. So instead of hot honey, letās give a little props to a cool Honey.
1968 Honey Happening Guitar Demo
Frankās friend Mike Dugan demos the Honey Happening 6-string.
Discover the SoloDallas Orbiter Fuzz, a meticulously crafted effects pedal designed to blend genuine vintage tones with user-friendly versatility.
Building upon the legacy of the 1966 Arbiter Fuzz, the Orbiter Fuzz enhances this classic circuit with advanced fine-tuning circuitry.
Key Features:
- Vintage Tone: The Orbiter Fuzz delivers smooth, musical fuzz tones with cutting sustain, offering immediate inspiration.
- Vintage Power: Our unique power circuit internally converts modern wall power to emulate the draw of a vintage carbon zinc battery.
- "Sweet Spot" Dial: An internal mini potentiometer allows you to dial in the perfect impedance response for your favorite pickups.
Versatile Controls:
- FUZZ: Adjusts the overall amount of fuzz by shaping the signalās waveform from triangular to square as the knob is turned clockwise.
- GAIN: Increases the amount of signal entering the circuit, pushing it into harmonic clipping for smooth overdriven fuzz tones.
- BIAS: Modifies voltage to the matched pair of transistors, unleashing a wide range of vintage fuzz tones. Lower voltages produce spitty Black Keys responses, while higher voltages create smooth American Woman fuzz.
- Compact Design: Optimized for pedalboard space and easy integration with any standard pedal.
- Durable Construction: Crafted for reliability to withstand rigorous touring conditions.
Technical Specifications:
- Input Impedance: 500 kOhm
- Output Impedance: 10 kOhm
- Power Requirements: External 9V DC center-negative power supply
- Dimensions: 4.75" x 2.50" x 1.5"
- Weight: 0.8 lbs
- Bypass: True bypass
Design Details:
- Custom Artwork: Retro space-age design that pays homage to the Arbiterās flying saucer enclosure.
- High-Quality Housing: Durable reinforced steel enclosure with a vintage metallic blue hammered finish.
Why You Need the SoloDallas Orbiter Fuzz Pedal:
A great fuzz pedal is essential for every guitarist and bassist. The Orbiter Fuzz offers the smooth, singing fuzz tone every musician dreams of, combining musicality with the reliability you need. If youāre looking for a pedal that excels in both sound and style, the Orbiter Fuzz is a must-have. Complete your search for the perfect fuzz pedal with the Orbiter Fuzz.
Arriving on Planet Earth 9/1/24! The Orbiter Fuzz will be available for purchase exclusively at SoloDallas.com starting September 1, 2024. The first 100 orders will include a SoloDallas swag pack guaranteed to impress. All SoloDallas orders ship within 24 hours.
Price: $249 USD.
Discover advanced capo techniques that will refine your playing and enhance your mastery of any key. Perfect for guitarists ready to take their skills to the next level!