Kay produced hundreds of different models between the late 1930s and late 1960s and most of them don’t have a model name/number or any kind of identification at all!
I bought this Kay guitar 10 years ago and I have no idea what it is. There are no markings on the guitar and no serial number I can find. Can you tell me what I have, and how much it is worth?
-Richard
Richard,
Kay produced hundreds of different models between the late 1930s and late 1960s and most of them don’t have a model name/number or any kind of identification at all! This makes for a very difficult (and often frustrating) process to identify a Kay guitar. As far as I know there are two books on Kay Guitars: ‘50’s Cool: Kay Guitars by Jay Scott focuses on the 1950s era guitars, and Guitar Stories, Volume Two by Michael Wright does a very nice job outlining the Kay history and gives a complete description on all Kay models. However, if you don’t know what model your guitar is, it is like trying to find a needle in a haystack.
I’ve found that the best way to date a guitar is to look at old catalogs. Kay was very good about issuing a catalog every year, and they appear to be fairly accurate and up to date. There are several websites that post old catalogs. After a little research, I found an exact match to your guitar in the 1966 and 1967/68 Kay catalogs. Browsing these old catalogs is usually very interesting and it has become a pasttime of many collectors – simply to gain more information on guitars.
It is helpful to know how Kay numbered their guitar models. 99.9% of Kay guitar models start with a K and are followed by two, three, or four digits (examples: K64, K125, K6700, etc.). Numbers tended to run in series whereas the same series would have consecutive numbers (K300, K301, K302, etc.). Guitars in a series were often based on the same style/shape and each number indicated different features such as number of pickups, bridge types, and finishes. Keep in mind that most model numbers never appear on the actual guitar.
I found your guitar as part of the K400 Series, which were labeled in the catalog as Professional Electric Guitars. Your guitar is model K400 with two pickups and a Burnt Orange finish, produced between 1966 and 1968. Other models were available in this series with three pickups and Soft Teal Blue, Gleaming White, and Rich Cherry Red mahogany finishes. Standard features on this guitar include a maple body, high-powered magnetic pickups with individual string adjusting posts, separate tone and volume controls for each pickup, a Melita Sychro-Sonic adjustable bridge, and a bound rosewood fingerboard with seven hand-laid position markers. In 1968, this guitar retailed for $225!
Kay is and always has been a budget brand in relation to the big names. For many years, collectors only cared about the 1950s guitars, specifically the Barney Kay models. With many 1960s guitars such as Fenders, Gibsons, Gretsches, and Rickenbackers out of reach, the cheap brands of the 1960s are becoming very appealing. Many Kay guitars are still budget instruments that won’t bring more than $200, but your guitar was part of their highend series. I would value your guitar between $700 and $1,000 based on how collectible it is becoming and the overall coolness factor (Burnt Orange finish is sweet!). Don’t be surprised to see this guitar keep rising in value as more big name 1960s guitars become further out of reach.
Source: 50’s Cool: Kay Guitars by Jay Scott, Guitar Stories, Volume Two by Michael Wright, and various 1960s Kay catalogs.
Zach Fjestad is the author of the Blue Book of Electric Guitars, Blue Book of Acoustic Guitars, and Blue Book of Guitar Amplifiers. These publications are available through Blue Book Publications. Guitar Trash or Treasure questions can be submitted to:
Blue Book Publications
Attn: Guitar Trash or Treasure
8009 34th Ave. Ste #175
Minneapolis, MN 55425
800-877-4867
www.bluebookinc.com
guitars@bluebookinc.com
Please include pictures of your guitars.
Stompboxtober is finally here! Enter below for your chance to WIN today's featured pedal from Diamond Pedals! Come back each day during the month of October for more chances to win!
Diamond Pedals Dark Cloud
True to the Diamond design ethos of our dBBD’s hybrid analog architecture, Dark Cloud unlocks a new frontier in delay technology which was once deemed unobtainable by standard BBD circuit.
Powered by an embedded system, the Dark Cloud seamlessly blends input and output signals, crafting Tape, Harmonic, and Reverse delays with the organic warmth of analog companding and the meticulous precision of digital control.
Where analog warmth meets digital precision, the Dark Cloud redefines delay effects to create a pedal like no other
Four-time Grammy Award-winning guitarist Gary Clark Jr. announces his 2025 North American tour.
Kicking off at Grand Sierra Resort and Casino in Reno, NV on February 19, the tour will continue with shows in Houston, Atlanta, Nashville, Charlotte, and more before concluding on March 15 in Hollywood, FL at Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood.
Artist presale will begin tomorrow, October 2 at 10am local time, with public on-sale to follow on Friday, October 4 at 10am local time. Sign up now at https://www.garyclarkjr.com/ for a first chance at tickets.
JPEG RAW is Clark's first album since 2019’s critically lauded This Land, which became his third consecutive top 10 on the Billboard 200 chart and garnered three Grammy Awards, including Best Rock Song and Best Rock Performance ("This Land") and Best Contemporary Blues Album (This Land). Clark’s first Grammy win was awarded in 2014 for Best Traditional R&B Performance ("Please Come Home").
Since its release, the singer-songwriter has toured extensively and stretched his wings as an actor, playing American blues legend Arthur "Big Boy" Crudup in Baz Luhrmann’s Elvis, which received eight Academy Award nominations. Clark also served as the official Music Director for Jon Stewart's acceptance of the 23rd Annual Mark Twain Prize for American Humor in the Kennedy Center Concert Hall. In addition to programming the event, he delivered a powerful tribute on stage, which aired on PBS nationwide.
Now, as Clark prepares to hit the road once more in support of JPEG RAW, this new era continues for the acclaimed performer—one with ever-expanding horizons, and music that needs to be heard live and in person.
Tour Dates
Bold indicates newly announced dates
*With Eric Clapton
^With St. Vincent
2024
Sep 26 — Rio De Janeiro, Brazil — Farmasi Arena*
Sep 28 — São Paulo, Brazil — Vibra São Paulo*
Sep 29 — São Paulo, Brazil — Allianz Parque*
Oct 15 — London, UK — O2 Forum Kentish Town
Oct 16 — Manchester, UK — New Century Hall
Oct 17 — Bristol, UK — SWX
Oct 19 — Birmingham, UK — O2 Institute Birmingham
Oct 21 — Utrecht, Netherlands — TivoliVredenburg
Oct 23 — Luxembourg, Luxembourg — Den Atelier
Oct 24 — Basel, Switzerland — Baloise Session^
2025
Feb 19 — Reno, NV — Grand Sierra Resort and Casino
Feb 20 — Las Vegas, NV — Brooklyn Bowl Las Vegas
Feb 24 — El Paso, TX — Abraham Chavez Theatre
Feb 28 — San Antonio, TX — Aztec Theatre
Mar 1 — Houston, TX — 713 Music Hall
Mar 4 — Atlanta, GA — The Eastern
Mar 7 — Nashville, TN — Ryman Auditorium
Mar 9 — Knoxville, TN — Tennessee Theatre
Mar 10 — Charlotte, NC — Ovens Auditorium
Mar 11 — North Charleston, SC — North Charleston Performing Arts Center
Mar 13 — Tampa, FL — Seminole Hard Rock Tampa Event Center
Mar 14 — Orlando, FL — Hard Rock Live Orlando
Mar 15 — Hollywood, FL — Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood
Revv Amplification's limited-edition G-Series V2 pedals offer three fresh flavors of boutique Canadian tone, with V2 circuit revisions.
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Revv G3 Purple Channel Preamp/Overdrive/Distortion Pedal - Anniversary Edition
G3 Purple Ch Preamp/Hi-Gain Pedal - AnniversaryThe Texan rocker tells us how the Lonestar State shaped his guitar sounds and how he managed to hit it big in Music City.
Huge shocker incoming: Zach Broyles made a Tube Screamer. The Mythos Envy Pro Overdrive is Zach’s take on the green apple of his eye, with some special tweaks including increased output, more drive sounds, and a low-end boost option. Does this mean he can clear out his collection of TS-9s? Of course not.
This time on Dipped in Tone, Rhett and Zach welcome Tyler Bryant, the Texas-bred and Nashville-based rocker who has made waves with his band the Shakedown, who Rhett credits as one of his favorite groups. Bryant, it turns out, is a TS-head himself, having learned to love the pedal thanks to its being found everywhere in Texas guitar circles.Bryant shares how he scraped together a band after dropping out of high school and moving to Nashville, including the rigors of 15-hour drives for 30-minute sets in a trusty Ford Expedition. He’s lived the dream (or nightmare, depending on the day) and has the wisdom to show it.
Throughout the chat, the gang covers modeling amps and why modern rock bands still need amps on stage; the ins and outs of recording-gear rabbit holes and getting great sounds; and the differences between American and European audiences. Tune in to hear it all.