G's Joe Coffey is On Location at the LA Amp show where he visits with Andy Fuchs of Fuchs Audio Technology. Andy walks us through some of the Fuchs' latest pedals, amps and various other tone-improving accessories. Andy even has a few prototypes he's willing to show PG.



G's Joe Coffey is On Location at the LA Amp show where he visits with Andy Fuchs of Fuchs Audio Technology. Andy walks us through some of the Fuchs' latest pedals, amps and various other tone-improving accessories. Andy even has a few prototypes he's willing to show PG.

Kemper Profiler Stage, Nueral DSP Quad Cortex & Line 6 HX Stomp (clockwise from top)

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The jump between analog and digital gear has never been more manageable. It no longer takes a rack full of outboard gear with a six-figure price tag to help realize not only the tone you have in your head, but the expansive workflows that started to pop up in the early ’80s. We’re now about a decade into the modern era of digital modelers and profilers and it seems like the technology has finally come into its own. “This is really the first time in a while where you can have bar bands playing the exactsame gear as stadium acts,” says Cooper Carter, a Fractal Audio Systems production consultant who has done sound design and rig building for Neal Schon, James Valentine, John Petrucci, and others.

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