Handmade guitars from the Netherlands.

Fanned Fret
Vlaar designed this fan-fretted axe with ergonomics in mind and says that even the 22nd fret is effortless to reach. Its body is red alder and bubinga while the neck is carved from maple and topped with a wenge fretboard. Hardware appointments include the ABM single-string bridges for improved articulation, and for electronics, the Fanned Fret is packed with a Nordstrand NVH in the bridge and a Nordstrand NVS in both the neck and middle positions.

Netherlands-based luthier Henk Vlaar was never afraid of tweaking the guitars he owned to get them exactly where he wanted them. “As long as I’ve played guitar, I’ve always customized them,” he says. “Not a single guitar I’ve bought ever sounded or played exactly how I wanted at first.”

Over the years, Vlaar’s bought more guitars than he could possibly play with regularity. But that didn’t stop him from feeling the need for a Gibson Les Paul Junior after hearing guitarist Mark Lennon’s tone at a show in 2007. Instead of running out to the closest guitar store, Vlaar took a different route. “I was sold on the great simplicity and sound of the Les Paul Junior, but because I already had several guitars and didn’t want to buy another one, I decided to go ahead and build one myself.”

Like many luthiers, Vlaar’s background is in cabinetry. By combining his woodworking skills with heavy research on guitar construction and sound characteristics of tonewoods, Vlaar built and modeled his very first guitar after a Les Paul Junior. The end result of his first attempt was met with approval by both a local luthier and a guitar shop that offered to sell it for him. “The ‘luthier’s virus’ had seized me, so I started visiting other guitar makers and kept my eyes and ears open,” says Vlaar. After building several more instruments, the rookie officially started his own company in 2008 under the moniker Lowland Guitars.

Vlaar uses only traditional woodworking machinery and hand tools for his builds, and contends that every neck he shapes is absolutely unique and fashioned per a customer’s requirements. He also likes to utilize alternatives for common wood types, such as abachi for red alder or Surinamese greenheart instead of ebony. Vlaar actually has some blanks from a chestnut tree that he planted as a child and plans to use for future builds. Olive wood and myrtlewood are two of his favorites to work with for tops.

“My opinion is that the full and rich sound of woods and the combinations used only really come to life if all the different parts of a guitar make contact with each other perfectly,” he says. “It’s amazing how much trouble I encounter when adjusting or repairing guitars—including ‘famous brands’—especially the joint between the body and the neck.” Be it cardboard or strips of plastic, Vlaar often finds a range of interesting materials in the joint for setting the neck at the right angle for the body. “Why didn’t they at least just use a good wedge made of the same wood as the body?”

Vlaar likes to keep it simple when it comes to electronics. “With the exception of effects, I assume that electronics on a guitar can’t add what is not already present in the guitar.” he says. “In my view, a tone control adds nothing and only squeezes the tone. So if possible, I skip the tone control.”

Pricing and Availability
All Lowland instruments are the result of one-on-one contact since Vlaar only sells direct. He enjoys the interaction and the challenge to “build the guitar with the sound I hear in my head” once he has an understanding of what the client needs. The luthier builds about 10 instruments annually with most guitars falling between $2,250 and $2,900 (including VAT).


It’s all in the details.



  • Understand the inherent challenges in rhythm guitar playing.
  • Develop new strumming patterns.
  • Cultivate practice strategies to keep yourself motivated.
{u'media': u'[rebelmouse-document-pdf 15103 site_id=20368559 original_filename="RhythmGuitar-Dec19.pdf"]', u'file_original_url': u'https://roar-assets-auto.rbl.ms/documents/15103/RhythmGuitar-Dec19.pdf', u'type': u'pdf', u'id': 15103, u'media_html': u'RhythmGuitar-Dec19.pdf'}

Last updated on May 12, 2022

Rhythm guitar is arguably the most important aspect of guitar playing, and it’s also one of the most challenging skills to develop. The discouragement many players feel when working on rhythms forces too many of them to oversimplify the nuances, and this can reduce a performance from exceptional to fine. In this lesson, we’ll investigate why rhythm guitar can be so puzzling and look at a few ways to keep yourself motivated enough to persevere and improve.

Read More Show less

The Atlas Compressor offers up an extensive library of compression options and allows for transformation into a bass specific compression machine.

Read More Show less

Megadeth founder teams up with Gibson for his first acoustic guitar in the Dave Mustaine Collection.

Read More Show less