The pedal stacks hard clipping with soft clipping and adds an overdriven transistor.
Boutique pedal company McGregor Pedals has launched its third pedal: The Cozmic Fuzzball. It follows on the heels of the McGregor's previous pedals, the Crunch Transparent Overdrive, a single-channel, low-gain overdrive pedal for guitar and bass, released in December 2019 and the Crunch Plus Overdrive, a medium-gain version for guitar and bass released in December 2020.
Designed and built by Garth Heslop, the brand new Cozmic Fuzzball pedal is built on the same foundation as the previous two pedals, though you would never know it. Heslop takes it to the next level by stacking hard clipping with soft clipping and adding an overdriven transistor for that sweet fuzz tone. Beginning with the attack control on minimum the Cozmic Fuzzball delivers distortion with a bright creamy edge. As you bring up the attack the distortion gets heavier; by noon on the attack, you have already started to hear fuzz layered in. Both the fuzz and the sustain grow from there. The Cozmic Fuzzball was designed for both guitar and bass.
McGregor Pedals - Cozmic Fuzzball - Demo by Michael Schau
The Cozmic Fuzzball has a straightforward control set:
·Attack: This controls strength of the signal hitting the fuzz transistor; more attack = more fuzz and sustain. At the lower end with low output pickups the effect is mild distortion/overdrive. As you bring up the attack the distortion gets stronger. Soon you will hear fuzz starting to layer in. Pin the Attack and you are in fuzz-land. The output of your pickups will have a significant effect on how much fuzz is generated (as will your guitar's volume pot)
·Tone: this is a variable high pass filter; the left side of the range is more for bass guitar, the right for both bass and guitar.
·Vol: This attenuates the amplified and clipped signal after it leaves the tone filter.
·LED Brightness (Unmarked Trimpot on the side): Please make the adjustment gently using a jeweler's screwdriver.
Key Cozmic Fuzzball features:
Hand soldered in Vancouver, Canada
High grade components picked for their superior sound and response
True bypass with soft-click switch
Standard 9-volt DC center-negative power operation (no battery compartment)
Top-mounted audio jacks and power input to help with packed pedal boards
The Cozmic Fuzzball is currently priced at $210 and can be purchased directly from the McGregor Pedals online store via mcgregorpedals.com.
Joe Bonamassa and Brent Mason make guest appearances on Andy Wood’s new instrumental album, out August 9.
The 11-track collection of instrumental compositions is slated for release on August 9th . Andy Wood is backed by a collection of some of Music City’s finest musicians on drums, bass, organ, keys, strings and even traditional Asian instruments. Guitar legends Joe Bonamassa and Brent Mason also lend their talents to album. The album is available in numerous physical configurations as well as available via all digital service providers here.
Free Range Chicken feat. Brent Mason (Official Music Video) - Andy Wood
From the opening track “Shoot The Sun Down” to the outro of “Believe,” Andy Wood expresses his emotions through his fingers and playing. Andy Wood tackles the Alice In Chains classic “Rooster” in a solo guitar arrangement that demonstrates Wood’s versatility on the instrument. Joe Bonamassa lends his talents to the track “Moaning Lisa” and thefirst single “Free Range Chicken” features another Nashville legend, Brent Mason.
Andy Wood, Charisma.
The tracklist for Charisma is:
1) Shoot The Sun Down
2) Free Range Chicken feat. Brent Mason
3) Rooster
4) Storms and Sparrows
5) Charisma
6) Cherry Blossoms
7) Master Gracey’s Manor
8) Hylia
9) Moaning Lisa feat. Joe Bonamassa
10) Copperhead
11) Believe
Andy Wood will be touring throughout 2024 and beyond in support of Charisma with a handful of recently announced dates and more dates to be announced in the future. Andy also hosts a sleepaway guitar camp - The Woodshed Guitar Experience – that will be returning this September and registration is currently open at https://www.woodshedguitarexperience.com. Aside from that, he also spends time as the band leader for the famed band The Stowaways onannual sold-out cruise, Shiprocked The announced tour dates are below and tickets for all upcoming events can be found at https://www.andywoodmusic.com/events/.
Cardinal Black's guitar slinger explains the bond he's formed with the overlooked goldtop.
The T-style Big Mamie has a teak body, roasted-flame-maple neck, and ebony fretboard.
Built with wood from a World War II battleship, this reader’s guitar holds a lot of history.
I love it when guitars and history come together.
My newest guitar, “Big Mamie,” was built with original teak from the deck of the USS Massachusetts (BB-59). This wood saw action in World War II, during multiple campaigns in the 1940s.
I was checking Facebook one day and I saw a post from Battleship Cove (located in Fall River, Massachusetts) where they were auctioning off this Telecaster-style body crafted by Rhode Island luthier Vincent Goulart. The proceeds of the auction would go to helping restore the battleship.
I knew I had to have it. Not only was this a piece of United States and Massachusetts history, but it held a special place in my memories. When I was a kid, my grandparents would take us to Battleship Cove where we’d explore the ships, the submarine, and the historical displays. Later, when I had my own kids, we’d visit and do overnight sleepovers with Scouts. We slept on “Big Mamie” and walked the decks from where this wood was taken.
Daniel had Big Mamie’s neckplate custom laser-engraved with a silhouette of the USS Massachusetts (BB-59), and the dates that can be seen on the battleship’s plaque.
After winning the auction, I was connected to Vincent and he told me the story of how he came to build this body for the restoration fundraiser. He’s a talented luthier, but each of his guitars has to have a unique history/story. This was right up his alley!
We spoke a few times, discussing what I liked to play, and how I’d like the finished guitar to look and sound. In the end, I decided on some standard Fender chrome components for tuners, neck plate, ferrules, etc. For the pickups, I went with Lindy Fralin Blues Specials. The controls are also from Fralin; I decided on the flipped-control orientation with the push-pull mods for the volume engage/disengage and tone caps (.02 MFD and 0.047 MFD, film and oil, respectively).
The vintage/modern roasted-flame-maple neck, with an ebony fretboard, was custom ordered from Warmoth. The neck had an adventure all of its own after initially being lost in shipment. It finally showed up about a week or two after being written off as lost (and after a new order was placed).
“Now I have a piece of history here in my room that I can pass down to my family.”
For the neck plate, I had it custom laser-engraved with a silhouette of the battleship and dates from an onboard plaque. The strap, from Well-Hung Guitar Straps in Canada, fits the patriotic theme. I’m also using oversized strap buttons from Well-Hung.
Over a couple visits to Vincent’s place, he helped me put together all the components and bring “Big Mamie” to life. Now I have a piece of history here in my room that I can pass down to my family. It also gives me a reason to work on my admittedly novice guitar skills.
These pedals are designed with fast response times, versatile routing options, and durable construction.
ISP Technologies has introduced the latest generation of their pioneering noise reduction products: the Decimator X Pedal Series for guitarists and bassists.
Building upon the legacy of ISP’s earlier Decimator pedals, the new Decimator X models utilize cutting-edge patented circuitry to get rid of unwanted noise and 60-cycle hum, effectively eliminating even the most stubborn background noise.
The pedals offer lightning-fast response times and ultra-smooth decay with enhanced tracking technology. If you’re playing staccato, with or without pauses, or if you desire a nice long decay, this technology allows for a natural sound and feel. You can preserve the integrity of your tone, even during fast-paced passages and intricate playing.
Whether you’re running a complex pedalboard setup or keeping it simple, the Decimator X pedals offer versatile routing options to suit your needs. With flexible input and output configurations, you can easily integrate the pedals into any rig, ensuring maximum compatibility and convenience.
ISP offers two variations of the pedal depending on your routing needs. The standard Decimator Xsimply has an IN and OUT jack. You place this pedal in your rig after your gain or noise-prone pedals. The THRESHOLD control is set based on the noise coming into the IN jack.
The Decimator X G-String provides 4 jacks: GUITAR IN, GUITAR OUT, DECIMATOR IN, and DECIMATOROUT. This provides a direct connection from the GUITAR and the direct GUITAR signal is used to control the block of DECIMATOR noise reduction. This allows you to insert your noisy pedals between GUITAROUT and DECIMATOR IN, but the DECIMATOR noise reduction is controlled by the direct GUITAR signal at the GUITAR IN. This configuration offers an important advantage: you can switch from extreme high gain to crunch or clean and never need to re-adjust the threshold control on the pedal, because the direct guitar signal is used to control the noise reduction block.
Built like a tank, the X pedals are housed in a durable enclosure, designed to withstand the demands of the gigging musician and provide reliable performance night after night. Both pedals have a battery compartment for a 9-volt battery and provide a 5.5mm barrel connector for use with a standard external 9-volt DC power adaptor. The new Decimator X carries a $146.72 street price; the Decimator X G-string carries a $236.42 street price.
For further information visit isptechnologies.com.