Today’s announcements are focused across the PRS Guitars’ line up from Core to the SE Series and represent both electric guitars as well as a new amp.
The PRS Modern Eagle V Officially Joins the Core Lineup
The first Modern Eagle instrument was introduced in 2004 and represented the pinnacle of the Core manufacturing at that time. Previously only offered via limited runs, the PRS Modern Eagle V now continues that tradition in the core lineup with its innovative pickup and electronics system offering a vast array of highly usable, musical tones in one guitar. The Modern Eagle V utilizes a hum/single/hum (five-coil) pickup layout and features a 5-way blade switch that selects the pickups in intuitive groupings: treble, treble and middle, middle, middle and bass, and bass. There is a single volume and a push/pull tone control that activates both humbuckers when engaged, which allows players to access all three pickups simultaneously. Finally, the mini toggles allow players to individually separate the pickup coils, turning the humbuckers into true single coils. This electronics design provides a whole set of classic and new tones.
“Modern Eagle models have always been built to stand up to history while celebrating tonewoods and the discovery of new tones. The Modern Eagle V is a sophisticated instrument not only in its craftsmanship but in its electronic and mechanical design,” said Paul Reed Smith. “We’ve refined the pickup tones and are pleased to now add it to the Core lineup.”
The Modern Eagle V | Demo | PRS Guitars
Vintage-Inspired McCarty and DGT Models Come to the PRS SE Series
For 2023, PRS is introducing four new models in the SE Series: the PRS SE McCarty 594, SE McCarty 594 Singlecut, SE McCarty 594 Singlecut Standard, and the SE DGT (David Grissom Trem), and it’s no accident that these models are coming to the SE Series at the same time. The original McCarty design (released in 1994) was highly influenced by Grissom and was designed to infuse vintage specs in a reliable, modern guitar. In 2007, Grissom’s signature DGT model was released, which added a tremolo bridge, tweaked pickups, and a refined neck shape to the McCarty platform, creating a guitar that rivals Grissom’s personal vintage favorites. PRS recently released a three-part video series documenting the development of the SE DGT model, which can be seen on the PRS Guitars YouTube channel. These introductions continue the SE’s recent promise to bring more PRS DNA and value into the more affordable line.
“I didn’t just rubber stamp this. This guitar is something I have been very involved in and am really proud of. The SE Series is lightyears ahead of anything I could get my hands on when I started playing - it’s amazing how far the quality has come – and I am proud to be able to offer this guitar to more people.” - David Grissom
The SE McCarty 594 | Demo | PRS Guitars
Dustie Waring Limited Edition CE and Artist Model Updates
Dustie Waring’s signature PRS starts with the CE 24 platform and includes a satin-finished maple neck, maple fretboard, a slightly modified Pattern Thin neck carve, and (on this limited edition version) a hardtail bridge. The Between the Buried and Me guitarist finishes the model with his signature Mojotone Dustie Waring Gen 2 Tomahawk pickups that offer articulate, clear, high-output sounds.
“I tracked a whole record with this guitar. It performed amazingly and just had a different flavor from my Floyd model. There’s way more body – it definitely has a full sound. I’m able to use it for 99% of my session work in Nashville,” said Dustie Waring, Between the Buried and Me.
Periphery’s Mark Holcomb signature SE is also being updated with a new color – Holcomb Blue Burst – and all-new signature Seymour Duncan pickups. The new “Scarlet & Scourge” treble and bass pickups were designed to work with modeling amps in mind and bring full tone with slightly less drive, offering more articulation than ever. Zach Myers of Shinedown’s signature model is also getting a new spec, updating the scale length from 24.5” to PRS’s 24.594” scale length.
The DW CE 24 Hardtail Limited Edition | PRS Guitars
10th Anniversary of the S2 Series
The PRS S2 Series began in 2013 as a way to offer the fit, feel, and attention to detail of PRS craftsmanship in a fresh, straightforward design. Meaning “Stevensville 2,” the S2 Series was named for a second manufacturing line that was created inside the PRS Stevensville, Maryland shop that blended new manufacturing techniques with practiced quality control and workmanship to create instruments at a new price point for players. Over the last ten years, the S2 Series has grown from three to more than a dozen models and has become a powerful part of PRS Guitars. Today, the S2 Series is more integrated into a single production line with PRS Core and Bolt-On instruments.
To celebrate the 10th Anniversary of the S2 Series, PRS is offering two celebratory models: the 10th Anniversary PRS S2 Custom 24 and 10th Anniversary PRS S2 McCarty 594 Limited Edition guitars. These special models will retain the guitar’s standard specs and add a Cuban mahogany neck, mother of pearl bird inlays, and – most notably – USA-made PRS 85/15 and 58/15 LT pickups and electronics (respectively). PRS has been on an inspiring journey studying pickup tone and design for many years now. These pickups have been fine-tuned using their TCI process for rich, clear, and balanced tone. Only 2,000 total 10th Anniversary S2 Series instruments will be made.
The 10th Anniversary S2 Custom 24 | Demo | PRS Guitars
The PRS Sonzera Returns
Returning to the lineup after a brief reprieve, the PRS Sonzera is a moderately powered 20 watt 1x12 combo amplifier. The Sonzera offers mid-1960’s American-style tone with two independently controlled, footswitchable channels designed for maximum versatility. The Sonzera’s gain channel can be set as a boosted clean channel or with heavy distortion, and the spring reverb and built-in effects loop allow players to easily expand their tonal palette. This is a distinct amp in the PRS line up, which also boasts the Archon, HDRX, DG Custom, and MT-15 amplifiers.
“I am very happy to re-release the new Sonzera 20 combo with improved construction techniques, refined voicing, and fresh cosmetics. Their design inspiration draws from the purity and tonal beauty of vintage American reverb amps of the 60s. The two-channel design is currently unique to the PRS lineup in that the Gain channel is simply the Clean channel with additional gain stages and its own tone stack inserted for discreet lead voicing control,” said PRS Amp Designer, Doug Sewell. “The 12 to 35-watt classic American reverb amps were very inspirational to me as a beginning amp designer in Texas. I consider the Sonzera amps an homage to those early days, and it was especially satisfying and nostalgic to be a part of their development and production.”
The Sonzera 20 | PRS Guitars
For more information, please visit prsguitars.com.
“I am thrilled to announce the launch of The Collection: Kirk Hammett. I’ve worked diligently on this curated collection of vintage and modern guitars for the book. I feel the book captures the rich history and artistry behind each of these unique and rare instruments. Every picture tells a story and thanks to Ross Halfin and his exceptional photography, every picture in this book is worth a million words! This book could not be possible without the help of Gibson, so I’d like to thank them for making my passion for Greeny, and guitars a reality. I hope all of you enjoy this journey as much as I did.”
“It’s exciting the time has come to release The Collection: Kirk Hammett by Gibson,” adds Cesar Gueikian, President and CEO of Gibson. “We have been working on this project with Kirk for years now, and I had the opportunity to work closely with Kirk on the composition of the collection for the book. It was a thrill to put this together and it took a village to get it done! I hope everyone appreciates the work that went into this book and enjoys every story behind the guitars.”
The Collection: Kirk Hammett, Custom Edition is limited to just 300 numbered copies signed by KIRK HAMMETT and comes in a huge 19 x 14.5” (490 x 370mm) presentation box featuring custom artwork and an outstanding case candy package. In addition to the large-format 17 x 12” (432 x 310mm) hardcover version of the book with a stunning lenticular cover, the boxset includes a frameable 16 x 11.6” (407 x 295mm) art print of a Ross Halfin portrait of KIRK HAMMETT signed by both Halfin and the Metallica guitarist. Other case candy includes an Axe Heaven miniature replica of Hammett’s 1979 Gibson Flying V with case and stand, an exclusive pick tin complete with six Dunlop® Kirk Hammett signature Jazz III guitar picks, and a Gibson Publishing Certificate of Authenticity.
Explore The Collection: Kirk Hammett book HERE.
Michael Trent and Cary Ann Hearst have been making music as Shovels & Rope since 2008. The husband-and-wife duo from South Carolina specialize in rootsy, bluesy rock, Americana, and alt-country, but they don’t confine themselves to traditional two-piece arrangements. They switch off on vocal, guitar, percussion, and synth duty throughout their shows, orchestrating a full-band ruckus with all available limbs.
Their seventh full-length, Something Is Working Up Above My Head, released in September last year, and while touring in support of it, they stopped at Nashville’s Brooklyn Bowl in late February. PG’s John Bohlinger caught up with Trent before the gig to see what tools he and Hearst use to maintain their musical juggling act.
Brought to you by D’Addario.Black Bird
Trent’s not a guitar snob: Generally speaking, he plays whatever he can get his hands on. While playing Eddie Vedder’s Ohana Fest, someone loaned him this Gretsch Black Falcon, and he fell in love with it. He likes its size compared to the broader White Falcon. It’s also the band’s only electric, so if it goes down, it’s back to acoustic. Hearst takes turns on it, too.
Trent loads the heaviest strings he can onto it, which is a set of .013s. It lives in standard tuning.
Ol' Faithful
As Trent explains, he and Hearst have done some DIY decorating on this beautiful Gibson J-45—it’s adorned with sweat droplets, stains, and fingernail dust. It runs direct to the venue’s front-of-house system with an LR Baggs pickup. This one is strung with Martin heavy or medium gauge strings; lighter ones are too prone to snapping under Trent’s heavy picking hand (which holds a Dunlop Max-Grip .88 mm pick). And it rolls around in an Enki tour case.
On Call
These second-stringers—a Loar archtop and an LR Baggs-equipped Recording King—are on hand in case of broken strings or other malfunctions.
Need for Tweed
Trent doesn’t trust amps with too many knobs, so this tweed Fender Blues Junior does the trick. It can get fairly loud, so there’s a Universal Audio OX Amp Top Box on hand to tame it for some stages.
Shovels & Rope's Pedalboard
Because Trent and Hearst trade off bass, guitar, keys, and percussion duties, all four of their limbs are active through the set. Whoever is on guitars works this board, with an MXR Blue Box, Electro-Harmonix Nano Big Muff, EarthQuaker Devices Hummingbird, and Boss OC-5, plus a pair of Walrus Canvas Tuners for the electric and acoustic. Utility boxes on the board include a Walrus Canvas Passive Re-Amp, Radial J48, Livewire ABY1, and a Mesa Stowaway input buffer.
A Roland PK-5 MIDI controller, operated by foot, sits on the lower edge of the board. It controls the board for “Thing 2,” one of two MicroKORG synths onstage.
Thing 1 and Thing 2
There’s no one backstage helping Hearst and Trent cook up all their racket; they handle every sound themselves, manually. During the first few sets of a tour, you’re liable to see some headaches, like forgetting to switch synth patches during a song, but eventually they hit a rhythm.
Affectionately given Seuss-ian nicknames, this pair of microKORGs handles bass notes through the set, among other things, via the foot-controlled PK5. “Thing 1” is set up at the drum station, and runs through a board with an EHX Nano Big Muff, EHX Bass9, EHX Nano Holy Grail, and a Radial Pro DI. A Walrus Aetos keeps them all powered up.
The board for “Thing 2,” beside the guitar amps, includes an EHX Mel9 and Bass9 powered by a Truetone 1 SPOT Pro, plus a Radial ProD2.
