Songs of a Lost World
The Cure return after 16 years with Songs of a Lost World, out November 1. Listen to "Alone" now.
Songs from the record were previewed during The Cure's 90-date, 33-country Shows Of A Lost World tour, for more than 1.3 million people to overwhelming fan and critical acclaim.
"Alone," the first song released from the album, opened every show on the tour and is available to stream now. The band will reveal the rest of the tracklisting for the record over the coming weeks at http://www.songsofalost.world/ and on their social channels.
Speaking about "Alone," the opening track on Songs Of A Lost World , Robert Smith says, "It's the track that unlocked the record; as soon as we had that piece of music recorded I knew it was the opening song, and I felt the whole album come into focus. I had been struggling to find the right opening line for the right opening song for a while, working with the simple idea of ābeing aloneā, always in the back of my mind this nagging feeling that I already knew what the opening line should beā¦ as soon as we finished recording I remembered the poem āDregs' by the English poet Ernest Dowsonā¦ and that was the moment when I knew the song - and the album - were real."
Initially formed in 1978, The Cure has sold over 30 million albums worldwide, headlined the Glastonbury festival four times and been inducted into the Rock And Roll Hall of Fame in 2019. They are considered to be one of the most influential bands to ever come out of the UK.
Songs Of A Lost World will be released as a 1LP, a Miles Showell Abbey Road half-speed master 2LP, marble-coloured 1LP, double Cassette, CD, a deluxe CD package with a Blu-ray featuring an instrumental version of the record and a Dolby Atmos mix of the album, and digital formats.
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David Gilmour releases a special live version of the "The Piper's Call" from his solo album Luck and Strange.
"The Piper's Call Live Around The World" is a digital only release and was recorded at The Brighton Centre, Circus Maximus in Rome, the Royal Albert Hall in London, the Intuit Dome in Los Angeles and Madison Square Garden in New York and edited together by Gilmour, Charlie Andrew and Matt Glasbey to form one seamless track recorded throughout the Luck and Strange tour.
David Gilmour āOn the Luck and Strange tour, I played with the best band I've ever had. Their personalities, playing abilities and enthusiasm for my new music have made for a fabulous experience for Polly and me. Romany's voice really stands out and has its own particular character, she brings a sense of mischief and fun to the live performance, which I think we needed. Thank you to everyone who attended the shows in Europe and America and thank you for buying 'Luck and Strangeā. I hope you found as much enjoyment in the music as we did while performing it.ā
Luck and Strange was recorded over five months in Brighton and London and is Gilmour's first album of new material in nine years. The record was produced by David and Charlie Andrew, best known for his work with alt-J and Marika Hackman. The album features nine tracks, including the singles' The Piper's Call', 'Dark And Velvet Nights', and a beautiful reworking of The Montgolfier Brothers' 1999 song, 'Between Two Points,' which features 22-year-old Romany Gilmour on vocals and harp; the lead-off track, 'The Piper's Call,' and the title track, which features the late Pink Floyd keyboard player Richard Wright, recorded in 2007 at a jam in a barn at David's house. The album features artwork and photography by the renowned artist Anton Corbijn.
The Luck and Strange tour began with two sold-out warm-up shows at the Brighton Centre before moving to Circus Maximus in Rome for six sold-out nights, followed by the same about at London's Royal Albert Hall before moving Stateside for sold-out evenings at the Intuit Dome and Hollywood Bowl in Los Angeles before concluding with five sold-out nights at Madison Square Garden in New York.
Learn more: www.davidgilmour.com.
Lollar Pickups introduces the Deluxe Foil humbucker, a medium-output pickup with a bright, punchy tone and wide frequency range. Featuring a unique retro design and 4-conductor lead wires for versatile wiring options, the Deluxe Foil is a drop-in replacement for Wide Range Humbuckers.
Based on Lollarās popular single-coil Gold Foil design, the new Deluxe Foil has the same footprint as Lollarās Regal humbucker - as well as the Fender Wide Range Humbucker ā and itās a drop-in replacement for any guitar routed for Wide Range Humbuckers such as the Telecaster Deluxe/Custom, ā72-style Tele Thinline and Starcaster.
Lollarās Deluxe Foil is a medium-output humbucker that delivers a bright and punchy tone, with a glassy top end, plenty of shimmer, rich harmonic content, and expressive dynamic touch-sensitivity. Its larger dual-coil design allows the Deluxe Foil to capture a wider frequency range than many other pickup types, giving the pickup a full yet well-balanced voice with plenty of clarity and articulation.
The pickup comes with 4-conductor lead wires, so you can utilize split-coil wiring in addition to humbucker configuration. Its split-coil sound is a true representation of Lollarās single-coil Gold Foil, giving players a huge variety of inspiring and musical sounds.
The Deluxe Foilās great tone is mirrored by its evocative retro look: the cover design is based around mirror images of the āLā in the Lollar logo. Since the gold foil pickup design doesnāt require visible polepieces, Lollartook advantage of the opportunity to create a humbucker that looks as memorable as it sounds.
Deluxe Foil humbucker features include:
- 4-conductor lead wire for maximum flexibility in wiring/switching
- Medium output suited to a vast range of music styles
- Average DC resistance: Bridge 11.9k, Neck 10.5k
- Recommended Potentiometers: 500k
- Recommended Capacitor: 0.022Ī¼F
The Lollar Deluxe Foil is available for bridge and neck positions, in nickel, chrome, or gold cover finishes. Pricing is $225 per pickup ($235 for gold cover option).
For more information visit lollarguitars.com.
The legendary string-glider shows Chris Shiflett how he orchestrated one of his most powerful leads.
Break out your glass, steel, or beer bottle: This time on Shred With Shifty, weāre sliding into glory with southern-rock great Derek Trucks, leader of the Derek Trucks Band, co-leader (along with wife Susan Tedeschi) of the Tedeschi Trucks Band, and, from 1999 to 2014, member of the Allman Brothers Band.
Reared in Jacksonville, Florida, Trucks was born into rock ānā roll: His uncle, Butch Trucks, was a founding member of the Allman Brothers Band, and from the time he was nine years old, Derek was playing and touring with blues and rock royalty, from Buddy Guy to Bob Dylan. Early on, he established himself as a prodigy on slide guitar, and in this interview from backstage in Kalamazoo, Michigan, Trucks explains why heās always stuck with his trusty Gibson SGs, and how he sets them up for both slide and regular playing. (He also details his custom string gauges.)
Trucks analyzes and demonstrates his subtle but scorching solo on āMidnight in Harlem,ā off of Tedeschi Trucks Bandās acclaimed 2011 record, Revelator. In it, he highlights the influence of Indian classical music, and particularly sarod player Ali Akbar Khan, on his own playing. The lead is āmelodic but with Indian-classical inflections,ā flourishes that Trucks says are integral to his playing: Itās a jazz and jam-band mentality of ādangling your feet over the edge of the cliff,ā says Trucks, and going outside whatever mode youāre playing in.
Throughout the episode, Trucks details his live and studio set ups (āAs direct as I can get itā), shares advice for learning slide and why he never uses a pick, and ponders what the future holds for collaborations with Warren Haynes.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
A 6L6 power section, tube-driven spring reverb, and a versatile array of line outs make this 1x10 combo an appealing and unique 15-watt alternative.
Supro Montauk 15-watt 1 x 10-inch Tube Combo Amplifier - Blue Rhino Hide Tolex with Silver Grille
