
With graphics inspired by the Rev's latest Hotroded '34 Ford Coupe "WHISKEY RUNNER", and loaded with our GYROCK Pickup System sporting BFG's signature pickup set (the classic Seymour Duncan Pearly Gates & Red Devil, along with our custom wound Humbucker dubbed "The Grizzly" by the man himself), ultra-lightweight construction and a Custom COA (with a limited hand signed run), she's as bold and spicy as a Texas hot sauce!
Changing your guitar tone has always meant rewiring your guitar with new pickups. It's not the case anymore. GYROCK is a revolutionary concept that enables you to load different pickups on a single guitar and to switch from one pickup to another in a split second. Billy F. Gibbons is known for playing mainly on the bridge pickup. We've redesigned the Gyrock pickup system to be as close as possible to his playing ways. GYROCK is a patented technology that has been developed by Wild Customs to create a groundbreaking musical experience.
Whether you are looking for rich, authentic humbucking tones or nuanced single coil sounds, the Gyrock can seamlessly master most of sonic territories.
Billy F. Gibbons signature pickup set
> Wild Customs' humbucker "The Grizzly"
> Wild Customs' P90 "The Jalapeño"
> S. Duncan Pearly Gates BFG signature
> S. Duncan Red Devil BFG signature
> S. Duncan Lipstick Tube
> S. Duncan Antiquity Strat Texas Hot
Expansion packs are available on demand with lot of pickup references for unlimited tonal options.
BILLY F. GIBBONS SPECIAL SPEC.
CONSTRUCTION METHOD / Bolt-on neck
BODY / Premium East European Alder chambered with honey comb structure
NECK / 3-ply Canadian maple
FRETBOARD / Pau Ferro
SCALE LENGTH / 25'5'' 648mm
NECK PROFILE / C shape standard thin
RADIUS / 10-16" compound radius
FRETS / 22 medium jumbo
NUT / Hand shaped Bone nut
BRIDGE / Babicz
MACHINE HEAD / Schertler open gear
GYROCK PICKUP SYSTEM Featuring BFG signature pickup set
CONTROLS / 1 Vol 1 Tone
HARDCASE / Unbreakable custom case by Nanuk case
MISC. / Delivered with a leather strap & hand signed COA
Available for $9,999 at gyrockguitars.com
Oni’s guitar duo cover 16 strings between them with a pair of Neural Quad Cortexes and some choice patches.
Jared Dines had been writing for Canadian metalcore outfit Oni—fronted by Jake Oni—for a few years before Jake invited Dines to join him onstage. Dines had just two days to learn the entire set before rehearsals began. But Eric Palmer can one-up him. He was teching for the band when Jake conscripted him—with just one day to pick up the set before a performance. Palmer rose to the occasion, and he and Dines have formed Oni’s two-guitar tornado for the past year.
Ahead of their gig at Nashville’s Brooklyn Bowl in December, Dines and Palmer walked PG’s Chris Kies through their spartan, one-guitar rigs—no backups, no mercy.
Brought to you by D’Addario.8 is Great
Eric Palmer is used to playing 7-string axes, so this limited-run 8-string Jackson Concept Series MDK8 HT8 MS Modern Dinky didn’t take long to get used to. The Korea-made flamethrower has a basswood body, a 3-piece maple/wenge/mapleneck, and a compound radius ebony fretboard (12" to 16"). It also boasts a dual scale length—25.5" to 27.5"—and is loaded with Fishman Fluence Modern pickups, which feature two voicings selected by a push-pull switch. Palmer had this one upgraded to a 5-way switch to access split-coil sounds, and he got rid of the tone knob. “All gas, no brakes,” as PG’s Perry Bean would say.
Petrucci Power
Jared Dines also needed an 8-string for Oni, so Ernie Ball sent him this Music Man Majesty 8, a John Petrucci signature model. It’s got Fishman’s Powerbridge piezo system, which sees action on the song “Control.” Dines attached his own string clamp behind the nut to halt noise.
Double Quads
Dines and Palmer both rely on Neural DSP Quad Cortexes on this Oni tour. Their units are mounted on Temple Audio pedalboards, and both guitarists use the Architecture: Gojira X patch for their heavy sounds, and a Roland Jazz Chorus sound for cleans. Both Dines and Palmer employ a MIDI switching system that they pulled from Aaron Marshall’s Rig Rundown, and run their signals from direct to front of house.
In our second installment with Santa Cruz Guitar Company founder Richard Hoover, the master luthier takes PG's John Bohlinger through the detailed (and scientific) process of analyzing, shifting and "tuning" the guitar's top before repeating the process when the back and sides are joined, and once again when introducing the neck to the instrument build while focusing on keeping everything harmoniously synergized and "tuned."
Axis, Cutlass, Sting Rays, oh my! There were all those and more new stylings at the Sterling by Music Man & Ernie Ball both this year as we got a tour of all their affordable options that are out or will be coming out in 2025. We saw new stylings on signature sweets for James Valentine, Steve Lukather, Ryan "Fluff" Bruce, Pete Wentz, Tosin Abasi, Jason Richardson and more!
Sterling By Music Man StingRay Plus Electric Guitar - Black
The StingRay Plus takes the classic StingRay guitar to new heights with a roasted maple neck, versatile P90 pickups, and a built-in volume boost. A matching headstock and sleek block inlays complete the polished, old-school look. Experience the next level of tone and performance with the StingRay Plus.
The PRS Standard is one of the two models that started PRS Guitars back in 1985. It has been out of the line up for more than ten years and coming back for the 40th Anniversary.
PRS Standard 24 Satin Electric Guitar - Satin Red Apple Metallic
The PRS Standard 24 features many classic PRS specifications, including a 25” scale length, Pattern Thin neck with a 24-fret, 10” radius rosewood fretboard, PRS Patented Tremolo, and PRS Phase III tuners with unplated brass shafts. Under the hood, the PRS Standard 24 is outfitted with the all-new PRS DMO treble and bass pickups with volume and tone controls and a 5-way blade switch. PRS DMO (Dynamic, Musical, Open) pickups have a “wide open” sound with vocal character, meaning they deliver clear, pleasant-sounding tones across a wide range of frequencies (bass to treble) in each pickup. DMO pickups were personally designed by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D.