
Week #4 is here! You could WIN pedals from one of SIX great brands... including a whole new pedal lineup from Pigtronix!
Pigtronix Pedal Board Giveaway - Gloamer
Gloamer is an all-analog, polyphonic amplitude synthesizer that alters the attack and decay time of any sound source without sacrificing the fidelity of the original tone. Its attack function provides a pick-triggered volume swell: a cinematic “slow gear” effect that is smooth and controllable with variable timing from extremely fast to very slow. The volume swell cycle can be reset at any moment by muting, allowing players to craft bowed string-like lines and chords with ease. Gloamer also features a powerful optical compressor that can add subtle punch or extreme sustain, helping to maintain a smooth volume swell effect even with very long attack times. A Volume knob controls loudness at the peak of the attack cycle, while a master Blend control allows players to layer an uncompressed clean sound in with the volume swell effect. Additionally, when activated, the Decay function causes notes to fade out once the attack cycle is complete. When the decay cycle is completed, an auto-reset function causes the attack to begin again immediately, as long as there is audio input. This allows you to create a wide range of undulating, asymmetrical tremolos at slower settings as well as pulsating stutter effects when using faster attack and decay times.
Blackstar Dept. 10 Dual Drive 2-channel Tube Overdrive Pedal
The Dept. 10 pedals combine modern versatility with real tube-driven tones, using an ECC83 triode preamp tube running at 250V at the heart of each pedal. The Dual Drive and Dual Distortion are powerful tube effects, preamps, and audio interfaces, and the Dept 10 Boost is a flexible tube boost, eq, and overdrive.
WaterFall
A JAM pedals favorite for a lot of guitar, bass and keyboard players, the WaterFall is serving as a mainstay on boards of such greats as John Scofield, Nels Cline, Steve Lukather, Anthony Jackson and John Mesdeski for many years now, and has established itself as one of the best analog chorus/vibrato pedals in the market.
It features BBD chips faithful reproductions of the Panasonic MN3207, 2 toggle-switches, the first to select between chorus and vibrato modes, and the other to switch to a “wetter” effect resulting in a deeper, more contemporary sounding chorus, or a more intense, deranged vibrato sound! Max out the Depth and Speed controls to get Leslie-speaker type effects!
Pedaltrain Classic 2 w/ Tour Case + BTPA I/O Panel mounted + Power Cable + High Def Guitar Cable
Pedaltrain Classic 2 Pedalboard w/ Tour Case installed with BTPA interface panel for input, output, send, return, and power. Power cable included + BTPA High Definition Straight to right angle instrument cable.
Honey Bee OD 4K Mini Standard
One Control Honeybee Overdrive 4K Mini and Mini Custom Versions.
For the 20th anniversary of the original BJFe Honeybee Overdrive, Björn Juhl has now brought the sound of his classic low-gain overdrive to the One Control Mini pedal platform, featuring both the classic Honeybee warm syrupy texture with Modern/Vintage Switch and a special new Custom version, with enhanced gain and a hot crimson finish. Gold finish is classic, Crimson finish is the high gain variant.
One of the most popular customer requests from the original Honeybee OD was for enhanced treble response. While many guitarists love the original “Nature” knob, Björn has equipped the new HBOD4k Mini with both Bass and Treble controls. This new design will enable players to dial the pedal in more easily with a wider range of amplifiers.
After the original run of 200 BJFe Honeybees, Björn started to change the original circuit in response to requests from guitarists worldwide. You can have both flavors of the Honeybee OD with the 4K Mini – simply flip the switch on the side between Vintage/Modern and experience the original sound of both Honeybee circuits in our Mini size enclosure to allow the HBOD4K Mini to fit on any pedalboard setup.
Vidami Blue
Vidami Blue is a revolutionary multi-modal tool that gives you hands-free control of today’s most popular music production, performance and education technology.
● The World’s First Hands-Free Video Looper with Page Turning, Tab/Lyric
Scrolling and Digital Audio Workstation Control.
● The Vidami Blue’s 3 Modes Features
1. Video Mode: Handsfree looping, slowing, and navigating of videos with the
tap of your foot.
2. DAW Mode: Control of many of today’s most popular Digital Audio
Workstations
3. Page Turning & Tab/Lyric Scrolling Mode: Easily Turn Pages, Scroll Tabs,
Lyrics, and other functions on your favorite Digital Sheet Music apps and
Tab sites
● Vidami maximizes the time you spend with your hands on the instrument by
putting the controls at your feet
● Cuts your practice time in half: no more tedious reaching for the mouse and
keyboard to control the video
● Experience Freedom, Focus and Flow while you loop and slow down and learn
at your own rate
● Vidami’s easy to use Patented technology makes learning on YouTube and 50+online platforms easier, faster and more fun because your not distracted by technology
● Vidami Blue makes handsfree recording a breeze
● Scroll tabs and turn pages with ease
A satin finish with serious style. Join PG contributor Tom Butwin as he dives into the PRS Standard 24 Satin—a guitar that blends classic PRS craftsmanship with modern versatility. From its D-MO pickups to its fast-playing neck, this one’s a must-see.
PRS Standard 24 Satin Electric Guitar - Satin Red Apple Metallic
Standard 24 Satin, Red App MetThe exquisite BilT Brothers collaborative guitar: a Frank Brothers Ultra Light in BilT eggplant sparkleburst with Arcane 3x3 Gold Foil Humbuckers and loaded with a Caroline Custom Cannonball Distortion.
This forward-thinking custom guitar commissioned by our columnist makes a special case for partnership in the guitar building community.
Owning a guitar shop, your brain is full of to-do lists, questions, and plenty of compulsive thoughts over details. And when you run a shop that specializes in custom builds that you spec out from boutique companies, the ideas for these guitars often come at the most random times of day (and night). While I don’t subscribe to the notion of fate, the following makes a case for its existence.
It was like any other random day at work: We had customers coming in, items shipping out, services on the bench. I was simultaneously working on a pedalboard for a customer and making plans with some vendors. I was on the phone with Brandon Darner of BilT Guitars when DHL dropped off our latest Frank Brothers guitar. Now, I’m never shy about talking up builds from any of our vendors. Spec’ing guitars for our shop, seeing their execution exceed my expectations, and then getting it into the hands of its new owner is one of my absolute favorite parts of my job. So, naturally I mentioned that we just got a new Frank Brothers in. Brandon told me how much he loved their stuff—sort of a “game recognizing game” kind of thing.
After we unboxed the guitar, I called Tim Frank to let him know how we continue to be impressed with their work and how much we loved the new arrival. I also mentioned Brandon had some very nice things to say about their work. Tim’s response was something like, “Oh wow! That’s really cool. Their stuff is amazing and we have a lot of respect for those guys.” At first, I thought he was just being polite, but I’ve gotten to know him pretty well. I knew that the compliment and sentiment was genuine and past the point of his wonderful Canadian pleasantness. One thing led to another, and I started a group text. Very quickly, they became friends. In fact, Brandon even ordered a Frank Brothers shortly after the introduction.
The Frank Brothers and BilT team, left to right: Tim Frank, Tim Thelen (BilT), Nick Frank, and Brandon Darner (BilT).
My last call of the day was to Philippe Herndon from Caroline Guitar Company. As we talked, he was glowing about the pedal building community and how friendly and collaborative it is, and obvious questions popped into my head: “Why aren’t guitar companies like that?” “Why can’t we do a collab guitar?”
Long story extremely short, with tons of excitement, I got Brandon and Tim on the phone and proposed the idea of doing a guitar together. Without hesitation, the response from both was “Hell yeah, let’s do it!” and it was time for us to spec it. We decided on a Frank Brothers Ultra Light. BilT would apply their world-class fit/finish as well as their signature effects treatment. I picked my favorite finish in the BilT repertoire called eggplant sparkleburst, selected Arcane 3x3 Gold Foil Humbuckers, and tapped Philippe on the shoulder to ask if he had any Custom Cannonball Distortions—the first pedal I bought from Caroline in 2013—that he could provide for the build, to which he happily obliged.
A year or so later, the BilT Brothers was born. Of course, it is exceptional beyond words and is a true testament to the results of these incredible companies working together to produce something truly remarkable. We decided, with custom shirts and all, to proudly debut our creation at Fretboard Summit in Chicago. The reaction from everyone exceeded our expectations and showed me that the level of mutual respect and admiration in this business can lead to phenomenal results.
This project has opened a lot of doors that I’m not sure anyone knew existed. For me, the most exciting part of all of this is the fact that, like the smaller pedal companies, there is an actual community here filled with like-minded, pure enthusiasts who also happen to be master craftsmen—and who truly geek out over each other’s work.
Never was this more evident than at the Wood Wire Volts show this January, where not only did the BilT and Frank Brothers crews travel and stay together, they were also often in deep chats with fellow luminaries Sacha Dunable (Dunable Guitars) and Carlos Lopez (Castedosa Guitars), discussing the trade, the work, and ideas for the future. If the vibe is any indicator, we can safely assume that while the BilT Brothers was, by all accounts, the first ever collab guitar of its kind, it will not be the last.
This entire experience is reminiscent of the DIY community ethos that I’ve clung to and has inspired me for most of my life. There is a cliché about the journey being greater than the destination, and while the destination in this case is one of the finest guitars I’ve ever laid my hands on, I’d have to say it holds true
Introducing the new Gibson Acoustic Special models, handcrafted in Bozeman, Montana, featuring solid wood construction, satin nitrocellulose lacquer finishes, and L.R. Baggs electronics.
Solid Wood Construction
Each of the three Acoustic Special models from Gibson are crafted using solid mahogany for the back and sides, solid Sitka spruce for the tops, utile for the necks, and rosewood for the fretboards for a sound that will only get better and better as they age.
Satin Nitrocellulose Lacquer Finishes
All three Gibson Acoustic Special models are finished in satin nitrocellulose lacquer for a finish that breathes, ages gracefully, and lets the natural beauty–both in sound and appearance–of the quality tonewoods come through.
L.R. Baggs Electronics
The Gibson Acoustic Special guitars come with L.R. Baggs Element Bronze under-saddle piezo pickups and active preamps pre-installed, making them stage and studio-ready from the moment you pick them up.
For more information, please visit gibson.com.
Introducing the Gibson Acoustic Specials – J-45, Hummingbird & L-00 Special - YouTube
Great Eastern FX Co. has released the limited-edition OC201 Preamp, featuring vintage Mullard OC201 transistors for a unique fuzz sound. Part of the 'Obsolete Devices' series, this pedal combines classic circuits with modern components for optimal tone and reliability.
Boutique British pedal designers GreatEastern FX Co. have released a new pedal. Limited to just 50 units, the OC201 Preamp is an intriguing twist on the familiar two-transistor fuzz circuit, built around a pair of new-old-stock Mullard OC201 transistors.
“The OC201 is a very early silicon transistor,” company founder David Greeves explains. “It was actually the first silicon transistor made by Mullard, using the same method as their germanium devices. It’s pretty crude by modern standards, with very low gain and limited bandwidth, but that’s exactly what makes it so great in a fuzz pedal.”
This little-known low-gain silicon transistor is responsible for the OC201 Preamp’s palette of sounds, which GreatEastern FX say ranges from dirty boost and garage rock drive sounds up to a raw and richly textured fuzz, all with the excellent volume knob clean-up characteristics this style of fuzz is famous for. The circuit has also been tweaked to deliver a healthy kick of volume to your amp.
This limited-edition pedal is the first in a new series that Great Eastern FX are calling ‘Obsolete Devices’. According to the company, the Obsolete Devices series will feature the company’s take on a range of classic circuits, constructed using a mixture of vintage and modern components. It’s a distinct departure from Great Eastern FX’s main range of pedals.
“With pedals like the Design-a-drive and the XO Variable Crossover, we’re really committed to developing original designs that bring something new to the table,” founder David Greeves explains. “I’m always very conscious of choosing parts that aren’t going to go obsolete so we can go on making the pedals for as long as people want to buy them. But I also love messing around with old parts and classic circuits, which is a totally different mentality. The Obsolete Devices series is basically a way for me to have fun modifying these classic circuits and experimenting with my stash of NOS components, then share the results.
“The name is a little bit of an inside joke,” he continues. “I think what gets labelled as ‘obsolete’ is very subjective. As pedal designers and guitar players, we obsess over obsolete components and what, in any other field, would be considered outdated designs. So the name is a nod to that. I also loved the thought of us coming out with some brand-new Obsolete Devices of our own!”
Alongside the pedal’s new-old-stock Mullard OC201 transistors – which are the reason only 50 of them are being made – the OC201 Preamp uses quality modern components, including high-tolerance Dale metal film resistors and WIMA capacitors. GreatEastern FX say that this hybrid approach, using vintage parts where they make the most difference sonically and low-noise modern parts elsewhere, will deliver the best combination of tone and reliability while also keeping the price from spiralling out of control.
The OC201 Preamp will cost £249 in the UK, $299 in the US and €299 in the EU. It’s available now direct from Great Eastern FX Co. and from the following dealers:
- UK – Andertons
- Europe – Pedaltown.nl
- USA – Sound Shoppe NYC
- Canada – Electric Mojo Guitars
For more information, please visit greateasternfx.com.