You could win pedals from AmpRX, Amplified Parts, Atomic Amps, Pigtronix, or Revv Amplification!
The BrownBox by AmpRx is an input voltage attenuator for tube amplifiers.
All tube amps, both vintage and modern, are designed to run at an optimal voltage - vintage being the lowest at around 110V and modern amps coming in at about 117-118V. The problem is that at any point, at any place, you can get anywhere from 120-130VAC out of the wall. It’s not good for your tone, and it’s not good for the health of your amplifier-whether it’s vintage or not. Furthermore, we know that voltage supply can change drastically from club to club, from your home to rehearsal space and even between studios. With its proprietary 5-amp transformer and flexible attenuation options, the AmpRx BrownBox lets you bring that voltage down to an optimal level for YOUR gear, resulting in significantly improved amp performance - keeping your components and tubes healthy, and your tone tasty.
120 Volt AC, 60 Hz, 5 Amp Voltage Attenuator supplies up to 540 Watts, designed for small or mid to larger sized amplifiers (i.e. Fender Deluxe/Bassman/Twin, Marshall 50w/100w, Vox AC30). Can also be used for parallel or dual amp rigs.
The Seismic / Shift is a JFET boost is a DIY pedal kit, based on one of the earliest effects to ever be used on stage. This pedal adds subtle color to a guitar's sound while maintaining the natural tone of the guitar. It packs a serious punch that can cut through any mix when soloing or whenever some extra “umph” is required. The Seismic Shift pairs nicely with amps and other pedals. Place it ahead of tubes, preamps, overdrives, distortions, and fuzz pedals to shift your gear onto a new level.
Ampli-Firebox MKII is the updated and enhanced version of Atomic's world's first stompbox-sized, pro level, digital amp and cabinet modeler. In addition to offering over 20 stunningly accurate amp models that span from vintage pristine clean to modern metal and beyond, it includes a carefully curated collection of cabinet models as well as delay, reverb, compression and gate effects. Ampli-Firebox MKII is equally in the studio, on stage or at home.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.
You could win one of EIGHT pedals from Carl Martin, IK Multimedia, LR Baggs, Pedal Pad, and Walrus Audio!
When we look back to the glory days of rock guitar (mid 60's to mid 70's), some of the most popular amplifier set-ups were British Marshalls and Vox's.....often with multi-speaker cabinets. Players like Tony Iommi, Ritchie Blackmore, Brian May etc, carved their signature sounds on stage and in the studio with these rigs, and in order to deal with the over-powering bottom end, they made use of 'The Treble Booster'. Treble Boosters add top end or higher frequencies to the guitar tone, and depending on how the amp is set up, some much desired overdrive. As much as companies like Dallas (Rangemaster) and Hornby Skewes (Treble Booster) were solving a bottom-end problem, they had also created a new sound pallette! Carl decided it was time to re-introduce this sound with the PlexiRanger! And leave it to Carl to add a gain channel along with the boost channel for a one-of -a-kind fx pedal!
Bring your perfect studio guitar sound onstage with the new AmpliTube X-GEAR pedals.
Each boutique pedal features 16 different effects, drawn from the most popular AmpliTube models and all-new reverb and delay algorithms, accompanied by an exclusive virtual X-GEAR version of the exact same effects. Use the virtual versions with AmpliTube 5 (SE version included) to record and tweak settings and save as presets on the matching X-GEAR pedal.
Now you can move between the studio and stage seamlessly, with world-class tone you can take anywhere.
The product of nearly 3 years of intensive research and collaboration with a team of PhDs, LR Baggs is thrilled to introduce Voiceprint DI, the next breakthrough chapter in acoustic amplification. Voiceprint DI measures the acoustic response of your guitar by leveraging the processing power of your iPhone® to accurately capture your guitar's one-of-a-kind voice. A Voiceprint is created, transforming your pickup into the most authentic sound we have engineered in our 40+ years.
Pedal Pads AXS III 24" in Gibson Smooth Mesa tolex. Standard AC on left with 2 double female 1/4" TRS jacks. Right side has one double female 1/4" TRS jack. This bad boy also has deck stays installed under the hood. The AXS III Pedal Pad is the pedal board to have. It has the flexibility and ruggedness to get you where you need to go unscathed. The AXS III has a single hinged panel with 4 slots for routing cables neatly underneath while giving you quick access to them. Additional components such as a power supply, power strip and an additional effect pedal can be stowed below to maximize usable space within the AXS III footprint. Effects attach to the hinged panel, which is covered in Velcro brand fabric, with the included hook fabric.
Eras is a no apologies, high-gain distortion that's ready to chug, shred, and palm mute with tight response and multiple clipping options. Use the Blend knob at max for a full distortion onslaught or roll back the Blend knob to creatively stack and mix other dirt pedals placed in front of Eras. Great for bassists that want to blend in their dry signal as well. Anywhere you set it, the Eras is ready to deliver a diverse world of speaker ripping sounds.
Another FIVE winners will be chosen from Crazy Tube Circuits, Ernie Ball, Ibanez, Tech 21, and Valco FX.
Inspired by the first digital delay rack units introduced at the beginning of the "digital audio revolution" in the mid-late 70's. These units had lower bit resolution and bandwidth compared to today's digital delay standards.
TI:ME is not your typical sterile and ultra clean digital delay. With separate analog and digital paths to get best of both worlds, this retro inspired echo effect will warm up your tone.
Don't step on stage without the Ernie Ball Volt Power Supply. For musicians on the move, this ultra-compact, road-ready unit puts a complete powering solution in the palm of your hand. Connect all your favorite digital and analog pedals to multiple high-current DC outputs for clean, regulated power. Relax and rely on thermally protected, short-circuit-proof design with ultra-low noise operation. When the road calls, the Volt demands a place on your pedalboard.
The ES3 Echo Shifter is equipped with both analog and digital delay modes. The analog setting provides a warm, natural tone with delay times between 40ms and 600ms, and unlike other digital pedals which simply simulate analog delay, the ES3 is actually equipped with analog circuitry. The digital mode offers longer delay times all the way up to 1500ms. The pedal also includes a new modulation speed control which offers increased options to tailor the effect to the player's unique preferences. Unlike the ES2, where the Oscillation function needed to be engaged by hand using a mini-toggle switch, this same function can be engaged simply by stepping on and holding the right footswitch. This allows for quickly changing the quality and texture of the delay mid-performance. The pedal carries over the fader delay time control, delay tap switch, as well as oscillation and modulation modes from the ES2. The combined result of these upgrades is a more usable pedal with greater tonal versatility and enhanced musical potential.
•Controls: Mix, Feedback, Depth, Speed, Delay Time
•Switches: Effect on/off, Tap/Oscillation on (press and hold), Analog/Digital, Modulation On/Off, Inst/Line
•I/O's: Input, Output Input is on the right side. Output is on the left side.
•Delay time: Analog 40ms - 600ms, Digital 40ms - 1500ms
•Size: 116(W) x 153(D) x 57(H) (mm)
•Size: 4.6(W) x 6.0(D) x 2.3(H) (inch)
•Required Current: 200mA@9V
•Power Supply: External DC 9 volt AC adapter
A truckload of tube amplifiers, the size of a candy bar. 100% analog signal path, digital programmability. For stage/studio; any instrument: guitar, bass, drums, vocals, horns. Performance Mode turns it into a 3-channel stompbox. Rugged all-metal housing. 49 factory presets, 128 memory locations, dizzying versatility. No menus. Super simple, intuitive operation: turn the knobs, hear the difference in real time, push Save. Done.
The Valco KGB Fuzz is a multi-function/tone-sculpting fuzz machine, designed to work within a sound-creation chain or as a regular standalone fuzz pedal (and everything in between!).
The KGB is designed specifically to work with K (keys, synths), G (guitar) and B (bass).