Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.

Free-Wheelin’ Ace Frehley Fires Up His “Shock Me” Solo

ace frehley chris shiflett

Shifty’s biggest guitar hero joins the podcast to run down his unique lead picking on the 1977 Love Gun hit.


Ace Frehley is the reason Chris Shiflett picked up a guitar in the first place, so it’s only natural that Shifty invites his original tone teacher onto the pod to recap one his iconic solos. Frehley, saddled with a classic black-and-cream triple-humbucker Les Paul, shares that “Shock Me” was the first KISS track on which he took lead vocal duty. The first time he sang it live, he remembers, was in front of 18,000 screaming fans at Madison Square Garden. As Frehley explains, that was quite a step up from how he recorded the vocals in the studio for Love Gun: lying flat on the floor on his back, racked with stage fright.

Frehley recalls that he ripped most of his solos through a dimed Marshall stack, and always on the bridge pickup. Turns out, he never went for pedals or boards because he’d trip over them onstage. “Wearing those boots?” he snorts. “Forget about it. It’s like a minefield!” His signature sauce, he says, is in the way he picks the strings: He holds his picks loose, but plucks in such a way that his thumb often hits the string at the same time, producing a sound just shy of a pinched squeal, but more spunky than a regular strike.

Frehley drops tons of golden bits of KISS history: the engineering behind his famous “smoke bomb” effect, the time he woke up in Paris with his eyes swollen shut from makeup, how he accidentally roadied for Hendrix, the shared genealogy between his technique and Eddie Van Halen’s, and which KISS member smelled the worst after shows.

Connect with Chris!

Website / Instagram / Facebook / TikTok / Twitter / YouTube / Spotify

Credits

Producer: Jason Shadrick

Executive Producers: Brady Sadler and Jake Brennan for Double Elvis

Engineering Support by Matt Tahaney and Matt Beaudion

Video Editors: Dan Destefano and Addison Sauvan

Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.

MayFly Le Habanero Review

Great versatility in combined EQ controls. Tasty low-gain boost voice. Muscular Fuzz Face-like fuzz voice.

Can be noisy without a lot of treble attenuation. Boost and fuzz order can only be reversed with the internal DIP switch.

$171

May Fly Le Habanero

mayflyaudio.com

4
4
4
4

A fuzz/boost combo that’s as hot as the name suggests, but which offers plenty of smoky, subdued gain shades, too.

Generally speaking, I avoid combo effects. If I fall out of love with one thing, I don’t want to have to ditch another that’s working fine. But recent fixations with spatial economy find me rethinking that relationship. MayFly’s Le Habanero (yes, the Franco/Spanish article/noun mash-up is deliberate) consolidates boost and fuzz in a single pedal. That’s far from an original concept. But the characteristics of both effects make it a particularly effective one here, and the relative flexibility and utility of each gives this combination a lot more potential staying power for the fickle.

Read MoreShow less
- YouTube
A FREE update adds up to 150 new Premium Tone Models and presets for all TONEX users.
Read MoreShow less

Darkglass Electronics unveils ANAGRAM, a flagship bass platform designed to redefine tone, flexibility, and performance. The pedal’s extraordinarily deep feature set includes multiple effects and modeling, an on-board looper and tuner.

Read MoreShow less
- YouTube

Alongside Nicolas Jaar’s electronics, Harrington creates epic sagas of sound with a team of fine-tuned pedalboards.

Read MoreShow less