Three sparkly pedals from Mojo Hand improve upon vintage goodness.
In a few short years, Mojo Hand FX has grown from being a little custom shop in Evans, Louisiana to an ever-growing company, gaining international distribution and a loyal cult following. It’s really no wonder after seeing and playing with a few of their stomp boxes. All Mojo Hand pedals are handmade using the finest components. They have high quality features such as true bypass switching and durable die-cast enclosures with cool-looking colors and finishes.
They sent over a few of their pedals for us to check out: the Analogue Filter 442, the Nebula phaser and the Luna vibe pedal.
Analogue Filter 442
This Analogue Filter 442 is based on the old classic DOD 440 Envelope Filter pedal, which has seen resurgence in popularity lately thanks to groups like Radiohead who use this effect in many of their recordings. The AF 442 improves on a few of the DOD features by adding true bypass switching and a nifty little LED power indicator.
I plugged this pedal in and fell in love with it right away. Without even tweaking a knob first, the gratification was instant. The rich tones immediately encouraged me to be inventive in my guitar licks -- a great tool in increasing creativity. At first plug-in, it was like a “foot free” wah-wah pedal – which can be perfect for live settings. You can run around the stage and add a wah tone to your leads, while other guitarists in the audience believe you have a guy offstage controlling your wah pedal for you!
After playing around with the control knobs a little further, I noticed that it takes a few minutes to understand what the parameters of the controls are and to find that sweet spot. Interestingly, I found that the more I messed around with the two control knobs – labeled Level and Range, just like the DOD 440 – the more confused I got about what they were controlling! The name Level is misleading, since it’s not really controlling the input level or mix. It actually controls the frequency, while Range controls the sensitivity. I understand that they wanted to duplicate the knobs of the DOD 440, but the correct labeling could be a great improvement from the original.
The Range knob was easier to understand – turning it counter-clockwise increases the low end and clockwise increases the highs. After playing around with it for a while, I noticed that turning the knob towards the bass side at about 10 o’clock added a really nice fullness to the tone. After fine-tuning the two knobs to my liking, I was really able to dial in that sweet spot. It’s also very easy to control either knob with your foot if you’re too lazy to bend over!
The 442 works really well with a clean tone to play funky guitar rhythms, or it can be added to a dirty sound to enhance those hard-rockin’ leads. You can go from being very subtle to not subtle at all. If you’re not familiar with filter pedals, you will be surprised to find that it isn’t just a constant sweeping effect like a phaser, but a “threshold sensitive” effect. It really reacts to the velocity and speed of your playing. For example, I played a very fast tremolo on the guitar and the effect kept up flawlessly and continuously. To hear this pedal in action, there are audio samples on Mojo Hand''s Myspace page.
Overall, the Analogue Filter 442 is a very versatile, sturdy, great-sounding effect with inspiring sounds and good looks. And with the original discontinued DOD 440 Envelope Filter going for $200+ on eBay nowadays, you can get that same effect with updated features for less money and more satisfaction.
Buy if...
you want a modern version of an analog filter with better features.
Skip if...
you bow at the altar of the original DOD 440.
Rating...
MSRP $179.99 - Mojo Hand Effects - mojohandfx.com |
Nebula
The Nebula is a two-stage phaser that is like a modern version of old pedals like the MXR 45 or the DOD 201. It’s a very simple pedal, with just a knob that controls speed and a switch that turns the thing on – you can’t get any simpler than that! Since I’m a guy that is drawn to shiny objects and sparkly things, I was attracted to this pedal before I even plugged it in. This Nebula was a purple metal flake version that was very cool-looking and brought back memories of those little cars I used to ride at the carnival! It is also road-worthy and sturdy, which I can personally vouch for – I accidentally and foolishly pulled my guitar cord and the pedal went flying off my amp onto the hard floor. There wasn’t a dent or scratch on it and after plugging it in, it worked perfectly!
Whenever I think of a phase pedal, I immediately hear Eddie Van Halen playing the intro of “Atomic Punk” or “Ain’t Talkin’ ‘Bout Love” from Van Halen I. This pedal is a lot subtler than that. The tone is beautiful and warm, but not overpowering. With a clean sound, it brings to mind Pink Floyd’s “Breathe.” It has a very useable range; even at higher speeds it avoids being too fast or extreme, staying true to the original intent of the effect.
I loved this effect even more with a bass. It sounded warm and rich, and even when the speed was at the highest setting, it produced a nice, watery full tone. There was no volume change or drop at all, and the true bypass makes this a high quality pedal.
I really liked that you can control the speed knob with your foot if you need to, which is perfect for making speed adjustments in a live setting. With only one knob to work with, it stays basic and to the point, which is how it should be. There have been many times while I’m recording or writing when I need to call up a sound quickly and don’t have all day to mess with the knobs and parameters, which make the effect ideal in a studio setting as well.
The Nebula is a very solid, smooth pedal. It is a classic, subtle phaser that does its job and does it well.
Buy if...
you need a simple two-stage phaser with a more subtle sound.
Skip if...
you''re an "Atomic Punk" looking for an extreme phaser with a deep, wide sweep.
Rating...
MSRP $179.99 - Mojo Hand Effects - mojohandfx.com |
Luna
I remember once talking with a fellow guitar buddy about how Jimi Hendrix was so ahead of his time, especially when using effects like the phaser. I was staunchly corrected and told that it wasn’t a phaser, it was a vibe pedal. Is there a difference? Why, yes there is! After listening more closely, a phaser does just that – it phases the guitar sound and adds modulation to a restricted range of frequencies. A vibe pedal was originally introduced in the sixties to emulate a Leslie rotating organ speaker. There is an audible difference, since the vibe pedal has more of that watery, swirling tone. Probably the best examples of a vibe would Jimi’s “Star Spangled Banner” and “Machine Gun” or Robin Trower’s “Bridge of Sighs.”
I’ve played with a few vibe pedals before, but the vibe effects I''ve actually owned weren’t even pedals per se – one was only a pedal effect on my Vox Tonelab, which simulated the Uni-Vibe, and the other was the Uni-V on the Amplitube Jimi Hendrix plug-in. So when I received the Mojo Hand Luna, I was more than eager to check it out. Wow – a real vibe pedal with real knobs that you can turn and a button you can actually step on! And what a nice box it is – an attractive blue sparkle box, sturdy enough to handle any kind of stomping you may do on it.
I plugged in with my Strat first, using a clean sound with the Luna at the end of my signal chain. Open chords sounded excellent in this setting, with a slower speed and the depth right in the middle, using the neck pickup. It is a nice warm, full, swirling tone. The speed seems a lot crazier at higher settings on the Luna – which can be a good thing. I got wild and kicked in the distortion and had even more fun with it! With the speed and depth at 100 percent, you can get some really cool sci-fi effects out of it – such as playing false harmonics and/or doing dive bombs with the tremolo. It’ll have other guitarists running up to the stage to try and see what you are using!
This unit does come with an expression pedal jack, which allows you to transfer the speed controls from the Luna to another passive foot controller. You can also increase the speed of the effect if you want to, which is a nice touch. There’s no worry about volume drop with this pedal. It was the opposite actually, thanks to the volume knob which boosted the guitar signal when kicked in. Other features include true bypass switching and a bright LED power indicator.
There are two minor changes I would make to this pedal. The first thing would be an easier way to change the battery instead of unscrewing the back plate. I understand it’s dependent on the casing, but it can be a time-consuming task, especially when I struggled to get one of the really stubborn screws off and got close to stripping it. Also, I would love to see a stereo option. It emits such great tones, and a stereo output would sound spacious and incredible with the Luna.
To me, a true sign of a good effect is when it inspires you to play with it for a long time, which the Luna did. The sounds were so cool that I was inspired to come up with a few new riffs!
Overall, I really enjoyed the Luna. It would be unfair to compare this directly to a Uni-Vibe, since the Luna was designed from the ground up, but this should satisfy any vibe pedal fan nonetheless. And if you’ve never experimented with a vibe pedal before, the Luna is a great place to start exploring.
Buy if...
you''d like to jump into the cool water of a new vibey effect.
Skip if...
you fear that any kind of "retro" sound will make you seem uncool.
Rating...
MSRP $179.99 - Mojo Hand Effects- mojohandfx.com |
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The Memphis-born avant-funk bassist keeps it simple on the road with a signature 5-string, a tried-and-true stack, and just four stomps.
MonoNeon, aka Dywane Thomas Jr., came up learning the bass from his father in Memphis, Tennessee, but for some reason, he decided to flip his dad’s 4-string bass around and play it with the string order inverted—E string closest to the ground and the G on top. That’s how MonoNeon still plays today, coming up through a rich, inspiring gauntlet of family and community traditions. “I guess my whole style came from just being around my grandma at an early age,” says Thomas.His path has led him to collaborate with dozens of artists, including Nas, Ne-Yo, Mac Miller, and even Prince, and MonoNeon’s solo output is dizzying—trying to count up his solo releases isn’t an easy feat. Premier Guitar’s Chris Kies caught up with the bassist before his show at Nashville’s Exit/In, where he got the scoop on his signature 5-string, Ampeg rig, and simple stomp layout, as well as some choice stories about influences, his brain-melting playing style, and how Prince changed his rig.
Brought to you by D’Addario.
Orange You Glad to See Me?
This Fender MonoNeon Jazz Bass V was created after a rep messaged Thomas on Instagram to set up the signature model, over which Thomas had complete creative control. Naturally, the bass is finished in neon yellow urethane with a neon orange headstock and pickguard, and the roasted maple neck has a 10"–14" compound radius. It’s loaded with custom-wound Fireball 5-string Bass humbuckers and an active, 18V preamp complete with 3-band EQ controls. Thomas’ own has been spruced up with some custom tape jobs, too. All of MonoNeon's connections are handled by Sorry Cables.
Fade to Black
MonoNeon’s Ampeg SVT stack isn’t a choice of passion. “That’s what they had for me, so I just plugged in,” he says. “That’s what I have on my rider. As long as it has good headroom and the cones don’t break up, I’m cool.”
Box Art
MonoNeon’s bass isn’t the only piece of kit treated to custom color jobs. Almost all of his stomps have been zhuzhed up with his eye-popping palette.
Thomas had used a pitch-shifting DigiTech Whammy for a while, but after working with Paisley Park royalty, the pedal became a bigger part of his playing. “When I started playing with Prince, he put the Whammy on my pedalboard,” Thomas explains. “After he passed, I realized how special that moment was.”
Alongside the Whammy, MonoNeon runs a Fairfield Circuitry Randy’s Revenge (for any time he wants to “feel weird”), a literal Fart Pedal (in case the ring mod isn’t weird enough, we guess), and a JAM Pedals Red Muck covers fuzz and dirt needs. A CIOKS SOL powers the whole affair.
Shop MonoNeon's Rig
Fender MonoNeon Jazz Bass V
Ampeg SVT
DigiTech Whammy
CIOKS SOL
The legendary Queen guitarist shared an update on his social media that he noted as a "little health hiccup." "The good news is I can play guitar,” he said.
Brian May revealed that he was rushed to a hospital after suffering a minor stroke and temporarily losing control of his left arm. In a message to his fans, May addresses the events of the past week:
“They called it a minor stroke, and all of a sudden out of the blue, I didn’t have any control of this arm. It was a little scary, I have to say. I had the most fantastic care and attention from the hospital where I went, blue lights flashing, the lot, it was very exciting. I might post a video if you like.”
“I didn’t wanna say anything at the time because I didn’t want anything surrounding it, I really don’t want sympathy. Please don’t do that, because it’ll clutter up my inbox, and I hate that. The good news is I’m OK.”