Sure, it’s the middle of the summer, and you’re probably busy mowing the lawn when you’re not picking. But there are still those nights where you need to curl
Sure, it’s the middle of the summer, and you’re probably busy mowing the lawn when you’re not picking. But there are still those nights where you need to curl up with a good DVD and pass out from the PBR. We check out three videos you can sink your teeth into.
How to Relic a Guitar
It would seem that guitars are a lot like blue jeans – they feel much better when they’re worn in. And while these days you can pay a premium to have a custom shop expert turn your brand new Strat into a well-loved vintage facsimile, where’s the fun in that? Being the notoriously hands-on people that we are, there’s just something artistic and cathartic about taking a variety of power tools and abrasive surfaces to the top of your guitar.
But before you plug in that power sander with #40 grit sandpaper, you need to make that aging process authentic, or suffer the barbed insults of your fellow players. Enter How to Relic a Guitar, with your host Steve Soest, an accomplished guitar tech and luthier who guides us through the various stages of creating an aged axe. Everything from natural wear patterns to fading plastic is covered, giving amateur relic’ers all the info they should need to recreate years of bar gigs and road travel.
Of course, tearing apart a new axe isn’t for the faint of heart. How to Relic a Guitar opens with a prolonged screen informing viewers that all activities undertaken as a result of watching the DVD are done, “at your own risk, and at the risk of total loss to your instrument,” perfectly illustrating just how crazy this whole business of messing up a perfectly good guitar can be. Throughout the video, we watch as Steve assails a shimmering blue Strat with a variety of workshop implements. It’s a masochistic tour, fast paced and riveting, but it may not be for those who can’t stand to see a nitro finish dinged.
The video, while genuinely well produced, does have its few downfalls. Early in the video, Steve gives a lecture on the importance of wearing hand and eye protection while working, and yet you never see him using either in the video, sending mixed messages to workshop warriors everywhere. There are a few mishaps – at one point Steve goes to refresh the stain on his paper towel and ends up dumping it on the table with pronounced “Whoops!” – but it’s all generally forgivable once you see the results.
$39.95
Available through howaudio.com
Wired for Sound: A Guitar Odyssey
When it comes to pop culture, few things are as ingrained in our collective consciousness as the guitar. Axes like the ES-335 and the Les Paul literally changed how we look at modern music, and Wired for Sound: a Guitar Odyssey charts the meteoric rise of these instruments throughout the years.
Wired for Sound admittedly brings a Gibson bias to the proceedings, beginning the story with a man named Orville Gibson and a factory in Kalamazoo. Through a series of both documentary footage and musician interviews – all with shiny Gibsons in hand – this DVD paints both the evolution of the instrument and the musical genres it contributed to. The interviews are varied and constantly interesting, from old school pioneers like Scotty Moore to new school rockers like Slash, and there are plenty of hilarious road stories to go aroun
It should be noted that this documentary takes an interesting approach to modern history; instead of charting the evolution of the electrified guitar in terms of technological breakthroughs, this documentary ties the instrument’s growth to the idea of the “recording artist,” that class of professional musicians that expanded alongside the phonograph and vinyl records. It’s an entertaining concept, providing the producers a chance to shoehorn a lot of artists into the show, but diehard history buffs may be a bit disappointed in the lack of concrete details.
There’s a lot to digest here, and it’s a truly entertaining – if not abbreviated – ride through the worlds of blues, rock and country. There isn’t much jazz to be found, and astute viewers will notice the lack of Fender (meaning there’s no Buddy Holly and no Hendrix) and Rickenbacker (meaning no Beatles, no Byrds) from Wired for Sound’s history of electrified wood. But in the end, it remains a convincing, solid remembrance of how this thing called rock n’ roll came to be.
$24.98
Available through mpihomevideo.com
I Am the Blues Lead Guitarist
Even if you’re a technophobe, there’s no denying that the advent of accessible multimedia has done wonders for guitarists. There’s no shortage of ways to learn your craft now, and what began with cheesy backing tracks and looped MIDI progressions has been taken to the next, most obvious step: a (semi) live band brought to you by DVD.
I Am the Blues Lead Guitarist, hosted by Oscar Jordan and the Mighty Sons of Hercules, provides an opportunity for all you burgeoning lead players to blow your pentatonic wad all over the place. The surprisingly robust DVD features eight different tracks in a variety of different styles to jam along to (slo blues, shuffle, rockin’ blues and even a bit of a Latin groove), and each track is available in both a traditional song form and as a looped version if you feel like playing until your fingers bleed.
The band itself is tight, with Oscar and company laying down rock solid grooves to play over. For players using the DVD to improve their ensemble skills, they’ll appreciate the use of visual cues to signal changes in the track, and much like band practice, you’ll improve with each repetition. It really beats a computerized backing track any day.
There’s also a raft of extra features on the disc, some useful and some a bit overindulgent. “Tuning Up with Oscar Jordan” is an interesting idea, with Oscar playing each note and allowing you match his pitch (although his facial expressions can be hilarious at times – watch for the dramatic low E), while the band’s biography and music videos seem to be solely comprised of photographs and hastily edited together. While the extras can be a bit of a mixed bag, the concept of the DVD is a novel and useful one. Now you don’t need to convince your friends to lug their gear over every week.
$19.98
Available through GCGmusic.com
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The legendary Queen guitarist shared an update on his social media that he noted as a "little health hiccup." "The good news is I can play guitar,” he said.
Brian May revealed that he was rushed to a hospital after suffering a minor stroke and temporarily losing control of his left arm. In a message to his fans, May addresses the events of the past week:
“They called it a minor stroke, and all of a sudden out of the blue, I didn’t have any control of this arm. It was a little scary, I have to say. I had the most fantastic care and attention from the hospital where I went, blue lights flashing, the lot, it was very exciting. I might post a video if you like.”
“I didn’t wanna say anything at the time because I didn’t want anything surrounding it, I really don’t want sympathy. Please don’t do that, because it’ll clutter up my inbox, and I hate that. The good news is I’m OK.”
An Inspired by Gibson Custom recreation of the guitar that Jimi customized and played extensively from 1967-1969.
As part of the Epiphone Inspired by Gibson Custom Collection, the Epiphone Jimi Hendrix “Love Drops” Flying V is now available at Authorized Epiphone dealers and worldwide on www.epiphone.com.
“Jimi’s artistic expression was all-encompassing. It went far beyond creating magical music and expanded into another dimension of art that allowed us to see the beauty of his music,” says Janie Hendrix, Sister of Jimi and President and CEO of Experience Hendrix LLC & Authentic Hendrix LLC. “When he hand-painted his Flying V, which was an expression of his love for his instrument and his music. With the Epiphone series, Gibson has recreated Jimi’s artwork beautifully! We are excited to partner with them! Seeing Jimi’s handiwork come alive in this spectacular collection is extremely gratifying.”
The Epiphone Jimi Hendrix “Love Drops” Flying V with custom hardshell guitar case.
Originally a Sunburst, Jimi Hendrix customized his Ebony-refinished Gibson Flying V with striking psychedelic graphics that he hand-painted on the original guitar, which are carefully recreated here on the Flying V. As a fitting tribute to one of the world’s most legendary and famous lefty guitar players, the Epiphone Jimi Hendrix “Love Drops” Flying V is available in right and left-handed versions. The Jimi Hendrix “Love Drops” Flying V also features a mahogany body, a one-piece mahogany neck with a Rounded C profile, a laurel fretboard, and 22 medium jumbo frets.
An Inspired by Gibson Custom logo and reproduction of Jimi’s signature adorn the back of the 1967-style Flying V headstock. Epiphone Deluxe tuners anchor the strings at the headstock, while a short Maestro Vibrola anchors them at the other end. The electronics are first-rate, with a pair of Gibson Custombucker humbucker pickups wired to CTS potentiometers, a Mallory tone capacitor, and a Switchcraft 3-way pickup select switch and 1/4” output jack. An Epiphone hardshell guitar case with Inspired by Gibson Custom and Authentic Hendrix™ logos is also included.
Learn more: www.epiphone.com.
Introducing the new Seymour Duncan Billy Gibbons signature offerings: The Hades Gates Humbucker set for a mid-forward punch with extra heat, and the Red Devil for Tele, capturing his hot Texas tone.
Billy Gibbons Red Devil for Tele
When Seymour Duncan first introduced the Signature Billy Gibbons Red Devil set, his fiery sound was captured in Strat-sized humbucker pickups. Now, that hot Texas tone is available as a drop-in replacement bridge pickup for any Telecaster wielding guitarist.
Approved by Reverend Willie G himself, the Red Devil for Tele is built with an Alnico 5magnet, 4 conductor cable, and a hot wind that drives amps and pedals harder than a traditional vintage humbucker. Whether you’re looking for cutting leads, tight pinch harmonics, or thick rhythm tones, it’s all at your fingertips with the Red Devil for Tele.
Billy Gibbons Hades Gates Pickup Set
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.From scorching lead guitar to his own line of hot sauces, Billy Gibbons has never been afraid of a little extra heat. The Pearly Gates pickup set from his coveted 1959 Les Paul has been a favorite among P.A.F. purists for decades. For the Reverend, some guitars in his collection benefitted from additional output to deliver his signature sound.
This demand for a hotter wind forged The Hades Gates humbucker set – a fiery take on the mid-forward, punchy sound Billy is known for. Alnico 2 magnets and this added output drive your amp into some hot, blue, and righteous territory.
Hades Gates Humbuckers are hand-built in Santa Barbara, California with 4-conductor cables and short mounting legs.
For more information, please visit seymourduncan.com.