PG editors and Guest Picker Sonny Landreth share their favorite guitarists you should know.
We all have our favorite guitarists. Many of them are household names—Clapton, Beck, Page,
Hendrix—and then there are others that are under the radar. There is something special about
listening to an amazing guitarist and getting that feeling that you are part of an inner circle.
This month we talk to our staff about who they think deserves more recognition, and slide-guitar
wizard Sonny Landreth sits in.
Jason Shadrick
-- Associate Editor
What am I listening to?
Bret Boyer’s Songs for
Everyone – Boyer gathers
together some of
Austin’s best musicians to create a collection
of fun songs aimed at kids who need something
a little deeper than the Jonas Brothers.
Favorite guitarist that more people should
know about: Jazz guitarist Jody Fisher should
be required listening for all guitarists. I have
seen him play solo guitar for a room full of
teenage metalheads and not only keep them
engaged, but prove to them that distortion
isn’t a necessity.
Shawn Hammond
-- Editor in Chief
What am I listening to?
Family of the Year’s
Songbook – Indie neofolk
with a near-perfect
blend of tasty acoustic
and electric tones, ambient vocal harmonies,
and pristine production.
Favorite guitarist that more people should
know about: Sir Richard Bishop. From eerie
slide work to moody Middle Eastern themes,
bastardized gypsy jazz, off-the-wall paeans to Joe
Maphis, and even a little feel-good fingerstyle,
Bishop takes acoustic guitar someplace new.
Sonny Landreth
-- Guest Picker
What am I listening to?
Jeff Beck’s Live at Ronnie
Scotts – Each time I
watch this DVD I find
more to marvel at. Jeff is, of course, incredible
and this particular line up of players that back
him is perhaps the best fit ever.
Favorite guitarist that more people should
know about: Monte Montgomery is is an excellent
singer/songwriter and a most remarkable
guitar player. His fingerpicking technique on
acoustic, which he AMPS UP onstage, is impeccable
and full of power and grace. Though he
has amazing chops, it’s his touch, timing and
phrasing that really knocks me out and makes
his guitar voice unique.
Joe Coffey --
Editorial Director
What am I listening to?
Jimmie Vaughan’s Plays
Blues, Ballads & Favorites
and The Steve Miller
Band’s BINGO! – Two blues covers albums from
old faves who haven’t released new full studio
recordings in 9 and 17 years, respectively.
Favorite guitarist that more people should
know about: Gordon Kennedy. The threetime
Grammy winner writes great songs built
around great riffs (think of Clapton’s “Change
the World.”), produced and tours with Peter
Frampton, and played lead on what is widely
known as the best Christian rock album ever,
Whiteheart’s Freedom. Oh, and his studio’s
walls are lined with vintage AC30 grill cloth.
Jordan Wagner
-- Associate Gear Editor
What am I listening to?
Devo’s Something For
Everybody – Beyond the
perfect production and
execution are some of
the best songs, in my opinion, that the band
has ever released. Plus, it’s catchy as hell!
Favorite guitarist that more people should
know about: I’ve been on a pretty big Jesus
Lizard kick lately, so I’d have to go with
Duane Denison. His style is incredibly distinctive,
and I’ve always loved the raw, rockabilly
aggression of his guitar playing.
Andy Ellis
-- Senior Editor
What am I listening to?
Daniel Lanois’
Belladonna. In this
moody masterpiece,
fragments of echo-drenched
pedal-steel guitar drift and weave
through layers of pulsing sound.
Favorite guitarist that more people should
know about: Jim Campilongo takes his ‘59
Telecaster places others have yet to explore.
On his latest album, Orange, Campilongo ricochets
between feedback-spiked solos and achingly
beautiful melodies while paying homage
to Roy Buchanan, edgy mid-’70s Miles Davis,
Chet Atkins, The Stooges, and Link Wray.
Liana Prudencio
-- Assistant Editor
What am I listening to?
Preston Reed – Reed
plays like a guitarist and
drummer at the same
time. After checking out
some of his videos on his website, I “tried” to
mimic his awesome fingerstyle and tapping. It
ended up just looking like I was punishing my
guitar. Lo siento mi Ibanez.
Favorite guitarist that more people should
know about: Mellow singer/songwriter Sam
Beam (a.k.a. Iron and Wine). When I have had a
busy day and want to slow things down, I turn to
Mr. Beam to soothe me with his smooth picking
and vocals.
Adam Moore
-- Senior Editor
What am I listening to?
The Black Keys’
Brothers. It seems like
some fans have had a
difficult time getting
into the Keys’ latest release because it’s so
tough to pin down—that’s precisely why
it hasn’t left my iTunes rotation for weeks.
Favorite guitarist that more people should
know about: Greg Brown. Although he’s
been off the radar for a while, the original
Cake guitarist never quite received the attention
he deserved. Endlessly versatile, totally
unique and unabashedly quirky, Brown’s guitar
work with Cake and Deathray is a must-listen,
especially for Gretsch fans.
Chris Kies
-- Associate Editor
What am I listening to?
Johnny Cash’s At Folsom
Prison – This live masterpiece
features some of
my favorite Cash songs like “Jackson,” “I Still
Miss Someone,” and “Cocaine Blues.”
Favorite guitarist that more people should
know about: Thomas Erak of the recently
defunct The Fall of Troy. Erak uses pull-offs,
hammer-ons, funky chords and quick lead phrases
to tantalize your inner-shredder. He wraps
everything together with a very tight, melodic
style making it all coherent and digestable.
Share what you're listening to, and your favorite guitarist more people should know about in the comments section below.
Trey Anastasio unveils plans for a special solo acoustic run starting in March, 2025.
The tour gets underway March 8, 2025 at Springfield, MA’s Symphony Hall and then visits US theatres and concert halls through early April. Real-time presales begin Wednesday, December 4 exclusively via treytickets.shop.ticketstoday.com. All remaining tickets will go on sale to the general public on Friday, December 6 – please check venues for on-sale times. For complete details, please see trey.com/tour.
TREY ANASTASIO - SOLO ACOUSTIC TOUR 2025
MARCH
8 – Springfield, MA – Symphony Hall
9 – Boston, MA – Wang Theatre at Boch Center
11 – Wilkes-Barre, PA – The F.M. Kirby Center
12 - Rochester, NY - Kodak Hall at Eastman Theatre
14 – Columbus, OH – Mershon Auditorium
15 – Milwaukee, WI – Riverside Theater
16 – Nashville, IN – Brown County Music Center
18 – Chicago, IL – Orchestra Hall
19 – Kansas City, MO – Uptown Theatre
21 – New Orleans, LA – Saenger Theatre
22 – Birmingham, AL – Alabama Theatre
23 – Nashville, TN – Ryman Auditorium
26 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
28 – Clearwater, FL – Ruth Eckerd Hall
29 – Savannah, GA – Johnny Mercer Theatre
30 – Charleston, SC – Gaillard Auditorium
APRIL
1 – Knoxville, TN – Tennessee Theatre
2 – Greenville, SC - Peace Concert Hall
4 – Washington, DC – Warner Theatre
5 - Red Bank, NJ - Count Basie Center for the Arts
More info: TREY.COM.
Watch John Bohlinger and Fender’s mad scientists dissect and rip away at Jack White’s new trio of visionary, eclectic, and multi-dimensionally magical electric, amp, and acoustic-electric.
Fender Jack White Triplecaster Telecaster Electric Guitar - Black
Jack White Triplecaster, BlkFender Limited-edition Jack White Triplesonic Acoustasonic Telecaster - Blacktop Arctic White
Jack White Am Acous Tele LTD, Satin ArGibson Band Featuring Slash, Duff McKagan, and Cesar Gueikian Announce Benefit Single
100% of "I Can Breathe" song proceeds to benefit the National Alliance on Mental Illness, NAMI.
On Giving Tuesday, Gibson announces a new release from the Gibson Band--a revolving collective of musicians who join together to make music and raise funds and awareness for worthy causes.. A hard-hitting rock song, the new benefit single “I Can Breathe” features rhythm guitars and piano from Cesar Gueikian, CEO of Gibson, with special guests Duff McKagan on lead vocals and lyrics, and Slash on lead guitar and solos. 100% of the proceeds from the sale of the song “I Can Breathe” will benefit the National Alliance on Mental Illness (NAMI), through Gibson Gives. NAMI is the nation’s largest grassroots mental health resource organization that is dedicated to building better lives for the millions of Americans affected by mental illness.
On “I Can Breathe” Duff McKagan crafted the lyrics and is featured on lead vocals, Cesar Gueikian wrote the music and played rhythm guitar and piano, and Slash wrote and played thelead guitar and solos, while Jota Morelli (drums), and Seta Von Gravessen (bass) rounded outthe group in the studio. The music was recorded by Cesar at La Roca Power Studio in BuenosAires, Argentina, vocals were recorded by Duff at the Sound Factory in Los Angeles and leadguitars and solos by Slash in Los Angeles. The track was produced by Cesar Gueikian and JorgeRodriguez with collaboration from Pablo Toubes and Francisco Trillini, and mixed and masteredby Greg Gordon. A special thanks goes to Gonzalo Riviera Villatte, Gina Furia, and guitar techLisardo Alvarez for all his work at La Roca Power Studio.
Gibson Records, Duff McKagan, Slash, and Cesar Gueikian, will donate 100% proceeds from thesale of “I Can Breathe,” in addition to all auction funds raised to the National Alliance on MentalIllness (NAMI), through Gibson Gives. NAMI is the nation’s largest grassroots mental healthresource organization that is dedicated to building better lives for the millions of Americans affectedby mental illness. NAMI’s mission is to create a world where all people affected by mentalillness live healthy, fulfilling lives supported by a community that cares.
“It was such a pleasure to work with Cesar and his whole crew on this tune,” says Duff McKagan.“The musical slant and progressive rock-ness of this huge epic pushed me in a whole new direction. Ilove a challenge and Cesar killed it! Most importantly, to be of service for mental health issues andawareness is super important to me at this time. Let’s rock!”
“Cesar and Duff came to me with a really cool piece of music,” adds Slash. “I loved the riff idea, andDuff's vocal, so I felt right at home on the track.”
“Guns N’ Roses had a profound influence on me and my guitar playing, so having the opportunity towrite and record this song with Slash and Duff is a dream come true, and it’s an honor to call themfriends and partners,” says Cesar Gueikian, CEO of Gibson. “’I Can Breathe’ started as aninstrumental track I recorded at La Roca Power Studio in Buenos Aires. Upon listening to the mix thatGreg Gordon put together, Jenny Marsh (Global Director of Cultural Influence at Gibson) suggestedDuff as lyricist and vocalist. Guns N’ Roses had just come off touring when I shared the song withDuff, he loved it and quickly wrote the lyrics and cut the vocals at the Sound Factory in Los Angeles.Having Duff on vocals made the next step obvious, which was asking Slash if he would collaboratewith lead guitars and solos. Both Duff and Slash transformed the track from a collection of riffs to agreat song! While Greg Gordon’s mixing and creativity tied it all together. I am grateful for thecollaboration from Slash, Duff and Greg, and from my friend Serj Tankian’s participation with coverartwork. I’m thrilled we are donating all proceeds from the song to a great and relevant cause.”
Made in close collaboration and with significant input from Jimmy Page, the Jimmy Page EDS-1275 uses new 3D scanning technology to aid in handcrafting an effective clone of his original EDS-1275.
There are very few guitars that can claim to be as instantly recognizable and iconic as Jimmy Page’s 1969 EDS-1275 Doubleneck. The photos of him playing it on stage with Led Zeppelin are indelible to rock ’n’ roll history. While Gibson has been making doubleneck electric guitars since 1958, Jimmy was the player who defined the EDS-1275 from the day it was delivered to him. Introducing the Jimmy Page EDS-1275 Doubleneck VOS, now part of the Gibson Custom core lineup and built to the exact specifications of Jimmy’s iconic EDS-1275 Doubleneck.
The Jimmy Page EDS-1275 features a double-cutaway one-piece mahogany body that provides exceptional access to the full length of both the12-string and six-string mahogany necks. Both necks have long tenons and are hide glue fit, and the neck profiles are recreated from 3D scans of the necks on the original guitar. The necks are both capped with bound Indian rosewood fretboards. Each fretboard is equipped with 20 authentic medium jumbo frets and adorned with aged cellulose nitrate parallelogram inlays. The fretboards of both necks have a 12” radius, which is perfect for both playing chords as well as for string bending while soloing. The 18 tuners are Kluson double line, double ring style, just like those found on the original guitar, and even the headstocks feature the correct 17-degree angle and specific logo stylization found on Jimmy’s EDS-1275. The electronics are just as authentic and deliver all of the sonic character of Jimmy’s legendary EDS-1275. Two uncovered Jimmy Page EDS-1275 Custombuckers with double black bobbins and Alnico 5 magnets are used for the two six-string pickups, while a covered pair is installed on the 12-string neck. Of course, the two volume and two tone controls use CTS potentiometers and period-correct ceramic disc capacitors, and the pickup select switch, neck select switch, and output jack are all from Switchcraft.
Here is your opportunity to own a clone of Jimmy Page’s famous EDS-1275, identical to how it appeared on the day that Jimmy first received the guitar. A Gibson Custom hardshell case is included, along with a vintage leather strap, and a certificate of authenticity with a photo from famed photographer Barrie Wentzell.
Jimmy Page EDS-1275 Doubleneck VOS '69 Cherry
Recreation of the EDS-1275 used by Jimmy Page made using 3D scans of the original guitar, one piece mahogany body, mahogany six and 12-string necks with custom Jimmy Page profiles, Indian rosewood fretboards, Jimmy Page Custombucker pickups with Alnico 5 magnets and double black bobbins, Gibson Custom hardshell case