BOOKS
Don’t Shoot! I’m the Guitar Man
By Buzzy Martin

Buzzy Martin has some
cojones. Martin wasn’t
the first to enter San
Quentin State Prison’s
walls with a guitar—
Johnny Cash cut his
classic album there on
February 24, 1969—but
he literally transformed
lives on a weekly basis,
offering a few moments
of true joy and healing
comfort in a world where those things are at a
premium, if they exist at all. Music hath charms,
they say, to soothe the savage beast, and Martin’s
tale is a witness to that.
Don’t Shoot! I’m the
Guitar Man is a story you’d never want to live, but
you can’t stop reading it, either.
Pulling no punches about the painful realities of
rage, violence, rape, and prison commerce, he
describes the extreme regimentation, the stink,
and the overwhelming sense of
Groundhog Day
futility with clear and vivid language. You truly
get a sense of the place and of the struggle Martin has within himself, knowing this is probably
the most dangerous thing he will ever do,
yet knowing it’s also one of the most rewarding
and important.
Throughout, we track the progression of the
classes, from the rather peaceful and cooled-out
“lifers” who’ve accepted their fate to those in
what’s called the “H-Unit,” housing one of the
most troubled prison populations that teeters
on insanity and hell daily. We go with his band
to a concert at “The Q” and get his take on the
prison bands, some of which are terrifically talented.
It’s a genuine roller coaster, and through
it all Martin sees over and over the transformative
power of guitar and song. It’s soon to be a major
motion picture, so watch for that, but in the
meantime, reading
Don’t Shoot! I’m the Guitar
Man will serve as inspiration to treasure each day
that we’re free, and to be grateful for the small
miracle of regular string changes. —GDP
List $15.00
buzzymartin.com
VIDEOS
Stones in Exile

From the supposed
censorship of Elvis’
vivacious hips to the
heated PRMC Senate
hearing in 1985,
rock ’n’ roll and the
government have
often butted heads.
However, that feud
has helped create
some of the world’s
most soulful music.
A perfect example is the Rolling Stones’
Exile On Main Street, which Mick Jagger,
Keith Richards, Bill Wyman, Charlie Watts,
and Mick Taylor recorded in France, as tax-evading
British expats.
Stones in Exile picks you up and makes you an
honorary member of the 1971 Rolling Stones,
who were living in Richards’ Villefranche-sur-Mer mansion. Whether it’s how Watts,
Richards, and saxophonist Bobby Keys built
song parts during all-night jams at Villa
Nellcote or how Jagger’s lyrics for “Tumbling
Dice” were ignited after a conversation he had
with an African-American housekeeper, director
Stephen Kijak opens the vaults to tell the
story of how this classic album unfolded.
Piecing together rare and unseen footage from
these 1971 sessions, photos from resident
photographer Dominique Tarlé, clips from the
notorious
Cocksucker Blues, and sound bites
of all the Stones and their entourage from the
’70s to the present, Kijak presents a documentary
that is as raw and powerful as the album
it’s spotlighting. He gives a no-holds-barred
depiction of a band that was in overdrive in all
facets of their lives. In addition to the 60-minute
feature, it has over 90 minutes of bonus
footage, interviews, and commentary from the
likes of Sheryl Crow, record producer Don Was,
Jack White, and Martin Scorsese.
For veteran Stones fans or someone looking to
dip their toes into some brown sugar,
Stones in
Exile is a great option to explore how this classic
album made it to the presses. —CK
List $14.99
eaglerockent.com
Classic Albums: Paranoid

One wonders
what more can
be said about
Black Sabbath’s
monumental 1970
album,
Paranoid.
As possibly the
most influential
heavy metal album
of all time, the
record has been
poked, prodded,
and dissected for
decades by critics and musicians hoping to
discover the secret of its lasting impact. Eagle
Vision’s successful
Classic Albums series,
which has profiled such great albums as Meat
Loaf’s
Bat Out of Hell and Queen’s
A Night
at the Opera, attempts to close the gap of
understanding by getting the perspective of
the band members themselves.
Offering 90 minutes of intimate conversation
and vintage footage, the DVD creates a moving
portrait of each band member. Rather
than gather the band together to comment
on and relay recording stories, the director
profiles each member separately in a unique
setting. Guitarist Tony Iommi is given free rein
to explain how he plays many of the albums
immortal riffs, with close shots of his battled
fingers expertly flying up and down the fretboard.
The segments with Geezer Butler are
some of the most entertaining, with vintage
footage of him rocking out on stage in the
early ’70s, segued with him interviewed in
present day. Viewers will most certainly enjoy
the moments with Tom Allom, the album’s
engineer, as he plays back individual tracks
from the original master tapes to reveal just
how intricate and brilliant the songwriting
really was. These interviews, plus couch-side
discussions with Ozzy and commentary from
Black Flag vocalist Henry Rollins, make the
DVD a requirement for Sabbath fans and
metal lovers alike. —JW
List $14.95
eaglerockent.com