An already great Marshall-in-a-box is made more potent with the addition of a killer treble booster.
RatingsPros:Great-sounding Marshall-inspired overdrive in a pedal form. Flexible boost channel. Superb for rhythm-to-lead transitions. Cons: Can lean toward bright for some tastes. Street: $229 Carl Martin PlexiRanger carlmartin.com | Tones: Ease of Use: Build/Design: Value: |
More than a few legendary artists have matched a Dallas Rangemaster to a Marshall plexi to screaming ends. So Carl Martin’s new PlexiRanger, which mates the Danish builder’s PlexiTone Marshall-in-a-box stomp to a treble booster in the mold of the Rangemaster and John Hornby Skewes Treble Booster, is a pretty natural pedal proposition. For players that have never experienced the joys of a Marshall and a vintage-style treble booster together, the combination of the two in one tidy little box could be an eye-opening—and ear-awakening—experience.
If Six Were Knobs
The PlexiRanger’s circuitry cascades the treble boost into the plexi side of the pedal, but each effect has its own bypass switch and dedicated control set. The boost side features an eponymous knob that unleashes up to 15 dB of extra kick, a “freq” knob, which determines the boosted frequency, and a range control that regulates the amount of boost applied within the selected frequency band. There’s also a 3-way switch that applies a slight or heavy low-frequency cut—or no cut at all.
The plexi side features familiar controls for gain, tone, and level. In addition to the input and output on the pedal’s top panel, there’s also a ¼" jack for remotely switching on the boost side, and an internal voltage multiplier that increases power from the 9V DC input to +/-12V DC (24V total) for improved headroom. It’s all housed in a ruggedly built aluminum enclosure, with a thin foam skid pad on its underside in place of rubber feet. (Pedalboard users might need to peel this off to apply Velcro.) It measures 4.75"x3.75"x2.25" and weighs around a pound.
Double Shift
I used the PlexiRanger with Gibson humbuckers, Fender single-coils, and Fender and Marshall-style amps, and in every case I readily found the familiar palette of crunch and hot lead tones that typify the vintage Marshall experience. The plexi channel is predisposed toward brightness. But even with the tone knob fully counter-clockwise, it yields a creamy, thick overdrive with high end enough to rise above a dense mix. Like its inspiration, the plexi circuit deals medium-level gain at its most aggressive settings. But it’s never boxy or congested sounding, as some Marshall-in-a-box pedals can be.
If the plexi side of the pedal is bright, the boost side can be very bright—particularly when those freq and range controls are dialed up for maximum treble. But when used judiciously, these controls can very effectively highlight frequencies you want to shine most prominently. It works well on its own as a boost, but the real magic happens when you use it to kick up the plexi side a notch, which can make the output so completely juicy and saturated that it’s hard to switch it off again. It’s very tasty stuff.
The Verdict
The PlexiRanger executes its mission beautifully. It might all lean a little bright for some tastes, and it can take a little practice to master the boost circuit’s freq and range knobs. But the sum is a super-wide range of tones brimming with sweet spots. A warning though: it may be difficult to go back to single-function overdrives after spending some time with this one.
Watch our demo of the Carl Martin PlexiRanger:
Carl Martin introduces the Vintage DC Drive, Vintage Series Flanger and Rock Bug
Carl Martin Vintage DC Drive
What Vintage series would be complete without an ultra-versatile and simple to use drive pedal? Funny, that’s what Carl said just before he introduced the DC Drive. Just like Carl, this pedal has a few tricks up its sleeve. Besides the typical Level, Tone and Drive knobs which obviously control the volume of the signal, the tone (hmmm, which knob?) and the amount of overdrive, Carl has smartly added a clean boost after the drive section, and a Regular/Fat switch….not so typical. In Regular mode, the drive is crisp and clear, suitable for anything that calls for old-school drive….switch over to Fat and the drive gets thicker with a lot more gain, much more modern. Anyone who knows the Carl Martin line is familiar with his Clean Boost….a bump-up in signal volume that can be used either with your clean or overdriven sounds. The result is a multi-use pedal that allows you to have a variety of rhythm and solo volumes at your feet. Like the rest of the Vintage line, the DC Drive comes in that cool retro die-cast housing with the equally cool chicken-head knobs and CM graphics. The pedal can be powered by 9v battery but we recommend a regulated power supply like the Carl Martin Big John.
Vintage Series Flanger
Carl Martin is doing a groovy thing out there man…. Introducing the Vintage Flanger; designed for those guitarists who desire this unique form of modulation. The Vintage Flanger has four knobs to control Speed, Depth, Pre-delay and Feedback, plus a dual speed mode that is foot-switchable. There are no rules with a Flanger, just plug this versatile modulation pedal in and play play play. As with all the Vintage pedals, the Flanger comes in a solid, die-cast housing with the cool CM graphics and chicken-head knobs. It can be powered by 9v battery or a (recommended) regulated 9v power supply like the CM Big John.
Rock Bug
The Carl Martin Rock Bug is an Amp/Speaker Simulator and Headphone rehearsal unit that operates on a single 9v battery. Although this type of accessory is not new, we believe there is nothing on the market that feels as real or sounds as realistic as the Rock Bug! You simply get the feeling that you are playing through a good tube amp. Just plug your guitar (with or without pedals) into the unbalanced ¼” input, plug your favorite headphones into the unbalanced ¼” output and off you go! Adjust your instruments’ volume with the Guitar knob, select an open cabinet or closed cabinet simulation with the mini-toggle switch, and wail away through the privacy of your headphones. If you like, use the AUX stereo inputs and add an MP3, CD or DAT player to the mix; adjust the Master volume for your music, blend in your guitar sounds with the Guitar volume, and either play along with your favorite CDs or add a personal touch to your pre-recorded backing tracks.
Utilizing the balanced XLR output, you can connect your Rock Bug to a mixing console for recording, solo gigs accompanying the pre-recorded music with your live guitar, or as a DI for live performance when you are packing light, or your amp goes down. You might not think an Amp-Speaker Simulator is new, but with all these features, the Rock Bug is the little Danish-Swiss Army Knife that belongs in the pocket of every guitar player's gig-bag
For more information:
Carl Martin