The death of Nashvilleās Dave Roe is a reminder of the important connections we can make within the music we love, right where we live.
Last month the sound of hearts breaking reverberated across Nashvilleāfrom corporate offices to studios to indie venuesāas word spread of the death of Dave Roe. Dave, who was featured on PGās September cover, was an extraordinary artist, loved for his playing and his personality. He could be endearingly grumpy, but also had a marvelous sense of humor. And his generosity and welcoming nature were almost as well-known throughout Music City as his live and studio performances with Johnny Cash, Dwight Yoakam, Loretta Lynn, Carrie Underwood, Tony Joe White, Early James, Bonnie Prince Billy, Marcus King, T Bone Burnett, Brandy Clark, Dan Auerbach, Chrissie Hynde, Sturgill Simpson, CeeLo Green, Brian Setzer, Faith Hill, John Mellencamp, Kurt Vile, Bahamas, and so many others. As we said on our cover: āYou don't know Dave Roe, but youāve heard him play.ā
I did know Dave Roe. He was one of the first musicians I saw when I came to Nashville nearly 17 years ago, annihilating his upright bass in a trio with guitarist Kenny Vaughan and drummer Jeff Clemens, playing badass, rusty swamp blues in a little beer joint, for tips. It was only later I realized Iād seen him before, supporting Johnny Cash and June Carter Cash in a spectacular performance at a big Boston club called Avalon, on the night of a blizzard that kept all but about 150 of us from hearing the then-reigning king and queen of country music. I recall that the four-block walk in shin-deep snow from the subway took almost a half hour, but it was worth every minute spent slogging along through the face-stinging precipitation.
Over the years, Iāve seen Dave play in an amazing variety of configurations, from supporting singer-songwriters to regular country gigs on the Broadway strip to his recent rock band with Vaughan, the SloBeats, who have an unreleased album in the can. One of the most exciting performances was an all-improvised one-off with the Cureās guitarist, Reeves Gabrels, and Daveās drummer son, Jerry. Iād call it free rock, and, after the gig that night, Reeves told Dave Iād been a friend of the last free-jazz guitarist Sonny Sharrock. I think that cemented my friendship with Dave. Sure, Dave had played with Charlie Louvin, but he loved and played entirely unbridled music, too.
āI was onstage with Dave only once, when my regular bassist couldnāt make a gig and I got up the chutzpah to ask him if heād sub.ā
I was onstage with Dave only once, when my regular bassist couldnāt make a gig and I got up the chutzpah to ask him if heād sub. Dave said yes immediately, and he slayed. Even without time for a rehearsal, he anticipated everything I played and elevated the gig with his fat, authoritative, bull moose tone ā¦ and his humor. Some players throw in quotes or tones or brief linesāthe sonic equivalent of asides in the theaterāthat can evoke a smile, and Dave was a master at that, too. Afterwards I was embarrassed to hand him his cutāa mere $40ābut I was in, shall we say, financial straits at the timeāand he just handed it back, grabbed me around the shoulders, and told me to call him to sub anytime, and that heād had a blast. His heart was every bit as big as his sound.
Early this year, I tried to talk Dave into writing a column for Premier Guitar. Dave was a masterful storyteller, with no shortage of tales to relate. His session experiences alone, not to mention his dealings with lifeāand a few mercurial starsāon the road, could fill a tome. But after a few months of occasional conversations, he passed on the idea. Writing, he decided, wasnāt his thing. So, for me, our cover feature on Dave was a consolation prize, a splendid way to frame our first bass-themed issue, and a fitting tribute to an under-sung hero of the strings. Dave was incredulous when I told him heād be on the cover. And Iād been holding some print copies for him, waiting for a break in deadlines to call Dave to set up their delivery in-person. I still hadnāt made that call when the news of his death spread on September 16.
Iām sharing this because, after that cover story, you all know Dave. Or someone like him. His surprising departure is yet another reminder that we need to value our local heroes. Dave was more than that, of course, but in recent years heād spent most of his time in Nashvilleās studios and clubs, rather than on the road. At times, he seemed ubiquitous. Almost institutional. And now he isn't. Too often, it happens that fast.
We all need to treat people like Dave the way that Dave treated people. So do more than support your local musical heroes. Tell them you value what they do, that they make your life better, that you appreciate them for who they are. If the chance comes up, be a friend. If it doesnāt, be a fan. Pay the cover, feed the tip jar, buy the album, shake their hand. No one and nothing lasts forever ā¦ except maybe for the musicāin recordings, in memories, in our hearts. And in its influence. And maybe even in the air, in those special places where itās made. By musicians like Dave Roe.
The Pretenders are back with todayās premiere of the optimistically charged new single, āLet The Sun Come In,ā available now via Rhino Records ā the bandās return to Warner Music Group after more than two decades having first been signed to Sire Records in America by the legendary Seymour Stein.
Marked by the electrifying impulsiveness and attitude that has long defined founder Chrissie Hyndeās eternal spirit, āLet The Sun Come Inā heralds the eagerly awaited arrival of The Pretendersā new studio album, Relentless, arriving everywhere on Friday, September 1. Pre-orders ā including digital download, baby pink vinyl, black vinyl, and CD ā are available now.
āI enjoy seeing the various meanings and origins of a word,ā says Chrissie Hynde of the albumās title. āAnd I liked the definition: āshowing no abatement of intensity.ā So when it came to an album title, it seemed fitting. You knowā¦to keep doing it. I think anyone in a band is constantly questioning if they should keep going. It starts as a youthful pursuit and eventually, it makes you wonder, why am I doing this? Itās the life of the artist. You never retire. You become relentless.ā
Pretenders - Let The Sun Come In (Official Audio)
Official audio for Let The Sun Come In, taken from Pretenders' brand new album 'Relentless'.Pre-order the album 'Relentless' here: https://Pretenders.lnk.to/...Produced by multiple Grammy Award-nominee David Wrench (Courtney Barnett, David Byrne) at the famed Battery Studios in Willesden, North West London, Relentless marks the second consecutive full-length songwriting collaboration by Hynde and Pretenders guitarist James Walbourne following 2020ās acclaimed Hate For Sale. The two are joined on the albumās twelve tracks by what Hynde has dubbed āThe Pretenders Collective,ā including Kris Sonne (drums), Chris Hill (double bass), Dave Page (bass), and Carwyn Ellis (keyboards and guitars). In addition, Relentless features a landmark collaboration with Academy Award-nominated composer Jonny Greenwood (Radiohead, The Smile), who provides the string arrangement and conducted the 12 Ensemble for the albumās stunning closing track, āI Think About You Daily.ā
āI met Jonny a couple of times and weāre obviously big fans of him because heās done some incredible music over the years,ā Hynde says. āI saw him at the Phantom Thread premiere where the film was running on screen with a live orchestra playing. And we spoke afterward and he expressed an interest in doing something one day. I was thrilled and very surprised. So when we had the idea of getting strings on āI Think About You Daily,ā he was first choice. Legend!ā
The Pretenders will introduce Relentless to fans around the world with an equally uncompromising international live schedule, including intimate headline dates, top-billed festival appearances, and a massive EU/UK stadium run supporting Guns Nā Roses. Dates begin tomorrow, May 12, with a much-anticipated headline performance at Brighton, Englandās The Great Escape followed by a sold-out tour of clubs and small venues across the UK and Ireland. Further highlights include a very special festival appearance as direct support to Foo Fighters at the upcoming Ohana Festival, curated by Eddie Vedder and set for October 1 at Doheny State Beach in Dana Point, CA. Additional dates will be announced. For updates, please visit thepretenders.com.
2020ās Hate For Sale proved yet another triumph for The Pretenders, with Q Magazine hailing the LP as āup there with the best of the early Pretenders albums.ā āThe New Wave greats haven't sounded this raw and real since the early Eighties,ā agreed Rolling Stone, while The Guardian praised the album for ātight songs that prance insouciantly from genre to genre, scattering wisdom and swagger in their wake.ā
Tracklist:
- Losing My Sense Of Taste
- A Love
- Domestic Silence
- The Copa
- Promise Of Love
- Merry Widow
- Let The Sun Come In
- Look Away
- Your House Is On Fire
- Just Let It Go
- Vainglorious
- I Think About You Daily
The Pretenders 2023 Tour Dates
MAY
12 ā Brighton, UK ā The Great Escape *
13 ā Nottingham, UK ā Rescue Rooms (SOLD OUT)
14 ā Cambridge, UK ā MASH (SOLD OUT)
16 ā Frome, UK ā Cheese & Grain (SOLD OUT)
17 ā Stoke, UK ā The Sugarmill (SOLD OUT)
19 ā Limerick, Ireland ā Dolans (SOLD OUT)
20 ā Core, Ireland ā Cypress Avenue (SOLD OUT)
21 ā Dublin, Ireland - Olympia Theatre
23 ā Belfast, UK ā Limelight (SOLD OUT)
25 ā Stornoway, UK ā Midnight Sun Weekender *
28 ā Derbyshire, UK ā Bearded Theory *
30- Antwerp, Belgium ā De Roma
31- Antwerp, Belgium ā De Roma
JUNE
9 ā Madrid, Spain - Estadio CĆvitas Metropolitano ā
11 ā Oxfordshire, UK ā KITE Festival *
12 ā Vigo, Spain - Estadio Abanca BalaĆdos ā
16 ā Vitoria-Gasteiz, Spain ā Azkena Festival *
17 ā Kent, UK ā Black Deer Festival of Americana *
27 ā Glasgow, UK ā Bellahouston Park ā
30 ā London, UK ā BST Hyde Park ā
JULY
3 ā Frankfurt, Germany ā Deutsche Bank Park ā
5 ā Bern, Switzerland ā BERNEXPO ā
8 ā Rome, Italy ā Circo Massimo ā
11 ā Weert, Netherlands - Evenemententerrein ā
OCTOBER
1 ā Dana Point, CA ā OHANA Festival *
* Festival Appearance
ā w/ Guns Nā Roses
Fender Unveils New Signature Models from Mike McCready, Jason Isbell, Chrissie Hynde, and More
McCready's signature Strat will be limited to only 60 pieces and was patterned after his original '60 model.
Hollywood, CA (January 12, 2021) -- In true tradition, the Fender Artist Signature Series honors iconic musicians through product progression and storytelling,āÆcreating instruments inspired by the unique specifications of the worldās greatest guitarists and bassists. 2021 will see Fender and some of the worldās leading players continue to blaze trails of product innovation, with this yearās launches including:
ā Chrissie Hynde TelecasterĀ ($1,399.99 USD, Ā£1,249, ā¬1,399, $2,699 AUD, Ā„175,000 JPY) With a Telecaster guitar in hand, Chrissie Hynde formed The Pretenders in 1978 and quickly established the band as a rock and roll powerhouse. Chrissieās churning Telecaster rhythms have been the heartbeat of the bandās sound since the beginning. In 2021, Fender and Chrissie Hynde launch the Chrissie Hynde Telecaster complete with an alder body finished in Faded Ice Blue Metallic RoadWorn lacquer; vintage-style '50s single-coil Tele pickups voiced to match Chrissie's original set; a 6-stainless steel barrel saddle bridge; and much more in an incredibly faithful recreation of one of the worldās most iconic guitars, Hyndeās treasured ā65 model.An artist-requested player-friendly update on the new Chrissie Hynde Telecaster are locking tuners, which offer increased tuning stability and make string changes quicker. Available February 2021.
ā Mike McCready 1960 Fender Custom Shop Stratocaster ($15,000 USD, Ā£13,399, ā¬14,999, $21,999 AUD, Ā„1,750,000 JPY) In this first-time collaboration between Fender and Pearl Jamās lead guitarist Mike McCready, the Fender Custom Shop is honored to re-create this incredible instrument in exact detail, and in doing so a long held secret about the guitarās lineage was forced to be revealed to its owner: the Strat was actually constructed in 1960, not 1959 as had long been believed. For this limited 60-piece Masterbuilt run, the Custom Shopās Vincent Van Trigt carefully disassembled the guitar in order to note and measure every detail, curve and scratch - and there are plenty of scratches, thanks to McCreadyās exuberant style! The recreation features an ultimate Relic lacquer finish on a two-piece select alder body; a flat-sawn flame maple neck with a 1960 āoval Cā profile; and a flat-lam rosewood fingerboard with 21 vintage frets. Custom Josefina hand-wound pickups matched to the originals are connected to a five-way switch and vintage wiring, including a ātreble bleedā tone capacitor. Other features include a three-ply vinyl pickguard, vintage-style synchronized tremolo with Callaham bridge block, vintage-style tuning machines, bone nut, and wing string tree with metal spacer. Includes deluxe hardshell case, strap, polishing cloth, McCready case candy kit and certificate of authenticity. Available February 2021.
ā Ben Gibbard MustangĀ ($1,099 USD, Ā£979, ā¬1,099, $2,099 AUD, Ā„140,000 JPY) Ben Gibbard has been a prominent voice in indie-rock since the late ā90s as singer-songwriter for platinum-selling band Death Cab for Cutie and also The Postal Service. His melodic, personal songwriting style and the bandās powerful sound have been cited as inspirations by countless musicians since. Modified ā70s Fender Mustangs have been Gibbardās preferred touring guitar choice for years and the Ben Gibbard Mustang is a faithful recreation of his touring workhorses, with some bold enhancements. Boasting a chambered ash body design for increased resonance, a reduced weight and one-piece 22-fret modern āCā-shaped maple neck, this guitar is a comfortable and highly versatile stage performer. Includes strap locks and Fender gig bag. Available March 2021.
ā Joe Strummer CampfireĀ ($499.99 USD, Ā£429, ā¬499, $899 AUD, Ā„45,000 JPY) More than 40 years after the Clashās iconic album London Calling was released, Joe Strummer - the bandās articulate and fiery co-founder, lyricist, rhythm guitarist and lead singer - remains an incredible influence to players all over the world. The Joe Strummer Campfire guitar is inspired by the legendary campfires that he held at Glastonbury Festival and are now continued annually in the Strummerville area at the festival. Everyone was invited to join the party, with Strummer encouraging a loose assembly of people to his ācampfireā to bond by the rising flames until dawn. This small-body acoustic-electric guitar is the perfect companion for gatherings of any size and to continue Strummerās legacy of bringing people together through music. Boasting a solid spruce top with mahogany back and sides, the Campfire reflects Strummerās legendary aesthetic with its matte black finish, nickel hardware and star inlays. The Fender Custom Shop will also release Joe Strummer ā59 Esquire in April 2021. Details and specs will be revealed in the coming months. Available March 2021.
ā Jason Isbell Custom TelecasterĀ ($1,499.99 USD, Ā£1,249, ā¬1,439, $2,799 AUD, Ā„195,000 JPY) Instantly recognizable for his incisive lyrics, powerful voice and blistering guitar chops, Grammy-Award winning Jason Isbell has established himself firmly at the front of the Americana movement. The visually striking Jason Isbell Custom Telecaster features a Chocolate Sunburst whilst the Fender RoadWorn aging process gives it the authentic look and feel of a well-loved instrument. Meanwhile, the vintage-inspired mid-`60s āCā-shaped maple neck and 21-fret rosewood make for sparkling, fiery tones associated with his unique blend of traditional roots music and modern rock - a guitar that sounds and plays as good as it looks. The Telecaster is double-bound, a unique and premium feature at this price point. Available May 2021.
For more information:
Fender