Why you might be your own most important DIY project.
This is our annual DIY issue, where we share a few interesting projects—this time, a guitar mod that's a lesson in the proper way to use a router and six pedal-kit builds—that can be done fairly easily, in one day. The idea is to showcase attainable work that builds basic skills needed for more complex projects.
But for those of us with creative ambitions, the most important DIY project is far more complex than a pedal build, a pickup swap, or even homebuilding a guitar. I’ve always believed that the mark of an artist is having a unique character that comes through in their work. There are plenty of examples: Joni Mitchell, James Hetfield, David Gilmour, Polly Jean Harvey, Jimi Hendrix, Ava Mendoza, Anthony Pirog, Hank Williams, Howlin’ Wolf, Yvette Young, Coltrane, Miles, Billy Gibbons, Mike Watt, Brent Mason, and many, many more. What they all have in common is that it takes just a few notes or a vocal line or two to recognize them. Some might only be known in your town, but that doesn't make their work any less viable or important—especially if it’s important to you.
My favorite example, and also my favorite living songwriter, is Tom Waits. Whether you hear Tom crooning in his early post-Tin Pan Alley phase on a song like 1973’s “Ol’ 55” or whooping and cawing through 1987’s “Temptation,” accompanied by Marc Ribot’s gnawing guitar solo, or raving through 2011’s “Bad As Me,” recorded well after his conversion to avant troubadour … it all sounds like Tom Waits. And not just in the vocals and arrangements—although those are unmistakable. There is a rock-bottom sentimentality to much of his writing, which is consistently literate and poetic, and he has a way of drawing on roots-music sources in unlikely, sometimes outright weird contexts. He’s also a capable actor, but anyone who has seen Tom onstage, even before his first major theatrical role, in 1986’s Down by Law, knows that. I understand that everybody isn’t as fond of Tom’s work as I am, but that doesn’t matter. What does is that he is always recognizably himself—that he has a unique artistic character.
“What matters is knowing your own creative truth and embracing it.”
So, the point is, how do we follow in the footsteps of all the above to discover who we are artistically and bring that to play in our own work, in a way that conveys our distinctive creative character to anyone who hears our music? And once we do that, how do we keep growing while staying true to ourselves? There’s no pat answer, so it’s not as easy as soldering or even learning to blaze on scales for Instagram. And developing a unique artistic character is not important to everyone. There’s a lot to be said for just playing guitar and performing covers and having a whale of a time. But for those of us making original albums, trying to establish a sound or style that is authentically our own, trying to expand the envelope of genre, or do whatever the heck it is that lets us be us … well, it’s a lifelong DIY project.
The tools can’t be ordered online. They’re imagination, inspiration, honest evaluation, and the proverbial 10,000 hours. Along the way, decisions need to be made—about the playing approach and gear you might need to create a sound of your own, about really workshopping your songwriting and composing to get to a place where you hear that what you’re creating is authentically yours and not a diluted version of one of your heroes, about deciding exactly what you want your music to do. (A good way to arrive at the latter is working out an elevator pitch that explains your music to a stranger in as few words as possible. Decoding it for them also decodes it for you.)
It doesn’t matter how others judge your work. What matters is knowing your own creative truth and embracing it. Besides, it’s not always, or even often, easy to get others to embrace your vision, but that doesn't matter, as long as it’s your vision—and you know it, deep in your heart and brain.
Sure, gear is great and important, and I could talk about it all day. (Just ask my wife, Laurie, who has done her best to stay awake during many of my obsessive conversations with gearhead friends.) And learning how to mod it or make it so it best serves you is important. But if you have a creative vision, what’s most important is pursuing that vision, nurturing it, and truly owning it—until you and that vision are wholly the same thing.
Looking for more classic growl in a simple, contemporary overdrive? CopperSound’s Alex Guaraldi explains how to swap the clipping LEDS in an ultra-affordable EarthQuaker Devices Plumes for germanium diodes, in nine easy steps.
Pedals offer a lot of opportunities for DIY projects. One of the coolest and easiest is removing the LED clipping diodes in a modern overdrive pedal and replacing them with old-school-sounding germanium ones. The result will be a more raw, aggressive tone. For this project, I used the popular and affordable EarthQuaker Devices Plumes ($99 street). Whether your version is the original with through-hole-type components or the current model with surface-mount components, you’ll easily be able to perform this mod because both versions contain through-hole-type LEDs.
Tools Required
These tools and supplies are available online. StewMac, for example, sells soldering irons, a desoldering pump, and other tools for instrument work, while nut drivers and germanium diodes can be acquired via a number of sources, including Amazon.
• Soldering iron
• Solder
• Desoldering pump
• No. 2 Phillips-head screwdriver
• Small flathead screwdriver
• 8 mm (5/16") nut driver/wrench
• 10 mm (25/64") nut driver/wrench
• 11 mm (7/16") nut driver/wrench
• 14 mm(9/16") wrench
• Flush cutters
• Small needle-nose pliers
• Germanium diodes
Step 1: Remove back cover.
Using a No. 2 Phillips-head screwdriver, remove the four screws holding the back cover on.
Step 2: Remove external hardware.
The fastest way to swap diodes may be to do it from the component side, without even removing the circuit board from the enclosure. But for easier access and less difficulty, I’m going to remove the entire printed circuit board (PCB) from the enclosure. Since almost everything is mounted directly to the PCB, this should be easy.
Using a small flathead screwdriver, remove the knobs from the potentiometer shafts. Only loosen the knob set screws enough to slide the knobs off. No need to be searching the floor for tiny screws.
Next, using an 8 mm (5/16") nut driver or wrench, remove the nut from the toggle switch. Then, using a 10 mm (25/64”) nut driver or wrench, remove the three nuts and washers from the potentiometers.
Photo 1
For the last piece of external hardware located on the face—the footswitch—we’ll actually want to go inside and disconnect its plug from the board.
On the bottom left side of the PCB, there will be a white rectangular connector. We need to unplug the female end from the male end. This is where small needle-nose pliers can help. A small screwdriver or even fingers may do the trick, too. Finesse is key. We don’t want to break the wires from the female connector.
Photo 2
Once dislocated, we can go back to the face and remove the footswitch using a 14 mm (9/16") wrench.
Step 3: Remove external hardware on the back heel.
The last external hardware to remove is the audio jack bushings.
Photo 3
Removing these will allow the PCB to slide out of the enclosure. Using an 11mm (7/16") nut driver or wrench, remove the bushings and beveled washers from the audio jacks. Now, the circuit board is free to be removed from the enclosure.
Step 4: Remove the PCB from the enclosure.
The four controls and two audio jacks that interface with the enclosure may create some resistance when trying to remove the PCB. Typically, it’s from the collars of the audio jacks. Using a small screwdriver in one of the top corners and gently prying the PCB back usually does the trick.
Photo 4
Step 5: Locating the clipping LEDs.
Now that the PCB is removed from the enclosure, we need to locate the clipping LEDs from the top side. They are the two small red silos at the center of the pedal.
Photo 5
Then, we need to locate the pads (the exposed metal on the PCB) for them on the bottom side, and, once again, they are centrally located.
Photo 6
Step 6: Removing the clipping LEDs.
Now that we’ve located the LEDs, let’s go ahead and remove them. Quick note: The Plumes I worked on was a new unit consisting primarily of surface mount device (SMD) components. The LEDs are located between the pots and switch, so they can be difficult to access from the bottom side. The easiest way to remove the LEDs is to actually snip them from the top side, after noting how they are soldered in place.
Photo 7
We’re not planning on using them, and they’re cheap enough to purchase again, so breaking them is no worry. We just need to be sure not to damage any of the nearby components. The best approach may be to break the shell/bulb of the LEDs. Doing this will expose the two leads.
Photo 8
With these two leads exposed, we can easily remove each lead from the solder pads on the top side. Let’s apply heat to each pad and remove the leads with small needle-nose pliers. Jump to the alternate approach section in step seven if you experience solder removal difficulties. (Quick tips: Existing solder tends to flow better when a bit of fresh solder is applied to it. You’ll also want to heat the lead/pad and then grab the lead with the pliers. Grabbing the lead with the pliers first will take longer because the heat will transfer to the metal of the pliers. Don’t apply heat to a solder pad longer than needed. Doing this can compromise the pad.)
Once the leads are removed, we need to remove the remaining solder from the pads. This is where the desoldering pump (commonly referred to as a “solder sucker”) comes in. Apply a bit of fresh solder to the pads and remove it using the pump. YouTube is your friend here, for some quick desoldering pump lessons.
Step 7: Adding germanium diodes.
Check the polarity of the diode. For this mod, I chose 1n34a diodes, which are very common and available on Amazon. These diodes are polarized and have a positive and negative side. On the 1n34a, the negative lead is designated by the black band that wraps around the body of the diode (this is not the case for all germanium diodes). On PCBs, square pads denote positive. However, for the diode package that we’re adding, the square pad is negative.
Photo 9
Using Photo 10 for reference, gently bend one of the diode legs so that it’s parallel with the body of the diode. Place the bent legs into their correct pads—the negative side of the diode will go into the square pad and the positive into the circlular pad. Solder the pads from the bottom side of the PCB and snip the excess leg length with a pair of flush cutters. The excess leg length can also be removed with needle-nose pliers by bending the legs back and forth several times.
Photo 10
Alternate approach: If you’re experiencing trouble getting the remaining solder out of each pad, there’s a different approach to try. This approach may actually be helpful for this particular mod, because the pad spacing is small. If a pad connects to a ground plane (a layer of copper typically the size of the entire PCB that connects directly to the main ground pin on the DC jack) or several locations (other components in the schematic) it will require more heat because the applied heat wants to travel to all the connected areas. Typically, with clipping diodes, only one pad will experience this and give desoldering difficulties. In such a case, follow these steps:
1. Establish which pad has remaining solder. For this mod, the square pads are the positive pads, because they hosted LEDs. The diodes we’re adding want to have the negative side go into the square pad.
2. Cut the negative side of the germanium diode lead down to about 5 mm length. The negative side on the 1n34a is the lead closest to the black line indicator seen in Photo 9.
3. Heat the pad that has remaining solder in it and drop the short side lead into the solder.
4. Bend the other lead over like a horseshoe and mate it with the desoldered pad. (See Photo 10)
5. Solder the second side.
6. Repeat for the second diode, keeping in mind that the polarity of the diode needs to be opposite of the first diode that we soldered in as seen in Photo 11.
Photo 11
Step 8: Test.
Before putting everything back together, plugging the unit in as-is can be helpful. This way, if it isn’t working, we can go back and look at solder joints and any potential issues.
Photo 12
Step 9: Put everything back together.
Simply reverse the disassembly steps and enjoy!
A final note: If you love DIY projects or are interested in learning pedal design, my company, CopperSound, has a DIY section on its website, which also includes links to other DIY dealers. We offer integrated breadboards, component substitution boxes, adaptors for toggle switches, and even solder dispensers. For more information, please check out coppersoundpedals.com/DIY