Pedal Projects

Your music is worth releasing. Really. Do it now!

This is my final State of the Stomp column, so I thought I would leave with some encouraging words. This is a message for the perfectionists: release your music.

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Fig. 1

One of the top producers/engineers at one of the world's top tracking havens, Nashville's famed Blackbird Studios, shares tips and tricks on how to Introduce these classic effects to your mixes.

Hello and welcome to another Dojo. This time I'll discuss the differences between phasing and flanging and offer some advice on how better to use these effects in your recording and mixes.

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These are a few of Aisha Loe's favorite things. Top row: Chase Bliss X LOE Ayahuasca Aya Fuzz Tremolo, MXR Phase 90, LOE Vibro pitch vibrato, Ibanez AD-9 Analog Delay, Boss PH-2 Super Phaser. Bottom row: Crowther Audio Prunes & Custard Harmonic Generator–Intermodulator, Electro-Harmonix Deluxe Memory Man analog echo/chorus/vibrato, Electro-Harmonix Bass Micro Synthesizer, Jim Dunlop Bass wah.

Stompbox builder Aisha Loe on how a recent encounter with an old bandmate answered the age-old question once again.

I had a conversation with a dear friend and former bandmate recently, about how much using effects has inspired our musical directions and overall journeys as players. We smiled wide as we reminisced about what an epiphany it was for us, as new guitarists, to plug into a stompbox for the first time. For many, it's the initial experience of jamming with yourself. Fresh, exciting sounds are coming out. Inevitably, noodling ensues, which can often lead to bursts of creativity.

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