CopperSound Pedals founder Alex Guaraldi's debut "State of the Stomp" outing looks at how compounding Covid woes are making life trickier for stompbox manufacturers.
In the winter and spring of 2021, I found myself staring at a computer screen overloaded by tabs in my internet browser. Each of these tabs displayed the same processor (colloquially referred to as a “chip”) and the current stock quantities for each of a dozen suppliers. The lingering scarcity of this particular processor had been foreshadowed in other industries, and when I found myself noticing the depleting stock—with my curated lists of suppliers at the ready—I began ordering whatever I could get my hands on. Diligent or obsessive? You decide. Perhaps a bit of both, but the preparation certainly paid off when packages of the scarce processors started arriving at the workshop.
You do not need to be a manufacturer to have a grasp on supply shortages, as they happen quite frequently in our modern world, even outside of a global pandemic. Often it is simply caused by overwhelming demand. On my hunt for processors, I was reminded of the scene in Jingle All the Way when Arnold Schwarzenegger and Sinbad are going to outlandish lengths to acquire the hottest holiday season toy, Turbo Man. Supply shortages can feel like that. (Remember, nobody wants Booster!)
Global economics is by no means a strength of mine. I am more adept at shipping logistics. This often unappreciated system is made up of processes like FOB, Ex Works, ISF bonds, HTS codes, and customs. Now, before you feel compelled to save yourself from these abbreviations, I would like to happily promise that I am not going to be elaborating on any of that.
The electronics industry has not gone unscathed by the shortages that are currently presenting themselves, most notably in the world of semiconductors, which are typically made with silicon or germanium. A substantial number of the world’s semiconductors are made by the Taiwan Semiconductor Manufacturing Company (TSMC), who are responsible for these tiny yet powerful components that OEM companies design their products around. Amongst these components lie some heavy hitters. Most notably for our industry are the SHARC and Blackfin processors made by Boston-area company Analog Devices. These, and other DSP chips, are at the core of many of our favorite pedals—pedals that simply could not exist as they do without them.
We work amongst a brilliant, innovative group of artists, and, though our business cards may say “designer” or “engineer,” it can be easy to forget the art form behind the work.
I’ve been wondering where this will lead our industry. We work amongst a brilliant, innovative group of artists, and, though our business cards may say “designer” or “engineer,” it can be easy to forget the art form behind the work. We may be tinkering with breadboards instead of shredding on stage, but in our wonderful little industry, we’re all musicians and/or music lovers. If you say engineer, it’s easy to invoke visions of a person going over blueprints for a building. If you just say artist, it may be equally easy to imagine a financially challenged person painting on a canvas in a studio apartment. Perhaps some of that stigma has dwindled over the years. I hope that is the case.
Back to my wondering!
Like other artists, we pedal manufacturers create new products and bring them to market. Supplier shortages have caused delays in our manufacturing, and I wonder how we will see companies pivot. Whether you have noticed it or not, we have seen it before—and we’ve had to come up with creative solutions. Let us take a certain shortage scenario and play out what could possibly happen. Say a pedal company makes a model with a specific knob, and the knob manufacturer cannot produce it for an extended period for some unforeseen reason. The pedal company might see this potential speed bump and pivot so that they can keep manufacturing that model. Change the finish color, substitute different knobs and, voilà, a limited edition is born.
The semiconductor shortage has me wondering what we might see in the months to come. Maybe a bump in releases that are built around more commonly available components? Perhaps we will see companies institute waiting lists or batch releases that coincide with their ability to get ahold of the components they require? Regardless of outcome, my hat is off to the manufacturers traversing and adapting in this situation. A shortage of supplies is not a shortage of ideas.
Now let’s talk about shipping logistics!
- Killer Pedals Under $100 - Premier Guitar ›
- The Stompbox-Builder's Secret Weapon - Premier Guitar ›
- When Exactly Did "Boutique Pedals" Become a Thing? - Premier ... ›
- 8 Things My Guitar Pedalboard Reveals About Me - Premier Guitar ›
- Great Eastern FX Co. Focus Fuzz Effects Pedal Review - Premier Guitar ›
- Eventide H90 Pedal Review - Premier Guitar ›
Reverend Jetstream 390 Solidbody Electric Guitar - Midnight Black
Jetstream 390 Midnight BlackReverend Contender 290 Solidbody Electric Guitar - Midnight Black
Contender 290, Midnight BlackThe legendary German hard-rock guitarist deconstructs his expressive playing approach and recounts critical moments from his historic career.
This episode has three main ingredients: Shifty, Schenker, and shredding. What more do you need?
Chris Shiflett sits down with Michael Schenker, the German rock-guitar icon who helped launch his older brother Rudolf Schenker’s now-legendary band, Scorpions. Schenker was just 11 when he played his first gig with the band, and recorded on their debut LP, Lonesome Crow, when he was 16. He’s been playing a Gibson Flying V since those early days, so its only natural that both he and Shifty bust out the Vs for this occasion.
While gigging with Scorpions in Germany, Schenker met and was poached by British rockers UFO, with whom he recorded five studio records and one live release. (Schenker’s new record, released on September 20, celebrates this pivotal era with reworkings of the material from these albums with a cavalcade of high-profile guests like Axl Rose, Slash, Dee Snider, Adrian Vandenberg, and more.) On 1978’s Obsession, his last studio full-length with the band, Schenker cut the solo on “Only You Can Rock Me,” which Shifty thinks carries some of the greatest rock guitar tone of all time. Schenker details his approach to his other solos, but note-for-note recall isn’t always in the cards—he plays from a place of deep expression, which he says makes it difficult to replicate his leads.
Tune in to learn how the Flying V impacted Schenker’s vibrato, the German parallel to Page, Beck, and Clapton, and the twists and turns of his career from Scorpions, UFO, and MSG to brushes with the Rolling Stones.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.
Snark releases its most compact model ever: the Crazy Little Thing rechargeable clip-on headstock tuner.
Offering precise tuning accuracy and a super bright display screen, the Crazy Little Thing is approximately the size of your guitar pick – easy to use, unobtrusive and utterly dependable.
Housed in a sturdy shell, the Crazy Little Thing can be rotated for easy viewing from any angle, and its amazingly bright display makes it perfect for the sunniest outdoor stages or the darkest indoor studios. You can clip it to the front of your headstock or on the back of your headstock for extra-discreet usage – and you can easily adjust the display to accommodate your preference.
As the newest addition to Snark’s innovative line of headstock tuners, the Crazy Little Thing is rechargeable (no batteries!) and comes with a USB-C cable/adapter for easy charging. Its display screen includes a battery gauge, so you can easily tell when it’s time to recharge.
The Crazy Little Thing’s highly responsive tuning sensor works great with a broad range of instruments, including electric and acoustic guitar, bass, ukulele, mandolin and more. It also offers adjustable pitch calibration: its default reference pitch is A440, but also offers pitch calibration at 432Hz and 442 Hz.
Snark’s Crazy Little Thing rechargeable headstock tuner carries a street price of $21.99. For more information visit snarktuners.com.