pedal projects

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Try breaking the signal-chain rules to create new—and dazzlingly retro—sounds for your recordings.

Years ago, while on a meditation retreat in the mountains of Ojai, California, I was reflecting on one of my favorite sayings by Shunryu Suzuki (from his book Zen Mind, Beginner’s Mind): “In the beginner’s mind there are many possibilities, but in the expert’s there are few.” It was early in the morning, and as the soft blue light of dawn broke over the snow-dusted mountain tops, I had the profound realization of just how narrowly I was choosing to live my life because of my habits and how I was continually and slavishly refining them through my actions. I allowed myself to imagine and feel what life would be like if I let go of ingrained beliefs, and stood squarely in the warm, bright light of new possibilities.

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Your music is worth releasing. Really. Do it now!

This is my final State of the Stomp column, so I thought I would leave with some encouraging words. This is a message for the perfectionists: release your music.

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One of the top producers/engineers at one of the world's top tracking havens, Nashville's famed Blackbird Studios, shares tips and tricks on how to Introduce these classic effects to your mixes.

Hello and welcome to another Dojo. This time I'll discuss the differences between phasing and flanging and offer some advice on how better to use these effects in your recording and mixes.

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