Catching an unintended buzz with your two-amp set up? Here's why, and what to do about it.
Ground loops are all around us. They exist almost everywhere electrical circuits are connected. Most go completely unnoticed, but your guitar rig has dozens (maybe hundreds, depending on the sharpness of your pencil), and, when provoked, they can cause or contribute to all sorts of bad behaviors. Fixing a ground loop in your pedalboard rig incorrectly can be hazardous to your health.
"Ground" is an electrical concept that indicates a reference point from which all voltage potentials in a circuit are measured. Ground serves as voltage-zero for a circuit, and when drawn on a schematic, is a platonic ideal that pins everything connected to it at that zero potential, whether it's sinking 1 mA or 1000 A. The real world is not as kind.
A ground loop is created whenever two electrical circuits that theoretically have the same ground potential have a non-zero potential between them in practice. While there are several means of creating ground loops and driving noise in them, let's give a concrete example you've likely encountered before. Begin with two guitar amps, each connected to power via a 3-prong (grounded) cable. Each amp has one path to ground and is content to sit there and amplify with as little noise as its design and manufacture allows. Each amp's input jack is referenced to its local ground, and each preamp amplifies the difference between your guitar and that local ground. If you connect those amps together with a guitar cable to your board (via a passive Y-cable or a second input jack), you are creating a new path for ground currents via the shield of the guitar cable.
A safer and more effective solution is an isolation transformer at the input of your guitar amp.
This would be no problem at all in a world with superconducting bullet trains, electric car batteries, and guitar cables, but we live in a world where the relative conductivities of guitar instrument and power cables are less than super. As those wayward currents travel from one amp to the other, they develop a potential on the shield conductor of the cable that is different from the local amp's ground. This potential is essentially a new signal on top of ground that is made possible by the ground loop. Instead of the first preamp amplifying the difference between your guitar and the local zero volts ground level, the preamp tube is amplifying the difference between your guitar and the ground loop potential. Because the predominant currents in your guitar amp are related to rectifying the 50/60 Hz mains voltage, the ground loop is predominantly 50/60 Hz and related harmonics. So, presto, a hum is born.
Now, each amp has two paths to ground: one through its own power cable to electrical ground and another via the guitar cable to the second amp and its power cable to electrical ground. All the ground currents inside the first amp are seeking ground as best they can, and while most of that current would prefer to ride the wide and well-conducting highway that is the local power cable, a few may venture out on less-traveled paths, through your guitar cable and into the second amp, finding ground via the second amp's power cable.
What can be done? You will find guitar rigs where one of the amps has what we affectionately call a "cheater" on its power cable. This adapter is intended to adapt modern, grounded power cables to older, ungrounded outlets, but is often misused in guitar rigs. They are usually placed there by misanthropic club FOH engineers trying to fix a hum problem by breaking the ground reference for the amp. By breaking this ground, you can break the ground loop, but you also break its safety ground. Should some of those tube-driving 500V electrons touch the amp's chassis, they may not immediately blow a fuse and instead seek ground wherever they can find it—with some traveling down the guitar cable to the second amp and some traveling down the guitar cable, through the board, to the instrument, through the bridge, through the strings, and into whatever guitar player is unfortunate enough to be playing "Brown Eyed Girl" that evening.
A safer and more effective solution is an isolation transformer at the input of your guitar amp. The transformer can transmit your guitar signal without a ground connection, while maintaining the safety ground of the amplifier through its power cable. This will keep ground currents where they should be and keep them from developing into hums and buzzes in your backline. Isolation transformers, like the Ebtech Hum Eliminator and the Lehle P-Split, can be found for $100 to $180. Please, don't ever use a cheater. Your nervous system and Van Morrison fans will thank you.
- Bass Bench: Chasing Grounding Gremlins - Premier Guitar ›
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- Got Noise Issues? It Could Be Your Pedalboard's Power Supply ... ›
We’re not slowing down! Enter Stompboxtober Day 15 for your chance to win today’s featured pedal from Solo Dallas!
Orbiter Fuzz Pedal
Discover the SoloDallas Orbiter Fuzz, a meticulously crafted effects pedal designed to combine genuine vintage tones with user-friendly versatility. Building upon the legacy of the 1966 Arbiter Fuzz, the Orbiter Fuzz adds fine-tuning circuitry to this already amazing vintage circuit.
This compact multi-effects unit provides four simultaneous effects with a user-friendly experience inspired by traditional guitar pedals.
The effects are based on the award-winning Axe-Fx III, and include hundreds of classic stompbox and studio effect models, including drives, delays, reverbs, choruses, flangers, phasers, pitch, plex, EQs, compressors, wah, tremolo, and many more.
Key features include:
• Uncompromising Sound Quality: True to Fractal Audio's reputation, the VP4 delivers pristine sound quality, and is suitable for use on the world's finest stages and studios.
• Four Footswitches: Classic ON/OFF switching makes it easy and intuitive to use the VP4 like four traditional pedals. Meanwhile, the factory default “Gig Mode” switching system places Presets, Scenes, Effects, Channels, Tuner, and Tap Tempo right at your feet.
• 104 Presets: Each preset is like a complete pedalboard with your choice of four effects. This flexibility allows a single VP4 to replace an entire collection of other effects. Additionally, each preset has its own Noise Gate, Master EQ/levels, and more.
• Expression Pedal Compatibility: Connect up to two expression pedals or switches for real-time control of effect settings. The Fractal Audio EV-1 and EV-2 are perfect choices!
• Accurate Tuner: The VP4 includes a dedicated large display tuner mode, plus a handy “mini-tuner” that’s always visible. It uses our latest pitch detector from the Axe-Fx III.
• Flexible, High-Quality Connectivity: Mono/stereo analog I/O, with unity gain an ultra-low noise floor, “4CM Mode” allows you to divide effects in front of your amp and in its loop. Plus: buffered analog bypass, SPDIF digital I/O, MIDI I/O, and USB audio/MIDI capabilities.
• Beyond the Basics: For those who want to go beyond a basic pedalboard, the VP4 supports Scenes, Channels, Modifiers, and more for a highly customizable experience.
• VP4-Edit: Customize your VP4 with VP4-Edit, a free companion software editor and librarian.
• Upgradeable Firmware: Like every Fractal Audio processor, the VP4 features upgradeable firmware, ensuring that you can enjoy free updates with new features and improvements.
The VP4 combines ease of use with exceptional performance, offering musicians a high-quality, versatile effects tool. Featuring a pristine signal path and rugged, road-ready design, the compact VP4 delivers world-class multi-FX processing to take your sound to the next level. The VP4 also works great with acoustic guitar, bass, keyboards, and other instruments.
Retail Price: $699 Availability: October 15, 2024 Visit https://fractalaudio.com/vp4 for updates and to purchase, or contact your local Fractal Audio dealer for inquiries outside the USA/Canada.
Fender's American Ultra II series offers the ultimate blend of tradition and modernity, featuring advanced Ultra Noiseless and new Haymaker Humbucker pickups, stunning finishes, and a sleek Modern “D” neck shape.
Fender Musical Instruments Corporation (FMIC) today continues its industry-defining innovation, launching the next iteration of the coveted American Ultra series—Fender’s most advanced series of electric guitars - by taking that hyper-modern recipe and turning it up to 11 for American Ultra II.
At a time when projections indicate the electric guitar market is set to grow by USD 1.45 billion from 2024-2028, driven by increasing demand for music-related leisure activities¹, the introduction of the American Ultra II series exemplifies a steadfast commitment to innovation, with every detail reflecting a relentless pursuit of perfection. At Fender, innovation is an ongoing, dynamic process fueled by a deep passion for enhancing the playing experience. Long before the American Ultra series hit the market, discussions were already underway about future possibilities, sparked by spontaneous experiments and real-world feedback from the innovators who play these guitars.
The American Ultra II series is built in Fender’s iconic California factory where guitars are meticulously crafted using a blend of time-honored techniques and state-of-the-art CNC technology, ensuring every instrument embodies the perfect balance of tradition and modernity. Massive green punch presses and decades-old tools, some dating back to the 1950s, sit alongside advanced machinery that allows for precise shaping and flawless consistency.
“With the work and heart that went into creating the American Ultra II series, there's a lot of soul in these guitars,” said Justin Norvell, EVP of Product at FMIC. “We refer to it as the “sports car” of the Fender lineup, it’s designed to push boundaries and redefine what a Fender guitar can be, catering to both traditionalists and those exploring new, faster, and more intricate playing styles. This is a guitar that doesn’t fight you; instead, it gets out of the way, allowing you to focus purely on your performance, whether you’re playing soulful solos, fast riffs, or complex chord progressions.”
Featuring stunning finishes, modern body contours, a Modern “D” neck shape, and the most advanced Ultra Noiseless™ and new Haymaker™ Humbucker pickups, American Ultra II bridges the gap between Fender’s classic designs and high-performance instruments typically associated with Fender’s specialty brands such as Charvel, EVH or Jackson. The guitars’ unique neck profiles provide an effortless glide along the fretboard, making for an incredibly smooth and responsive feel that increases precision. The American Ultra II series is an ideal fit for players who love the iconic look and sound of a Fender guitar, but crave the speed and playability of a performance guitar adept for playing across genres, from neo-soul and jazz to metal and funk.
A welcome balance to the ultra-modern specs, the American Ultra II also embodies the hallmark qualities that make Fender guitars timeless including unparalleled versatility, modularity, and signature tone. Whether a player is chasing the crystalline clarity of classic Stratocaster® sounds, the bite of a Telecaster®, or the deep growl of a Jazz Bass®, the American Ultra II series is built to handle it all. In addition to the standard models, the series includes Ultra II Jazz Bass® V, a left-hand Stratocaster® model as well Ultra II Meteora® guitar and bass.
Top Highlights Include:
- Fender’s Fastest-Playing Necks: The quartersawn maple neck has a comfortable modern “D” shape and is topped with an ebony or maple fingerboard with Luminlay side dots and Ultra rolled edges
- Upgraded Noiseless™ Pickups: The Ultra II Noiseless™ pickups deliver classic Fender® single-coil sound – without the hum
- Ultra Comfort And Playability: A sculpted neck heel and sleek rear body contours offer next-level comfort and playability
American Ultra II Models & Pricing
- American Ultra II Stratocaster - $2,199.99-2,249.99
- American Ultra II Stratocaster HSS - $2,249.99
- American Ultra II Telecaster - $2,199.99
- American Ultra II Meteora - $2,249.99
- American Ultra II Precision Bass - $2,199.99
- American Ultra II Jazz Bass - $2,299.99
- American Ultra II Jazz Bass V - $2,399.99
- American Ultra II Meteora Bass - $2,299.99
American Ultra II Series | Fender
Join Premier Guitar contributor Tom Butwin as he tries five powerful guitar plugins that will transform your guitar recordings.