Summer School Electronics Class Reunion combines 90’s Russian Muff with 2020’s Trash Panda for a versatile drive pedal.
Each side features its own Drive and Tone knobs as well as Diode Selection toggle. (BLACK KNOBS= 90’S MUFF, GREEN KNOBS = TRASH PANDA) By tweaking the parameters, the user can open a world of tones which makes The Class Reunion a versatile drive, as well as a Riff-Writing-Machine.
The silicon setting on the muff side (BLACK KNOBS) is a more standard classic muff sound, while the LED setting creates a darker sound with more low-end. The LED setting on the Trash Panda side(GREEN KNOBS) is the classic amp-like overdrive from our Trash Panda, while the silicon setting is a lower output, but provides a crispier fizzier drive. By mixing these diode settings with the blend knob, the user can create so many sonic flavors, making this a reliable pedal for studio or live performance, as well as an addicting pedal to play at home and explore new tones and ideas.
Each pedal offers the following features:
- Independent Drive, Tone and Diode selection for each side of the circuit
- Master Volume and Blend controls
- Hand Built in Syracuse, NY
- Lifetime Warranty
- 9-volt operation and standard DC input
The Class Reunion is available at Summer School Electronics dealers, at a street price of $179.99.
For more information, please visit summerschoolelectronics.com.
Summer School Electronics Class Reunion Demo
The Rush guitarist partners with Mojotone on a new line of versatile, hand-built guitar amps and cabs.
Lerxst amplifiers are designed to offer a diverse palette of sounds that range from crystal-clear cleans to raging arena rock sounds and everything in between, supplemented with key features like power-scaling and serial effects loops to suit the needs of the next generation of sonic explorers, all designed to Lifeson’s exacting specifications and handcrafted in the USA by Mojotone. The initial launch includes the Omega amplifier head, Chi amplifier head and combo, and an accompanying range of matching guitar cabinets.
Omega is Alex Lifeson’s signature amplifier and the flagship of the Lerxst line. This British-voiced amplifier head features footswitchable clean and lead channels with a shared 3-band EQ, meaning a consistent tonal foundation between sounds while still offering shimmering cleans, gutsy rhythm crunch, and soaring lead tones. The amplifier has a switchable 50/25 watt power section to give it an equally usable powerband on large stages as well as in small clubs and the studio as well as a high-quality serial effects loop perfect for utilizing modulation and time-based effects.
"Lifeson’s signature sounds are easily within reach with Omega, but its versatile, characterful sounds are equally useful for players looking to chase their own creative muses and sonic landscapes." In addition to its standard version, Omega will also be offered in a Limited Edition Hand Wired version for a short time.
Lifeson stated, “I’m very excited about the new, updated Omega amp. It sounds incredible and it’s very handsome – you’ll want to get one even if you don’t play guitar!”
Chi takes the growl and tone of the Omega and places it within a more compact form factor. The 30-watt amplifier is built around 6L6 tubes for excellent headroom and a clear, articulate sound and is available as both a smallbox head and a 1x12 combo amplifier. In keeping with its lineage, Chi also includes footswitchable clean and lead channels and a serial effects loop, making it equally versatile on stage or in the studio.
“I’ve used more amps than Dr. Frankenstein did when breathing life into his creature, but the Lerxst Chi is an awesome monster in its own right and one of the sweetest sounding amps I’ve ever heard,” said Lifeson. “All the great character of the Omega in a cool, compact package that you don’t have to be a seven-foot monster to carry around.”
Both amplifiers are also accompanied by a range of guitar cabinets in multiple speaker configurations, including 1x12, 2x12, and 4x12, ideal for any stage configuration or studio application. All amplifiers and cabinets are handcrafted to the highest standards with top quality components in Mojotone’s Burgaw, NC-based factory. The cabinets, head shells, and combo speaker cabinets are made of voidless baltic birch and finished with a striking race gray and red garnet levant Tolex finish for a lifetime of gigging and playing.
Omega Specifications
- 3x JJ 12AX7 Preamp Tubes
- Selectable Impedances: 4, 8 or 16 ohms
- Switchable Power Output between 50 and 25 Watts
- Two Channels (Switchable)
- Shared three-band EQ
- 2x JJ EL34 Power Tubes
- Footswitchable clean and lead channels (Can also use pull knob on Master volume)
- Speaker Outputs: 2x J¼" Jacks (16Ω/ 8Ω/ 4Ω)
- Included Lerxst Footswitch
- Inputs: 1x Instrument Jack, Footswitch
- Controls: Presence, Bass, Middle, Treble, Output Master, Channel Select, Lead Master, Input Gain
- Dimensions: (H) 10 ¾" x (W) 29" x (D) 8 ¼"
- Serial effects loop
- Weight: 44lbs
- MAP $3,495 (Limited Edition Hand Wired AmplifierHead) or $2,495 (Standard Edition Amplifier Head)
Chi Specifications
- Custom CTS Potentiometers
- Finger-jointed Baltic Birch Cabinet
- Custom built in Burgaw, NC USA
- Carbon Comp Resistors
- Starman Power Indicator Light
- Lerxst Chi One Button Footswitch Included
- Footswitchable clean and lead channels (Can also use pull knob on Master volume)
- Race Grey and Red Garnet Levant Tolex Finish
- Shared three-band EQ
- Power Output: 30 Watts
- Hand-loaded PC Board construction
- Serial Effects Loop
- USA Made Heyboer Transformers
- Mojotone Dijon Coupling Capacitors
- Selectable Impedances: 4, 8 or 16 ohms
- Three JJ 12AX7 preamp tubes and two JJ 6L6 power tubes
- MAP $1,995 (Chi Combo Amplifier) or $1695 (Chi Amplifier Head)
“There has been an explosion of guitar music within the past five years that has been incredible to witness in its diversity of sounds and players. Lerxst amplifiers provide a platform for these players that offers the power and quality of tone of the best amplifiers of the past, while also providing key features like power scaling and high-quality effects loops that reflect the needs of players today.”
For more information, please visit lerxstamps.com.
Cool, characterful cleans are the objective in a unique 30-watt designed for Rhett Shull.
A beautifully hand-built amp following an interesting and rather unusual design, capable of generating characterful clean tones and outstanding tremolo.
Some will find it short on bells and whistles, and it might be considered pricey for what it offers.
$2,550
Port City Grandville
portcityamps.com
Asheville, North Carolina’s Port City Amplifiers first found wider success with its ported Wave extension cabinets. But a lot of guitarists are unaware that this company also makes outstanding, hand-built tube amps. In fact, tube amplifiers are where founder Daniel Klein got his start, and his reputation for simple, functional, and toneful designs won many notable followers. Among them is popular guitar vlogger Rhett Shull, who has worked as a touring and recording artist with Noah Guthrie, Jessy Wilson, and others. Shull acquired his first Port City amplifier some 10 years ago. Now Klein and Port City's relationship has yielded their first collaboration, the Grandville, and it’s a real breath of fresh air in an amplifier marketplace that typically draws upon a few familiar vintage amps as templates.
Port City’s designs tend toward simplicity, and the 30-watt Grandville looks pretty old-school inside and out. Just five knobs grace the front panel, and the preamp sections are populated by tubes that most conventional makers gave up on nearly 70 years ago. The inspiration for the design comes from Shull’s beloved 1950s Gibson GA-50, so nothing but the fat octal preamp tubes of the day would do. And while the Grandville isn’t the only amp being made with these bottles today, it is in rare company.
Octa-Plus
Klein says the amp’s name came from realizing that he and Shull both owned old Pontiac Grand Villes in the past, and they agreed it would be a cool name for the amp. Settling on a name was the easy part though, and there were some design challenges. As Klein explains, “Rhett wanted a really flexible 2-band EQ, so we played around with some values and found what we liked. Also, he wanted a really low noise floor since he plans to record with the amp. The last hurdle was the tremolo speed. The GA-50 didn’t have enough variation in speed, so we made the circuit switchable between slow and fast settings to achieve both a slower and faster tremolo than would normally be on tap.”
Fittingly, the front panel is home to knobs for volume, treble, bass, and tremolo speed and intensity, plus on/off and fast/slow switches for the tremolo. And around back, you’ll find a footswitch jack along with dual output jacks and a switch for 4-ohm, 8-ohm, and 16-ohmspeaker loads. The head is relatively compact for its punching power at 20" x 9.8" x 8.5" and looks elegantly businesslike in its lacquered black-tweed covering with gold piping.
The Grandville delivers thick, rich, and warm cleans at maximum volume with single-coils and just a little edge-of-breakup when paired with a Les Paul.
The first two preamp tubes are octal-based 6SJ7 pentodes, and NOS metal GE and RCA examples are included in our test amp. (Other production models may be built with tubes from other manufacturers.) The tremolo and phase-inverter slots are home to octal 6SL7 dual-triodes, in this case, new tubes from JJ. A pair of new Tung-Sol 6L6GCs in cathode-bias live in the output stage. The rectifier is a 5U4GB tube.
The Grandville’s handwired circuit displays impressive workmanship, with tidy wire runs extending from a turret board loaded with high-quality components. Robust Canada-made Hammond transformers assume power, output, and choke duties, and there are two of the latter to help keep noise in check.
Clean Machine
I tested the Grandville with a Port City 1x12 cabinet loaded with an American-voiced Eminence GA12-64 speaker. Port City also offers a custom-spec ported cab built to accompany the amp, which houses a mixed pair of one 12" WGS G12-C/S and one 10"Jensen Jet Tornado. Klein says that Shull wanted the amp to be just on the edge of breakup when it’s cranked, and that’s exactly what it delivers. Unlike the browned-out compression and easy distortion many might expect from an amp based on an early-’50s Gibson combo, the Grandville delivers thick, rich, and warm cleans at maximum volume with single-coils and just a little edge-of-breakup when paired with a Les Paul.
All that headroom leads to a couple of potential benefits. For one, the characterful cleans you get with the volume around 10 o’clock on the dial are virtually the same as what you get at a louder 4 o’clock setting, only quieter. That makes it easy to tailor your tone to different venues and recording environments without changes in gain level throwing your core tone out of whack. The other benefit is that the amp is an excellent pedal platform, and while high headroom is no guarantee that an amp will work with overdrive pedals, the Grandville sung sweetly with ODs including a Wampler Tumnus Deluxe, an Ibanez TS10 Tube Screamer, and a Friedman Small Box.
The bias-modulated, tube-driven tremolo, by the way, is fantastically round, wobbly, and bubbly in the inspiring fashion of so many great vintage and vintage-derived circuits. And just as Klein intended, it provides a range of speed and depth that enables subtle or extreme atmospherics. The bass and treble controls, too, are very wide-ranging and interactive in a very practical way, which make this simple EQ set deceptively versatile. The amp is impressively quiet overall, which satisfies another design objective.
The Verdict
The Grandville isn’t a particularly loud amp for a 30-watt 6L6 circuit, but clearly it’s designed with tone in mind rather than volume, and for many players that will be a good thing. For all the apparent design contradictions—it’s based on an amp more associated with gritty, gnarly tweed overdrive—the Grandville succeeds at achieving a clean but characterful personality. Some players might find it rather pricey for an amp that specializes more in uniform clean tones and headroom than the interesting colors that happen in between low and high gain levels on most amps. But what it does, it does well, and the excellent build quality does much to justify the boutique price.