Want to buy a boutique instrument and don't know where to start? Our columnist offers some tips.
For many players, choosing a new guitar is easy. They simply walk into a music store and play different models until they find one that suits them best. There are many different types of players with a myriad of differing music styles and preferences, which calls for a diverse array of guitar models. Power players prefer jumbos and dreadnoughts as their go-tos, while others tend to gravitate towards smaller instruments, such as Gibson's L-00 or Martin's 000s.
Despite the plethora of guitar models in the standard market, some players simply can't find what they're looking for. It might not be that they're unhappy with their current guitars or the available options. It's just that something about their preferences has evolved. As their playing has advanced, maybe they've explored alternative tunings and new styles that place different demands on their guitar, or they're looking for a new instrumental voice. This often encourages guitarists to explore the boutique market, which ultimately provides more options and customization. Regardless of the reason, if one is considering an instrument from the boutique guitar market, it requires some rigorous analyzing and research.
The most ideal way to get your hands on some of these top-of-the-line instruments is by visiting boutique guitar shows. These shows are curated so only a handful of premier builders are allowed in the room. This keeps the show minimal, providing the best possible experience for visitors. The promoters rotate builders year-by-year to keep the shows fresh and relevant. In the heyday of custom guitar shows, there were up to five or six shows in a season, but over the years these shows have been consolidated into a few major events: the Woodstock Invitational Luthiers Showcase, the La Conner Guitar Festival, the Artisan Guitar Show, and the Boutique Guitar Showcase.
If one is considering an instrument from the boutique guitar market, it requires some rigorous analyzing and research.
The Woodstock Invitational Luthiers Showcase, hosted by Baker Rorick, is ideal for those living on the East Coast. The show is held in that bucolic town's Bearsville Theater and the Utopia Soundstage, both of which are brimming with musical history. The La Conner Guitar Festival, hosted by McElroy Guitars in La Conner, Washington, is great for people living in the Northwest, as it is close to Seattle, Portland, and Tacoma. Both shows are hosted in "cottage country," so securing housing is easy, and bringing the family is a great way to experience these events.
Next, we have the Artisan Guitar Show, which takes place in Harrisburg, Pennsylvania, and is hosted in a self-contained complex. Here, showgoers can secure lodging and meals, talk guitars for three solid days, and enjoy the entertainment without having to leave the facility. Each of these showcases include makers from their regions, so attending all of the shows for at least two seasons is a great way to get a solid understanding of what is available.
The final guitar show model is the Boutique Guitar Showcase, hosted by Roberta and Jamie Gale. This is a curated traveling event designed to showcase luthiers and instruments that are cutting edge and to further the art and technology of fretted musical instruments. Jamie and Roberta do a great job assembling this event, as it successfully exhibits premier shops and lutherie styles from across the globe in a one-day display. In recent years, the Boutique Guitar Showcase has teamed up with NAMM to be included in its summer and winter trade shows. This has proven to be an outstanding collaboration.
The Boutique Guitar Showcase's "enTour" offers a unique and intimate experience for players who want to try instruments from a wide variety of luthiers.
Photo by Jamie Gale Music
Maneuvering through this market and successfully finding the instrument of one's dreams is a difficult feat. For most customers, passing through the doors of these guitar shows can be overwhelming. Guitarists will sample instruments made by the best luthiers from around the world, which are significantly more sophisticated than your standard off-the-shelf guitar. These luthiers incorporate many custom features that buyers should carefully consider. An increase in sophistication and customization requires customers to study and analyze their potential purchases more carefully. Otherwise, one might buy an instrument that does not fit one's playing needs.
Buyers might also consider looking for a guitar broker. Guitar brokers represent guitar builders, and they have a unique talent—assisting customers in securing a bespoke guitar that will best fit their musical needs. Brokers typically know the makers personally and thoroughly understand their building styles. If one is new to the boutique market, working with a broker a great way to get started.
The takeaway is this: The custom boutique guitar market is a place for players who want to move to the next level with an instrument. My recommendation is to do research, find brokers, and attend shows to meet the makers in person and play their instruments. Even though we would all love to make you a custom guitar, what we want most is for you to find satisfaction and happiness with the instrument that we've personally crafted for you.
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A classic-voiced, 3-knob fuzz with power and tweakability that surpass its seemingly simple construction.
A classic-voiced, well-built fuzz whose sounds, power, and tweakability distinguish it from many other 3-knob dirt boxes.
None, although it’s a tad pricey.
$249
SoloDallas Orbiter
solodallas.com
You’ve probably seen me complain about the overpopulation of 3-knob fuzz/OD pedals in these pages—and then promptly write a rave review of some new triple-knobber. Well, I’m doing it again. SoloDallas’ Orbiter, inspired by the classic circuit of the 1966 Dallas Arbiter Fuzz Face, stings and sings like a germanium Muhammad Ali. Mine’s already moved to my pedalboard full-time, because it delivers over-the-top fuzz, and allows my core tones to emerge.
But it also generates smooth, light distortion that sustains beautifully when you use an easy touch, punches through a live mix with its impressive gain, and generates dirt voices from smooth to sputtering, via the bias dial. All of which means you can take gnarly fuzz forays without creating the aural mudslides less-well-engineered Fuzz Face spinoffs can produce.
“Fuzzy forays are gnarly as desired without sacrificing tonal character or creating the aural mudslides less wisely engineered Fuzz Face spinoffs can produce.”
The basics: The 4 3/4" x 2 1/2" x 1 1/2" blue-sparkle, steel enclosure is coolly retro, abetted by the image of a UFO abduction on the front—an allusion to the flying saucer shape of the original device. Inside, a mini-pot dials in ideal impedance response for your pickups. I played through single-coils, humbuckers, Firebird humbuckers, and gold-foils and found the factory setting excellent for all of them. There’s also a bias knob that increases voltage to the two germanium transistors when turned clockwise, yielding more clarity and smooth sustain as you go. Counterclockwise, the equally outstanding sputtering sounds come into play. For a 3-knob fuzz box it’s a tad costly, but for some players it might be the last stop in the search for holy grail Fuzz Face-style sounds.
MayFly’s Le Habanero Boost and Fuzz pedal, designed with input from Trevor May and Lucas Haneman, offers a wide range of tonal options from clean to scream. Responsive to player touch and guitar volume, stack the Boost and Fuzz for endless sustain and harmonics. Perfect for exploring your inner David Gilmour.
MayFly’s Trevor May and LH Express’ Lucas Haneman have been cooking upsomething real good. Le Habanero is a dual boost and fuzz pedal specifically designed to be very responsive tothe player’s picking hand and the guitar’s volume control. With Lucas’ input, the pedal was specifically tweakedto give a ton of tonal options, from clean to scream, by just using your fingers. It heats up your tone with a tastyboost, scorching lead tones with the fuzz, tantalizing tastes of extreme heat when boost and fuzz are combined.
The boost side is designed to ride the edge between clean and grit. Keep the drive below 12 o’clock for cleanboost but with active treble and bass controls, or push the gain for clear/clean sustain with great note definition.
The fuzz side is tuned to match the tonality of the boost side and offers a load of sustain and harmonics. The fuzz features a unique two-pole filter circuit and deep switch to help match it with single coils or humbuckers.
Stacking the Boost and Fuzz gives you even more. Want to explore your inner David Gilmour? Switch both onand turn up the volume! Want to switch to Little Wing? Turn the volume back down.
- Combination Boost and Fuzz pedal, designed to work well together.
- Very responsive to guitar volume and player’s touch.
- Use Boost and Fuzz independently, or stack them.
- Boost features Treble, Bass, Volume, and Drive controls.
- Fuzz features a two pole Tone filter, Deep switch, Fuzz and Volume controls.
- Stack them to create endless sustain and plenty of harmonics.
- Wide form factor for better footswitch control live.
- Full bypass using relays, with Mayfly’s Failsafe circuitry.
- Suggested Pairing: add a dash of Le Habanaro to spice up a MayFly Sunrise guitar amp simulator!
MAP price: $185
For more information, please visit mayflyaudio.com.
Introducing: the Mayfly Le Habanero!! - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Darkglass introduces the Luminal Booster Ultra for bass guitar, combining the Harmonic Booster with adjustable frequency range parallel compression, 6-band EQ, gain reduction meter, and 7 custom Impulse Responses. With versatile controls, including a +/- 20dB BOOST and CHARACTER selection, this pedal offers precision and unmatched tonal control for bass players.
Darkglass introduces the Luminal Booster Ultra for bass guitar. The Luminal Booster Ultra combines the rich tone of Darkglass’ Harmonic Booster with the unmatched control of an adjustable frequency range parallel compression, 6-band EQ, gain reduction meter, and the choice to load seven custom Impulse Responses via USB.
The layout of the pedal is straight forward. Across the top, from left to right, is an adjustable lowpass FILTER knob for the compressed signal, a COMP knob to adjust the amount of compression applied, a BLEND knob to blend between the clean and compressed signal, and LEVEL knob to adjust the level of the compressor after the blend control. Added controls include a +/- 20dB BOOST, a CHARACTER control to allow selection between seven Impulse Responses, a MID GAIN +/- 20dB, and MID FREQUENCY from 250Hz to 2.5kHz.
The 6-band EQ uses faders for precision control. The bass Low shelf is +/- 13dB at 80Hz, the mid bands are +/- 13dB at 250Hz, 500Hz, 1.5kHz, and 3kHz. The treble is a high shelf of +/- 13dB at 5 kHz. The EQ is flanked by a MASTER fader of +/- 12dB to set the overall volume of the unit.
Input and outputs provide a player with maximum versatility. Traditional ¼” input and outputs are complimented by and 3.5mm AUX IN for practicing with backing tracks via a smartphone or laptop, a stereo headphone out, a balanced XLR direct out, USB C to connect to PC/Mac to utilizing the desktop version of the Darkglass Suite of available Impulses Responses or custom / third party impulses, and a 9V DC adapter input. A ground lift and Cab Sim round out the feature of the unit.
"This marks our entry into new sonic territories, in our search to connect with jazz and clean-tone bass players on a deeper level,” says Marcos Barilatti, Managing Director of Darkglass Electronics. “With the Luminal Booster Ultra, we've created the ultimate tool for bass players across all genres, delivering precision, versatility, and unmatched tonal control.”
Street Price is $499
For more information, please visit darkglass.com.
Focusrite announces the expansion of the Scarlett audio interface range with the 4th Gen 16i16, 18i16, and 18i20 models.
Scarlett’s fourth generation introduced several major advances that build on Focusrite’s legacy in professional audio: best-in-class audio specifications, enhanced creative capability, powerful workflow tools, and more. The three new interfaces add more analogue inputs and outputs, front-panel monitor switching and mute control, S/PDIF and ADAT connectivity, additional headphone outputs, and a built-in talkback mic on Scarlett 18i20.
Focusrite Scarlett 4th Gen 16i16, 18i16, and 18i20 now feature:
- Huge 122dB dynamic range, using the flagship RedNet range converters – found in the world’s best studios.
- All-new, remote-controlled preamps with 69dB of gain for studio sound from any mic.
- Pair Focusrite Control 2 for desktop with Focusrite’s new mobile app; enjoy full wireless control over inputs and monitoring mixes, allowing the adjustment of settings without being tethered by cables.
- Re-engineered Air mode with Presence, and all-new Harmonic Drive, adding rich harmonics to recordings by emulating the characteristics of vintage preamps.
- New Auto Gain and Clip Safe modes can handle up to eight microphones at a time, making session setup simple, and ensuring every take is a keeper.
- Brand-new Custom-designed headphone amps for the best playback ever heard from Scarlett.
- Redesigned Dynamic Gain Halos now with output as well as input metering.
- Professional studio features included: A/B speaker switching, built-in talkback mic on 18i20, and more.
- MIDI in /out plus S/PDIF, and ADAT in/out.
- Refreshed Easy Start tool, making it easier than ever to get set up and recording in minutes.
- Includes Ableton Live Lite, Pro Tools Artist 3 months, and FL Studio Producer Edition 6 months.
- Huge bundle of plug-in instruments and effects; including Antares Auto-Tune, Marshall Amp Modelling, synths, keys, drums, EQ, compression, reverb, and more.
Three new Scarlett interfaces
Scarlett 18i20 4th Gen, an update to the flagship 3rd Gen model, is a rack-mountable USB audio interface featuring 18 inputs, including eight advanced fourth-generation Scarlett preamps, and 20 outputs. 18i20 not only has an impressive amount of analogue and digital I/O, but also features additional workflow enhancements that make it a perfect fit for even the most complex project studios: a built-in talkback mic; A/B speaker switching for instant referencing on different monitors; and eight channels of LED bar metering, assignable to inputs or outputs as well as master output metering.
Scarlett 18i16 is a desktop-format USB audio interface with 18 inputs, including four 4th Gen Scarlett preamps and 16 outputs. Ideal for multitrack recording and designed for producers, 18i16 is the industry-leading interface for project studios. It makes an ideal hub to integrate hardware with a DAW, providing enough analogue and digital I/O to connect a huge number of external instruments, processors, and effects. Plus, manage complex routing with ease via the included Focusrite Control 2 software for desktop and mobile devices.
Scarlett 16i16 is a desktop-format USB audio interface which shares the same feature set as 18i16 but is slightly more compact, with 16
Scarlett 4th Gen
A giant leap for the world’s most popular audio interface range, Scarlett’s fourth generation debuted in 2023 with the Solo, 2i2, 4i4, Solo Studio, and 2i2 Studio.
All Scarlett 4th Gen interfaces feature re-engineered audio circuitry and professional-grade converters (taken directly from Focusrite's flagship RedNet interfaces), which deliver up to 122dB dynamic range. With up to 69dB of mic preamp gain on tap, they are designed to get the very best sound from any microphone. Custom-designed headphone amps with independent volume controls drive high-impedance headphones louder and with more clarity than any previous Scarlett.
Scarlett’s 4th Gen mic preamps feature a re-engineered Air mode, based on the sound of legendary Focusrite consoles. Each one now includes a selectable all-analogue Presence mode, and a new DSP-based Harmonic Drive mode for added richness.
The range also introduced two new features designed to ensure artists and producers never miss a perfect take: Auto Gain analyses ten seconds of incoming audio before setting set the perfect level, while Clip Safe automatically readjusts it to prevent clipping. These tools help artists record themselves easily and let experienced engineers quickly set multiple gains in high-pressure environments.
The included Focusrite Control 2 software takes care of setting up routing, levels, monitoring mixes, independent outputs, and routing options. In addition to the desktop application, the iOS and Android Focusrite Control 2 apps enables engineers and performers to adjust monitor mixes and mic preamp gains while away from the computer.
To help users get up and running with Scarlett in record time, Focusrite has developed an Easy Start tool that quickly guides from initial connection to their first recordings.
All Scarletts come with Ableton Live Lite, three months of Pro Tools Artist recording software, and six months of FL Studio Producer Edition. Also included is a curated selection of essential production software from Focusrite, Softube, Native Instruments, Antares, and many more. In addition, there are five free masters from Landr that can be used at any time, plus a two-month subscription to Landr Studio, offering unlimited music distribution on streaming platforms such as Spotify, Apple Music, YouTube Music and TikTok.
These interfaces will be available beginning mid-October 2024 with U.S. pricing as follows:
USD (excluding tax)
Scarlett 18i20: $649.99
Scarlett 18i16: $499.99
Scarlett 16i16: $369.99
For more information, please visit us.focusrite.com.