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Hiatus Kaiyote are, from left to right, drummer Perrin Moss, bassist Paul Bender, keyboardist Simon Mavin, and singer-guitarist Nai Palm.

Photo by Claudia Sangiorgi Dalimore

The Melbourne-based soul quartet used layered bass tracks, a pointy headstock guitar, old solid-state amps, samples, countermelodies, strange syncopations, and a Brazilian composer to create the complex and colorful Mood Valiant.

According to Paul Bender—bassist for the trippy yet eminently soulful Melbourne-based quartet, Hiatus Kaiyote—the band's live sets often meld into one continuous song. "I never really get a break in the set because we always play all our tunes together for some reason," he says. "I basically never stop playing. I don't have a moment where I am not doing something at any point in the set."

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Can an entry-level modeler hang with the big dogs?

Excellent interface. Very portable. Nice modulation tones.

Some subpar low-gain dirt sounds. Could be a little more rugged.

$399

HeadRush MX5
headrushfx.com

3.5
4
4
4.5

The allure of portability and sonic consistency has become too much to ignore for some guitarists, making smaller digital modelers more appealing than ever.

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Emily Wolfe lets loose, with an Epiphone Sheraton around her shoulders. Her signature Sheraton Stealth was released in 2021. "The guitar is the perfect frequency range for my soul," she says.

Photo by Brittany Durdin

The rising guitar star blends classic and stoner rock, Motown, and more influences with modern pop flourishes in songs replete with fat, fuzzy, fizzy tones from her new Epiphone Sheraton signature.

For so many artists, the return of live shows means the return of the thrill of performing, much-needed income, and, in a way, purpose. The third definitely goes for guitarist Emily Wolfe, who, when asked about her goals, immediately responds, "I just want to play arenas every night for the rest of my life. When I go up there, something could hit me at any point—an emotion that I felt 10 years ago could come out in a bend on the low E."

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