latin

The grooves found in Latin music are full of intriguing rhythmic options. Here’s how to cop that vibe to make the music dance!

Intermediate

Intermediate

  • Learn how to create infectious Latin riffs.
  • Apply elements of tres guitar technique to the standard 6-string.
  • Understand how to play major and minor montunos.
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A montuno is a two-measure improvised pattern that you can use to add some authentic Afro-Cuban spice to your Latin-style playing. This pattern follows the clave. A clave is the foundation of nearly all Latin music. In our examples we will be using the 2-3 clave, which refers to how many hits are in each measure. (The first measure will have two and the second will have three.) Each example will start off with the clave pattern. This will help you get the sound in your ear.

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The wildly talented Mexican guitar duo selected nine tracks from their last two albums, reworking them with the ace guidance of British jazz pianist Alex Wilson and the 13-piece C.U.B.A. orchestra.

Rodrigo Y Gabriela and C.U.B.A.
Area 52
ATO Records


This album’s birth is more complex than meets the eye. The songs aren’t new, in the conventional sense. The wildly talented Mexican guitar duo selected nine tracks from their last two albums—11:11 and Rodrigo y Gabriela—reworking them with the ace guidance of British jazz pianist Alex Wilson and the 13-piece C.U.B.A. (Collective Universal Band Association) orchestra.

For full effect, place a few of the originals next to new versions and you’ll find that the stripped-down guitar instrumentals, the ancestors of these new compositions, are infectious. But the result of meshing Latin, Cuban, jazz, metal, rock, Arabic, and Hindi influences is downright hot and sexy—the sense of urgency on Area 52 is overwhelming.

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Los Lonely Boys deliver a different flavor of their "Texican" music

Los Lonely Boys
Keep on Giving: Acoustic Live!
Playing in Traffic



While most artists tend to ratchet things down a notch when they go “unplugged,” Los Lonely Boys went the other direction with their recent acoustic tour, which is captured here over two nights in Colorado. Henry Garza can still burn without his Texas Special-loaded Strats, and he isn’t afraid to let the world hear him do so in a very different way. Refreshing to some but perhaps lacking to fans expecting more of the same, this album is like a cool, high-quality bootleg in that you’re hearing raw, undoctored audio from the power trio’s most stripped-down performances ever. What’s lacking in production gloss is more than made up for with energy from Henry, JoJo, and Ringo Garza, who have carved quite a niche for themselves with their “Texican” fusion of melodic pop and Texas blues.

Highlights include a fervent take on Santana’s “Evil Ways,” a guest appearance from Alejandro Escovedo on the Stones’ “Beast of Burden,” and, of course, a stripped-down version of their hit “Heaven.” The Boys’ tight, three-part harmonies really shine in the extra sonic space left open by the acoustic renditions. The raw nature of the project precludes the soaring tonal qualities that so many people appreciate Henry and LLB’s music for, but kudos to the brothers Garza for having the balls to mix things up with the acoustic tour and then release a CD showing another side of their persona. Fans looking for a new flavor of Texican will really dig this album.