The multifaceted artist and guitarist shares how his creative journey has taken him from Creed to Alter Bridge to Frank Sinatraāand beyond.
There probably arenāt too many artists out there as busy as Mark Tremonti. Aside from his celebrated careers in alt-rock mainstays Creed and Alter Bridge, the guitarist, songwriter, and singer organizes guitar and songwriting clinics while on tour; has a line of signature PRS gear; and cut a 14-track charity record, Mark Tremonti Sings Sinatra. Did we mention heās aiming to become a pinball kingpin, too?
Tremonti joins Cory Wong on this episode of Wong Notes to dig into his musical trajectory since the late ā90s, when he blasted to the top of the charts with Creed. The band drew comparisons to other grunge-era staples like Pearl Jam, which irritated Tremonti but pleased Stapp. Tremonti discusses the gulf between the bandās popularity and the critical backlash they received: āPeople can be cruel, but itās part of the world. You gotta deal with it.ā
Tremonti analyzes what makes a good riff and why everything in āthe middleā is boring to him, and unveils his songwriting and demoing routines. (āI think melody is the most important part of everything,ā he says.) But his biggest passion project these days is his step into classic crooner music. Inspired by his daughter to do a charity project to benefit the down syndrome community, Tremonti recorded a Frank Sinatra covers album, complete with more than a dozen musicians who played with Olā Blue Eyes himself.
Tune in to hear all about Tremontiās artistic life, plus a peek at what happens during his pre-show guitar and songwriting clinics on Creedās fall 2024 tour. Expecting him to demonstrate some ferocious warmups? Think again: āI play like grandmaās in the room,ā says Tremonti.
Wong Notes is presented by DistroKid.
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Over three-and-a-half years after Randall Smith sold Mesa/Boogie to Gibson, Smith has completed his time with Gibson as the brandās master designer and pioneer. Through his ground-breaking work at Mesa/Boogie, Smith was responsible for innovative modifications that gave small amplifiers more input gain, making them much louder, as well as creating an all-new high-gain distorted guitar tones.
Mesa/Boogie began as a small amplifier repair shop and was founded 55 years ago in 1969, in Mill Valley, CA by Smith who simultaneously respected and improved the vintage classics with his inventions. Smithās ear for tone, passion for tube technology, and vision for building handcrafted high-performance amplifiers continues to redefine how we experience sound. Beginning at Prune Music in Northern California, Smith reconfigured amplifiers for more sound and power for all the great San Francisco area bands over 50 years ago when vintage gear was new. Being close to so many great guitar players, from Bloomfield to Santana and The Rolling Stones, Smith learned the virtues and shortcomings of the eraās gear and began a process of innovation, excellence, and invention that continues at the Mesa/Boogie craftory in Petaluma, CA today. Mesa/Boogie was the first boutique amplifier builder and revolutionized amplifier performance in ways that impact rock music worldwide.
Throughout the ā80s and ā90s a score of additional innovative and patented improvements saw Mesa Engineering emerge as the leader in tube amplifier technology. Today, Mesa/Boogie amplifiers and cabinets are renowned worldwide and unparalleled in performance and quality, every product is still hand-built, and our artisans are tenured with an average of 15 years at their post, many for much longer. We still hold true to the simple but increasingly rare principles Smith used to catapult Mesa/Boogie onto the world stage, hand-building the very best amps and cabinets and treating each customer as we wish to be treated.
Smith has positioned his legacy to be carried forward through the Mesa/Boogie team's continued commitment to quality and tone, and for the last two decades has been training the next generation of Mesa/Boogie designers.
Smith has been instrumental in growing the Mesa/Boogie portfolio with exciting new product offerings and overseeing the launch of the popular new Gibson Falcon amplifiers.
āI am incredibly grateful for Smithās pioneering insights, design, and trust in Gibson,ā says Cesar Gueikian, CEO of Gibson. āRandyās DNA will always be present, and over the last few decades he has trained the new generation of designers that have been leading the way for Gibson and MESA/Boogie amps. As we evolve our Gibson Amps collection, including our Gibson and MESA/Boogie brands, Randy, and his original design ideas, will continue to inspire us to make the best and highest quality amplifiers weāve ever made.ā
āWeāve all talked about this day and have prepared for it in many ways over the years, but Randall Smith is a āforce of natureā, and you canāt imagine it coming to fruition,ā adds Doug West, Director of R&D at Mesa/Boogie. āNow, I reflect on the fact that few in this world ever get the chance to be mentored, coached to excellence and to perform at their consistent personal best in the ways our design team, and everyone here at Mesa/Boogie, have under his tutelage. Randy leaves us in good stead to carry on his legacy and tradition of excellence. With our respect for him and our shared love for what Gibson and Mesa/Boogie represent to music, Randy can bask in the contentment of knowing he has spread Tone and Joy the world over with his creations and that his contributions to music have made an indelible mark on generations, and the sound of electric guitar and bass over the last 55 years.ā
For more information, please visit mesaboogie.com.
It is with great sadness that Korg USA shares the news that longtime industry veteran and former colleague Joe Bredau passed away on January 13 at the age of 82.
Over his more than 50-year career in the MI industry, Bredau held a variety of executive positions at companies including M. Hohner, Raki International, and Korg USA. In 2009 he founded Marketing for Industry (MFI), a consulting organization dedicated to providing guidance in all aspects of executive communications to personnel, clients, and trade.
During his time as vice president of marketing/sales for Korg USA (1989-2008), Bredau spearheaded numerous innovative PR campaigns, developed key account teams to serve the companyās largest customers, pioneered an ongoing performance review program that identified strengths and weaknesses within development programs, and served a key role on a corporate management team responsible for driving record sales figures with improved profits for the company.
āHe loved family and friends so deeply and cared deeply about them,ā says his daughter Shelly. āHe was always in a good mood, truly. I know that sounds impossible, but he just was a happy human being.ā An avid golfer, Bredau was forever keen to share his love of the sport with any and all. Shelly adds that her fatherās professional life lined up perfectly with his true passion: āMusic was his life! Long car rides were insufferable at times because he would be jamming away on the steering wheel while listening to Dave Brubeck, Steely Dan, Stan Getz and other greats. But he easily gave us our music time as well.ā
āJoe Bredau joined the company at a critical time in Korg USAās history,ā says CEO Joe Castronovo. āHis contributions to the organization to promote the brands that we represented cannot be put into words. He spent the majority of his career in the music product industry and should be remembered as a hard-driving sales and marketing executive. It was my pleasure to work with him during his time with Korg and we have great