Need more firepower? Hereās a collection of high-powered stomps that pack plenty of torque.
Thereās a visceral feeling that goes along with really cranking the gain. Whether youāre using a clean amp or an already dirty setup, adding more gain can inspire you to play in an entirely different way. Below are a handful of pedals that can take you from classic crunch to death metal doomāand beyond.
Universal Audio UAFX Anti 1992 High Gain Amp Pedal
Early 1990s metal tones were iconic. The Anti 1992 offers that unique mix of overdrive and distortion in a feature-packed pedal. You get a 3-band EQ, noise gate, multiple cab and speaker combos, presets, and full control through the mobile app.
Revv G4 Red Channel Preamp/Overdrive/Distortion Pedal - Anniversary Edition
Based upon the red channel of the companyās Generator 120, this finely tuned circuit offers gain variation with its 3-position aggression switch.
MXR Yngwie Malmsteen Overdrive Pedal - Red
The Viking king of shred guitar has distilled his high-octane tone into a simple, two-knob overdrive. Designed for going into an already dirty amp, this stomp offers clarity, harmonics, and more.
Empress Effects Heavy Menace Distortion Pedal
Arguably the companyās most versatile dirt box, this iteration is all about EQ. Itās loaded with an immensely powerful 3-band EQ with a sweepable mid control, footswitchable noise gate, a low-end sculpting control, and three different distortion modes.
JHS Hard Drive Distortion Pedal - Tan
Designed by late JHS R&D engineer Cliff Smith, the Hard Drive is a powerful and heavy ode to the post-grunge sounds of the late ā90s and early ā00s. This original circuit takes inspiration from many places by including cascading gain stages and Baxandall bass and treble controls.
Boss HM-2W Waza Craft Heavy Metal Distortion Pedal
Few pedals captured the sound of Swedish death metal like the HM-2. The go-to setting is simpleāall knobs maxed out. Flip over to the custom mode for more tonal range, higher gain, and thicker low end.
Electro-Harmonix Nano Metal Muff Distortion Pedal
Voiced with an aggressive, heavy tone with a tight low end, this pedal offers +/- 14 dB of bass, a powerful noise gate, and an LED to let you know when the gate is on.
Soldano Super Lead Overdrive Plus Pedal
Aimed to capture the sound of Mike Soldanoās flagship tube amp, the SLO uses the same cascading gain stages as the 100-watt head. It also has a side-mounted deep switch to add low-end punch.
The foremost pedal for Nordic metal nastiness returns, more potent than ever.
A clever re-working of a classic metal-toned distortion, with enhanced versatility.
Arguably less versatile than Boss would like us to think.
$179
Boss HM-2W Waza Craft Heavy Metal
boss.info
It's comforting that Boss pedals haven't changed their basic look and format since the late '70s. For all the boutique marvels that have come and gone, opening a Boss box still instills a sense of reliability. Boss pedals aren't just comfortingly familiar and bulletproof, though. Many Boss circuits are groundbreaking, timeless classics that deliver distinctive sonic results. And there's a strong sense of classicism about the HM-2w Waza Craft Heavy Metal pedal, a revamped reissue of the popular distortion originally manufactured from 1983 to 1991.
The original HM-2 accidentally came to define the aggressive chainsaw grind of Swedish death metal. It also offered more traditional cranked-stack-in-a-box tones suitable for mellower metal (yeah, "mellow" is relative) and heavy rock. The new HM-2w Waza Craft excels at both, and is more potent, to boot.
Boss HM-2W Waza Craft Heavy Metal Review by premierguitar
Gibson Les Paul with humbuckers into Friedman Mini Dirty Shirley set for low gain/clean.
Clip 1 Standard Mode: Bridge pickup ā Dist 3 o'clock, Hi 1 o'clock, Lo 2 o'clock, Level 1 o'clock; Standard mode.
Clip 2 Custom Mode: Bridge pickup ā Dist 3 o'clock, Hi 1 o'clock, Lo 2 o'clock, Level 1 o'clock; Custom mode.
Ā Waza Up
On the HM-2w, the classic Boss recessed control panel is home to four knobs for distortion, a "color mix" EQ section with high and low knobs, and a master output level. Waza Craft updates enter the picture in the form of a small slide switch on the crown that selects between original voicing (S, for standard) and a custom tuning (C) that's tighter and more aggressive. The pedal has a lower noise floor and 3 dB more output than the original, as well as an improved buffer when bypassed. Like the original, it also looks just plain mean.
Pedal to the Metal
The original HM-2 Heavy Metal was among the first pedals to wear the amp-in-a-box mantle. Don't let that loose classification fool you, though. The HM-2w Waza Craft is a full-blooded distortion pedal. You wouldn't exactly call it "tube-y." But scooped sizzle and doomy buzz saw harmonic saturation? It has loads of that on tap. The reduced noise helps explore those textures with a lot more confidence, too.
The "C" mode adds some gain, saturation, and punch, with just a little more push in the mids and some added upper-mid/treble bite.
While Boss claims the HM-2w Waza Craft is capable of lower-gain tonesāa little classic rock or vintage metal, perhapsāthe pedal's priorities are clearly more metal-aligned. Crank all four knobs and you'll feel your amp blazing and sounding joyously evil in the process. To say the HM-2w pushes a front end is an understatement. Generally, the pedal's voice is predisposed toward a scooped EQ profile, but the color mix knobs, while not super rangy, are effective at dialing in some variations.
The "S" mode does a great job of copping the original tones. The "C" mode, meanwhile, adds gain, saturation, and punch, with just a little more push in the mids and some added upper-mid/treble bite. I'd call it contemporary rather than more aggressive. But it proved to be my favorite mode in a pedal that offers many cool, super-fun paths to metal mayhem.
The Verdict
Built like a Boss and packed with distortion power, the HM-2w Waza Craft does a great job re-creating the original Heavy Metal's chainsaw grind and, somehow, adds muscle and headroom for extended modern metal hijinks. The HM-2w has a strong personality, and some shoppers might want to gauge how retro and transformed they want their amp distortion and associated dynamics to be. But if you're on board, the HM-2w delivers a breed of proto-metal distortion that's in a league of its own.