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Taylor Build to Order, part 2

For part one, click here For more information: Taylor Guitars



For part one, click here

For more information:
Taylor Guitars
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Join PG contributor Tom Butwin as he explores all-new versions of the Framus Hootenanny 12-string and 6-string acousticsā€”made famous by John Lennon and now available with modern upgrades. From vintage-inspired tone to unique features, these guitars are built to spark creativity.

Neil Youngā€™s ā€™70s hits are some of the most recognizable radio rock jams of all time. But Neilā€™s guitar playing continued to grow over the ensuing decades, as he traversed styles from blues to country to electronic to rockabilly and beyond, eventually developing one of the most tonally decadent, fully formed improvisational voices in the entire guitar universe.

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This Japan-made Guyatone brings back memories of hitchinā€™ rides around the U.S.

This oddball vintage Guyatone has a streak of Jack Kerouacā€™s adventurous, thumbing spirit.

The other day, I saw something I hadnā€™t noticed in quite some time. Driving home from work, I saw an interesting-looking fellow hitchhiking. When I was a kid, ā€œhitchersā€ seemed much more common, but, then again, the world didnā€™t seem as dangerous as today. Heck, I can remember hitching to my uncleā€™s cabin in Bradford, Pennsylvaniaā€”home of Zippo lightersā€”and riding almost 200 miles while I sat in a spare tire in the open bed of a pickup truck! Yes, safety wasnā€™t a big concern for kids back in the day.

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There's a lot of musical gold inside the scales.

Intermediate

Intermediate

ā€¢ Develop a deeper improvisational vocabulary.

ā€¢ Combine pentatonic scales to create new colors.

ā€¢ Understand the beauty of diatonic harmony.
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Improvising over one chord for long stretches of time can be a musician's best friend or worst nightmare. With no harmonic variation, we are left to generate interest through our lines, phrasing, and creativity. When I started learning to improvise, a minor 7 chord and a Dorian mode were the only sounds that I wanted to hear at the time. I found it tremendously helpful to have the harmony stay in one spot while I mined for new ideas to play. Playing over a static chord was crucial in developing my sense of time and phrasing.

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