Most effects pedals today come with a jack, which allows an AC adapter to run the effect instead of batteries.
While these jacks are mostly very similar – based on what Boss pedals use – plugging in the wrong adapter can damage your effect. Here’s the five critical items you need to look at before powering your pedals from an AC adapter.
1. AC or DC power?
Each of your pedals should have an inscription, usually on the bottom or at the power inlet jack, that tells you the kind of power you should feed the pedal. It is critical to look for whether the pedal expects AC (alternating current) or DC (direct current) power. Some well-known pedals require AC and come with a matching adapter that supplies it. If you accidentally plug the adapter for that pedal into an effect which is supposed to run on DC, it can kill the DC pedal, possibly beyond a reasonable repair price. A good example of this is the Line 6 adapter for the POD and the larger modeling pedals (DL4, etc.) which is 9V AC, not DC.
2. The Rated Voltage
If you put too little voltage into your effect, it may not work right. Put in too much and it may work great – or it may need a part transplant to work again. Pedals vary substantially in how much variation from their rated voltage the pedal will take. Pedals do exist that will run well from more than twice their rated voltage. However, many mass produced pedals are designed to run on 9V DC, and include parts that will be damaged at over 10V. Learning by experimentation is an expensive way to find this out.
3. What polarity is the DC plug?
Direct current (DC) is polarized. There is a positive and a negative contact to the power plug; most effects pedals have the center of the plug negative – but a few have center positive. If you plug in an adapter with the wrong polarity, your effect will not work. If your effect is older, with no polarity protection circuitry, this may damage the effect. The adapter will usually have the rated output voltage, current, and polarity printed on the label.
Another issue that gets raised at Visual Sound regarding the 1 SPOT power supply is the internal polarity of the pedal. Old germanium fuzz pedals use a “positive ground” which will conflict with more modern pedals, which are mostly “negative ground.” For example, most pedals these days use the “Boss standard,” which is a barrel plug 9V DC adapter with the center of the plug negative and internally having a negative ground. It’s perfectly fine to daisy-chain these to a single power supply, as long as there isn’t a positive ground pedal in the chain, like a Fuzz Face.
4. Is it regulated DC?
A “regulated” adapter will put out a nearly constant voltage. A regulated 9V DC output adapter will be about 9.0V if you don’t overload it.
Unregulated adapters also exist. These adapters will have a rating like “9V @ 200mA” printed on them. The correct way to read that is that the voltage will decline to 9V only if you load it down with 200mA of current. With a lower load, it will put out a higher voltage. How much higher? They usually don’t tell, but it can be as high as 15V.
Unregulated adapters have one more nasty surprise: they hum, due to a lack of electrical filtering components. So if you plug in your pedal and it hums, it could very well be that your adapter is unregulated. Radio Shack and so-called “universal” adapters are typically unregulated – not recommended for musicians.
5. Rated Power
(you know … that mA thing) You know how the adapter labels always have a mA rating? All that means is that the adapter will continue to work up to the mA rating on the label. So, if you have a 1 SPOT, for example, it will work up to 1700mA of current being drawn out of it. The average analog pedal consumes only about 10-20mA of current and a digital pedal uses anywhere from 50-150mA typically. You can do the math to figure out how many pedals that will power.
So before you hook up AC adapters to your pedal effects, do a little bit of homework. Look at each pedal, write down what voltage and current it needs, and note what kind of plug it takes. The pedals you save could be your own.
R.G. Keen
Cheif Engineer
Visual Sound
www.visualsound.net
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
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Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
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- YouTube
The legendary Queen guitarist shared an update on his social media that he noted as a "little health hiccup." "The good news is I can play guitar,” he said.
Brian May revealed that he was rushed to a hospital after suffering a minor stroke and temporarily losing control of his left arm. In a message to his fans, May addresses the events of the past week:
“They called it a minor stroke, and all of a sudden out of the blue, I didn’t have any control of this arm. It was a little scary, I have to say. I had the most fantastic care and attention from the hospital where I went, blue lights flashing, the lot, it was very exciting. I might post a video if you like.”
“I didn’t wanna say anything at the time because I didn’t want anything surrounding it, I really don’t want sympathy. Please don’t do that, because it’ll clutter up my inbox, and I hate that. The good news is I’m OK.”
An Inspired by Gibson Custom recreation of the guitar that Jimi customized and played extensively from 1967-1969.
As part of the Epiphone Inspired by Gibson Custom Collection, the Epiphone Jimi Hendrix “Love Drops” Flying V is now available at Authorized Epiphone dealers and worldwide on www.epiphone.com.
“Jimi’s artistic expression was all-encompassing. It went far beyond creating magical music and expanded into another dimension of art that allowed us to see the beauty of his music,” says Janie Hendrix, Sister of Jimi and President and CEO of Experience Hendrix LLC & Authentic Hendrix LLC. “When he hand-painted his Flying V, which was an expression of his love for his instrument and his music. With the Epiphone series, Gibson has recreated Jimi’s artwork beautifully! We are excited to partner with them! Seeing Jimi’s handiwork come alive in this spectacular collection is extremely gratifying.”
The Epiphone Jimi Hendrix “Love Drops” Flying V with custom hardshell guitar case.
Originally a Sunburst, Jimi Hendrix customized his Ebony-refinished Gibson Flying V with striking psychedelic graphics that he hand-painted on the original guitar, which are carefully recreated here on the Flying V. As a fitting tribute to one of the world’s most legendary and famous lefty guitar players, the Epiphone Jimi Hendrix “Love Drops” Flying V is available in right and left-handed versions. The Jimi Hendrix “Love Drops” Flying V also features a mahogany body, a one-piece mahogany neck with a Rounded C profile, a laurel fretboard, and 22 medium jumbo frets.
An Inspired by Gibson Custom logo and reproduction of Jimi’s signature adorn the back of the 1967-style Flying V headstock. Epiphone Deluxe tuners anchor the strings at the headstock, while a short Maestro Vibrola anchors them at the other end. The electronics are first-rate, with a pair of Gibson Custombucker humbucker pickups wired to CTS potentiometers, a Mallory tone capacitor, and a Switchcraft 3-way pickup select switch and 1/4” output jack. An Epiphone hardshell guitar case with Inspired by Gibson Custom and Authentic Hendrix™ logos is also included.
Learn more: www.epiphone.com.