Two legendary green overdrives are melded in a OD of many moods.
Imagine being able to combine your favorite parts of different overdrive & boost pedals in order to create hybrid sounds no one has ever played through before. That is exactly what we've engineered with the Noble Screamer. It’s a 4-in-1 pedal that gives you two very familiar drive circuits and two brand new amp-like distortion tones that no one has used before. It’s almost like pedal-modeling, except these are 100% analog circuits, and you decide which tone-control or clipping-section you want to play through. You can play through battle-tested, classic overdrive effects or innovate new music with hybrid tones, let your ears be the judge. Even with all of these features the pedal remains a simple and easy to use three knob overdrive. The innovation in the Noble Screamer doesn’t end there; our new design features true-bypass or buffered, truly silent switching, on the fly. The Keeley Noble Screamer Overdrive and Boost is entirely manufactured at Keeley Electronics and is the first in our new aluminum enclosure.
Learn more here.
Enter for your chance to WIN one of SIX Pedals during Pedalmania 2022! This giveaway runs September 5 - 19, 2022.
The VPJR Tuner pedal combines Ernie Ball’s world-renowned volume pedal with an enhanced definition digital guitar tuner. In the heel-down position, the pedal’s vibrant touchscreen automatically enters tuner mode, allowing for silent tuning. As the foot sweeps forward, the screen switches to volume mode, providing a graphic display of your volume level. Alternatively, the screen can remain in volume mode or tuner mode, regardless of the pedal’s position in the sweep. Simply double-tap on the touchscreen to toggle between modes. The VPJR Tuner provides the same rugged construction and time-tested performance as Ernie Ball’s traditional volume pedal, resulting in the most useful guitar tuner pedal on the market.
The Fulltone Custom Shop SUPA-WAH, with its gorgeous Metallic-White finish, takes our legendary CLYDE Wah concept to the next level by offering two additional Modes, for a total of Five unique voices. Like having five totally different Wah pedals at your disposal, the modes are accessible via a large rotary switch located on the right side of the pedal! PHAT mode is the throatiest, most vocal Wah sound and my personal favorite. SUB is deep, grunty, and unbelievably expressive...works great on Bass, but certainly not just for Bass players! The SUPA-WAH is powered by a matched-pair of rare BC109B transistors (subject to availability) which were the same ones used in 1960s Vox Clyde McCoys. There’s an adjustable input LEVEL Knob allowing the signal to hit the wah circuit cleanly (when turned down) or to overdrive it for grit and more overtones (when turned up).
The Crunch Transparent Overdrive pedal started one afternoon when Michael Schau, the best guitar player I know, told me that he could never find a low-gain overdrive pedal that was truly transparent. I figured it was time to use my physics background; I started researching and came up with a proof of concept as well as a long list of modifications/improvements. Mike heard the proof of concept and told me to "...not change a f***ing thing." I ignored him and spent a year making mods, only to end up pretty close to where I started. Mike's been playing it live and in recordings ever since.
TWA is very excited to announce our first signature model, as well as our first collaboration with Tube Screamer creator Susumu Tamura – the Scott Henderson SH9 signature distortion.
With the SH9, Mr. Tamura has taken the classic Sonic Distortion circuit that he invented in 1981 and re-worked it to meet Scott Henderson’s exacting performance standards.
The primary improvement was a re-design of the pedal’s tone stack, shifting the center frequency for more focus in the lows and lower-mids. Even as the SH9’s Tone control is turned up, there is no loss of the bass frequencies that Scott considers essential for playing in the higher registers on the guitar.
This increased note girth combined with the SH9’s inherently compressed sound allows Scott to effortlessly articulate the fluid, horn-like lead tones that he is famous for.
Other useful improvements include an increased output level that helps the pedal to be heard clearly in a full band context, as well as 9- or 18-volt operation for increased headroom with less compression and a slightly different character to the distortion.
The SH9 Scott Henderson signature distortion features the following –
• Signature distortion pedal inspired by classic SD-9 circuit
• Thick, compressed, amp-like tone
• Improved Bass and lower Midrange response
• Increased “girth” on high-register notes
• Allows notes to “speak” properly
• Increased output level
• JRC4558 OpAmp
• Optional 18-VDC operation for increased headroom, less compression and alternate drive signature
• True Bypass switching
• Die cast zinc enclosure with custom powder coat
• Made in USA
The Mira is a true bypass optical compressor offering studio-grade sound sculpting and sustain packed with controls you’d normally only find on studio units. Use the Blend knob to mix in your compressed sound with your clean tone to maintain note clarity while offering increased sustain. Mira also offers in-depth control over Attack, Release, Ratio, and a Make-Up knob to help maintain unity levels after your signal has been compressed. For higher headroom, Mira runs internally at ±15VDC.
Parametric EQ power makes an impressive overdrive extra flexible.
Powerful but simple parametric EQ creates huge range of drive sounds. High headroom. Intuitive
Some players might like a little more control of high-mids.
Catalinbread’s Tribute is a potent overdrive and a very nice low-gain-to-cleanish boost as well. But the Tribute is also a powerful EQ device—one that can recast a flat or ill-fitting tone into an ideal or unexpected sound in a flash. And though the simple parametric EQ takes a bit of practice to master, it’s highly intuitive, fun, and easy to use by feel.
Tribute’s fundamental drive flavor is hard to characterize because the EQ creates so many variations on that voice. I replicated a few favorite Klon-style tones and more midrangey TS- and SD-1-style sounds with ease. But approximating these baselines only scratches the surface. The range of frequencies that you can boost and cut—1.4 kHz on the midrange side to 70 hz on the bottom end—is considerable. So is the +/- 12 dB boost or cut at your disposal once you’ve isolated the frequency you want to emphasize or remove. The way addition and subtraction of these frequencies adds focus, body, civility, mass, or aggression is impressive and often liberating.
The Tribute will be invaluable if you switch between humbuckers and single-coils in performance.
The Tribute will be invaluable if you switch between humbuckers and single-coils in performance. It could be even more indispensable in the studio—not just for the subtle-to-nasty range of drive and boost tones you can access, but the ease and speed with which you can find them.