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Building the StewMac Lightcycle Phasor II | PG DIY

Building the StewMac Lightcycle Phasor II | PG DIY
PG DIY: Building the StewMac Lightcycle Phasor II

The StewMac Lightcycle is an optical-phaser pedal kit based on the Mu-Tron Phasor II. This stomp features deep functionality with depth, rate, and feedback controls, plus a pair of internal controls for intensity and sweep settings as well as a true bypass switch. Committed lifelong phaser fan, aspiring pedal builder, and PG’s senior editor, Nick Millevoi, gave this build a try.


The Lightcycle kit is more challenging than some of StewMac’s other projects and includes photo resistors and vertically mounted resistors, both of which are tricky to install. Luckily, Nick has been building StewMac kits for the last year—he’s previously built both the Sun Fuzz and Ghost Drive kits. Equipped with their pedal-building tool kit, he felt like he leveled up his skills.

In this video, Nick unboxes the Lightcycle kit, talks about the building process from testing and labeling each component to installing them (following the kit’s 40-page step-by-step instructions along the way), then plugs it in for a pair of demos with various sounds from this vintage-inspired unit.

Kemper and Zilla announce the immediate availability of Zilla 2x12“ guitar cabs loaded with the acclaimed Kemper Kone speaker.

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Featuring a preamp and Dynamic Expansion circuit for punch and attack, plus switchable amp simulations.

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Photo by Chuck Brueckmann

Creed extend their sold-out Summer of ’99 Tour with 23 additional dates.

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A thick, varied take on the silicon Fuzz Face that spans punky, sparkling, and full-spectrum heavy.

Dimensional, thick variations on the silicon Fuzz Face voice. Surprisingly responsive to dynamics at most tube amp’s natural clean/dirty divide. Bass control lends range.

Thins out considerably at lower amp volumes.

$185

McGregor Pedals Classic Fuzz
mcgregorpedals.com

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Compared to the dynamic germanium Fuzz Face, silicon versions sometimes come off as brutish. And even though they can be sonorously vicious, if dirty-to-clean range and sensitivity to guitar volume attenuation are top priorities, germanium is probably the way to go. The McGregor Classic Fuzz, however, offers ample reminders about the many ways silicon Fuzz Faces can be beastly, sensitive, and sound supreme.

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