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Montreal Guitar Show '11 Henman Guitars
PG's Rebecca Dirks is on Location at the 2011 Montreal Guitar Show where she visits the Henman Guitars booth. In this segment, we get to see and learn more about the Mod, Rocka, and Rolla guitars.
PG's Rebecca Dirks is on Location at the 2011 Montreal Guitar Show where she visits the Henman Guitars booth. In this segment, we get to see and learn more about the Mod, Rocka, and Rolla guitars.
A sub-$1K SE version of PRS’ imaginative T-style evolution delivers insane value via deep-dish Narrowfield pickups, an ash body, and comfort few T-Styles can match.
PG contributor Tom Butwin tries the Lutefish Stream, a desktop device that lets musicians rehearse, record, and collaborate online with ultra-low latency. Tom tours the hardware, explores the browser-based mixer, and enlists a musical collaborator to test a real-time rehearsal for an upcoming performance.
Fresh off a substantial break and a live acoustic recording from Paris’ infamous catacombs, hard-rock titans Queens of the Stone Age stormed back to life this spring with an American tour, including back-to-back nights in Boston at Fenway’s MGM Music Hall.
PG’s Chris Kies snuck onstage before soundcheck to meet with guitarist Troy Van Leeuwen and get an in-depth look at the guitars, amps, and effects he’s using this summer.
Van Leeuwen started working with Echopark Guitars luthier Gabriel Currie around 12 years ago, and this custom De Leon model is the product. It’s nothing fancy, says Van Leeuwen, with a walnut bolt-on neck and single-coil bridge/humbucker neck configuration, but it’s just made well. This one is tuned to C standard and strung with a custom set of Dunlop strings (.012–.058).
TVL’s RIY (Relic It Yourself)
TVL’s RIY (Relic It Yourself)
This is the first-ever prototype of the signature oxblood Jazzmaster that Van Leeuwen received from Fender’s Custom Shop, and it also carries his first attempt at writing out his own signature. (It got better.) Van Leeuwen relic’d it himself with hard playing and natural wear and tear. It’s got a Mastery bridge.
Double the Jazz
Double the Jazz
This is number two of two double-neck Jazzmasters produced by Paul Waller at Fender’s Custom Shop. The bottom 6-string neck is essentially the Troy Van Leeuwen Jazzmaster, while the top splits the difference between an Electric XII and a Telecaster, with a single-coil Tele pickup in the bridge and an offset pickup in the neck. A selector at the top toggles between top, bottom, or both signals, and basic controls for tone, volume, and pickup selection stay at the bottom.
Exploiter
This Echopark Explorer-style, nicknamed the “Exploiter,” came from a love of ’80s Ibanez and Hamer guitars. On its way back on a boat from Europe, it got exposed to seawater, which helped Van Leeuwen out with the relic’ing.
Van Leeuwen also packs a custom Echopark modeled after an old Teisco electric and a custom Fender 12-string Telecaster. Van Leeuwen hints that he’s been working with Squier to make an affordable version of the 12-string Tele.
A GMI PSA
Along with Currie and GMI’s Sean Romin, Van Leeuwen helped develop the GMI Public Address Systems 33F6. He describes it as having the power section of a Fender and the preamp section of a Marshall Jubilee. It’s a great pedal platform.
Van Leeuwen runs two 33F6s plus a Vox AC30. One 33F6 has his dry signal, and the AC30 carries the wet, while the second 33F6 carries wet lead signals. One cabinet is dedicated to the dry signal, while the other cab has one 12" speaker for the AC30 and two 12" speakers for the lead 33F6 signal. Three Austrian Audio condenser mics capture the signals.
Troy Van Leeuwen’s Board
All of Van Leeuwen’s pedals go through loops, with a RJM Mastermind PBC/6X and Mastermind GT/16 handling the switching, and most processing done through a Fractal FM3 and a pair of Eventide H9s. Van Leeuwen designed the boards, and his tech Cody helped build and program it.
Across the two boards, there’s a pair of both Electro-Harmonix Superegos and Way Huge Saffron Squeezes, plus Dunlop expression and volume pedals; EarthQuaker Devices Tentacle, Rainbow Machine, and Fuzz Master General; Way Huge Effect Pedal, Green Rhino, and Atreides; Echopark Echodriver; Ten Years Is A Decade; modified EHX Holiest Grail; and Dr. No Effects TVL Raven.
PG contributor Tom Butwin features the all-new Hotone Verbera. The dual-engine reverb pedal blends IR realism with algorithmic creativity and adds the ability to clone your favorite reverb effects.
Ever imagined your sound echoing through a sold-out stadium? Or reverberating off the metallic walls of a NASA spacecraft hangar? What if your guitar fell into a cosmic white hole… or drifted through the vaulted ceilings of a centuries-old cathedral?
Welcome to Verbera — where imagination meets reality. This is not your typical software convolution plugin. Verbera is a standalone, hardware-based convolution reverb pedal — with Instant IR loading, stunning tweakability, and boundless sonic range. Whether you’re recreating iconic spaces, vintage hardware, or crafting otherworldly reverbs never heard before, Verbera gives musicians and engineers a powerful new tool for both live and studio setups.
PG contributor Tom Butwin details four pedalboard options that can help your acoustic sound its best onstage or in the studio. From subtle enhancements to total tone control, these preamps and effects from Grace Design, LR Baggs, and Radial cover the needs of any serious acoustic player.
Grace Design’s Moxi is a powerful dual-channel preamp and blender that offers studio-level control in a surprisingly compact footprint. With independent EQ and high-pass filtering on both channels, it’s perfect for managing multiple instruments or pickups—especially in live scenarios where switching between guitars can be a headache. What sets it apart is the ability to blend two sources (like mic + pickup) or quickly toggle between instruments with different EQ profiles. Whether you’re solo or managing your own sound, the Moxy keeps your setup flexible without sacrificing tone.
The Session from LR Baggs is a smart, stage-ready pedal designed to give your acoustic guitar signal that final polish. Even if your pickup already sounds great, this pedal adds subtle compression and harmonic richness that really elevate your tone. With controls for volume, gain, saturation, and a simplified “comp EQ,” it's incredibly intuitive—especially for those of us who don't want to get lost in compressor settings. The goal here is to retain the natural sound of your acoustic while giving it a warm, studio-finished edge.
The Align Chorus by LR Baggs gives acoustic players a lush, musical modulation option without compromising their guitar’s natural tone. Instead of overwhelming your sound, the pedal preserves your guitar’s character while adding subtle to rich chorus textures. The tone knob only affects the chorus effect itself, not your dry signal, which is key if you love the core tone of your instrument. With intuitive controls for depth and size, it’s easy to dial in anything from a gentle shimmer to a more expansive chorus that still feels organic and usable.
Radial’s PZ Pre is a tone-shaping Swiss Army knife for acoustic players. With two inputs, full EQ, a notch filter, effects loop, and multiple output options (pre- and post-EQ), this pedal is all about adaptability. It excels in complex stage setups where you might need different EQ profiles for monitors and front of house, or if you’re switching between instruments. The A/B toggle makes instrument changes seamless, and the boost function is perfect for stepping out during a solo. Whether you play acoustic guitar, upright bass, or even switch between them, the PZ Pre handles it all with pro-level control.
Echopark Shark
TVL’s RIY (Relic It Yourself)
Double the Jazz
