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Way Huge Doom Hammer Review
Gear

Way Huge Doom Hammer Review

Jeorge Tripps concocts a Big Muff alternative that balances big bottom end and mean midrange buzz.

Benson Deep Sea Diver Fuzz-Echo Review
Pedals

Benson Deep Sea Diver Fuzz-Echo Review

Jessica Dobson’s signature fuzz-echo can be beastly, blurry, and just the fix for the same-old dirt-and-delay blues.

Boss RT-2 Rotary Ensemble Review
Pedals

Boss RT-2 Rotary Ensemble Review

A streamlined, shrunken evolution of the RT-20 is easy to use, and bubbles over with addictively rich Leslie-style modulations.

Strymon EC-1 Review
Pedals

Strymon EC-1 Review

A lively preamp emulation gives this tube Echoplex copycat a kick of adrenaline on top of vintage accuracy.

Aclam Go Rocky Go Review
Pedals

Aclam Go Rocky Go Review

The snarling, heavy Vox Conqueror distortion tones that illuminated the Beatles’ “White Album” live again in this well-designed stomp.

Berserker Electronics Aquanaut Review
Pedals

Berserker Electronics Aquanaut Review

"Analog voicing” in a digital delay often amounts to little more than EQ blunting, but the USA-assembled Aquanaut achieves a useful and truly authentic atmospheric essence at a great price.

Asheville Music Tools Analoger APH-12 Review
Pedals

Asheville Music Tools Analoger APH-12 Review

Using the Moogerfooger MF-103 as a departure point, this North Carolina-built device moves readily between rich traditional phase tones and radical but practical modulation and filter sounds.