My fascination with music dates back to an experience that changed my life: witnessing Bo Diddley perform in Laurel, Mississippi, in 1957. Bo’s performance was electrifying, and he had a wall of speakers that, nearly literally, blew me away. After that, everything was different.
As soon as I got home I started begging my father for an electric guitar, but he flatout refused to give me one. So, I took an old acoustic guitar and modified it with steel strings and a magnetic pickup I fashioned, and then I rummaged together parts to build my own amplifier. It didn’t sound great, but it worked. That was my first lesson in the science of building musical equipment. It certainly wouldn’t be my last.
I realize that some Premier Guitar readers may not know that we wind our own pickups at Peavey, but that fact is that we’ve been winding our own pickups since day one with the T-60 guitar. I’ve always held the philosophy that in order to be better, by definition you have to be different. The inspiration for our new HP Special pickups – the first Peavey pickups ever offered as aftermarket components – came from the same place as many other innovative products in the Peavey catalog: dissatisfaction with what other companies are making, and input from musicians to the same end.
Inconsistency is a recurring problem in so many areas of guitar making – that’s why I began using precision CNC techniques in instrument building – and it’s no different with pickup winding. The HP Special pickup is based on a patented design to ensure consistent tone above all else. We developed a flywheel winding technique to wind every pickup consistently. Some methods of machine winding can result in more wire tension on the ends of the bobbin than in the middle, and cause the pickup’s output to vary. Our method of winding keeps the tension levels consistent all around the bobbin so the tone is always consistent.
Coil tapping is a standard feature on both the bridge and neck pickups on our HP Special guitars, and we’ve resolved the tone problems of coil-tapped pickups by varying the wire gauges. Most “tapped” pickups don’t sound like true single-coil pickups because they are wound as humbuckers. We wind HP Special pickups with two different gauges of wire so you get a true single-coil tone when you tap them, and humbucker tone when you run them in the standard configuration.
Technically speaking, HP Special pickups are four-conductor, hum-canceling pickups that use alnico magnets. The HP-B Custom, or bridge position pickup, has a balanced coil configuration that produces super harmonics with a high output and just the right blend of sustain and distortion (not harsh or dark). You get the best of both worlds: from warm, sweet tones to raw rock ‘n’ roll sustain. It measures out at 16.4k D.C. resistance with a 5.5 kHz resonant peak. The HP-F Custom, or neck position pickup, is voiced to produce accurate, clear tone for fast, articulate runs. Its brighter sound has slightly less output that makes it a good match with the HP-B. It measures out at 7.72 k D.C. resistance with an 8.0 kHz resonant peak.
Dating back to my first encounter with pickup winding, I knew that pickups were only part of the “tone” equation. The other part is matching pickups to your instrument. Some players get in trouble when they start switching out pickups haphazardly, and they kill everything that is unique and balanced about their guitar’s tone. Certain wood combinations are matched together for a reason, like mahogany and maple or basswood and maple, and so should pickups be matched to your guitar’s woods, and even your amplifier. HP Special pickups are voiced to give an accurate representation of the sound of your instrument.
Caveat: some folks would have us believe there is magic in how musical instruments are made. As much as I’d love to tell people that our pickups sound great because we wind them under a full moon in a Mississippi swamp, that simply isn’t true. “Magic” is just a way to describe things we can’t understand. Once we understand them, they become science. And when you know the formula, you can do anything you want to the formula!
Kick off the holiday season by shopping for the guitar player in your life at Guitar Center! Now through December 24th 2022, save on exclusive instruments, accessories, apparel, and more with hundreds of items at their lowest prices of the year.
We’ve compiled this year’s best deals in the 2022 Holiday Gift Guide presented by Guitar Center.
This full-amp-stack-in-a-box pedal brings a new flavor to the Guitar Legend Tone Series of pedals, Missing Link Audio’s flagship product line.
Adding to the company’s line of premium-quality effects pedals, Missing Link Audio has unleashed the new AC/Overdrive pedal. This full-amp-stack-in-a-box pedal – the only Angus & Malcom all-in-one stompbox on the market – brings a new flavor to the Guitar Legend Tone Series of pedals, Missing Link Audio’s flagship product line.
The AC/OD layout has three knobs to control Volume, Gain and Tone. That user-friendly format is perfect for quickly getting your ideal tone, and it also offers a ton of versatility. MLA’s new AC/OD absolutely nails the Angus tone from the days of “High Voltage” to "Back in Black”. You can also easily dial inMalcom with the turn of a knob. The pedal covers a broad range of sonic terrain, from boost to hot overdrive to complete tube-like saturation. The pedal is designed to leave on all the time and is very touch responsive. You can get everything from fat rhythm tones to a perfect lead tone just by using your guitar’s volume knob and your right-hand attack.
- Three knobs to control Volume, Gain and Tone
- Die-cast aluminum cases for gig-worthy durability
- Limited lifetime warranty
- True bypass on/off switch
- 9-volt DC input
- Made in the USA
MLA Pedals AC/OD - Music & Demo by A. Barrero
Sporting custom artwork etched onto the covers, the Railhammer Billy Corgan Z-One Humcutters are designed to offer a fat midrange and a smooth top end.
Billy Corgan was looking for something for heavier Smashing Pumpkins songs, so Joe Naylor designed the Railhammer Billy Corgan Z-One pickup. Sporting custom artwork etched onto the covers, the Railhammer Billy Corgan Z-One Humcutters have a fat midrange and a smooth top end. This pickup combines the drive and sustain of a humbucker with the percussive attack and string clarity of a P90. Get beefy P90 tone plus amp-pummeling output with the Railhammer Billy Corgan Z-One.
Patented Railhammer Pickups take passive guitar pickups to a new level with rails under the wound strings lead to tighter lows, and poles under the plain strings offer fatter heights. With increased clarity, the passive pickup’s tone is never sterile.
Railhammer Billy Corgan Signature Z-One Pickup Demo
For more information, please visit railhammer.com.
Designed for utmost comfort and performance, the Vertigo Ultra Bass is Mono’s answer to those who seek the ultimate gigging experience.
Complete with a range of game-changing design features, such as the patent-pending attachable FREERIDE Wheel System, premium water-resistant and reflective materials, shockproof shell structure and improved ergonomic features, the Vertigo Ultra Bass takes gear protection to the next level.
The Vertigo Ultra Bass features:
- Patent-pending FREERIDE Wheel System that allows for wheels to be attached on the case in no time, giving you the option to travel with it seamlessly
- Upgraded materials, including a water-resistant 1680D Ballistic Nylon outer shell, plush inner lining and new reflective trim for maximum backstage and night visibility
- Enhanced protection with a shockproof shell structure and heavy-duty water-resistant YKK zippers for protection from the elements
- Improved ergonomics and functionality including added back support and load-lifting detachable shoulder straps with side release buckles
- Flexible storage options with added space for touring essentials